{"title":"Fujifilm Video Equipment","description":"","products":[{"product_id":"fujifilm-x-t30-ii-mirrorless-camera-no-lens-black","title":"Fujifilm X-T30 II Mirrorless Camera, No Lens, Black","description":"\u003ch2\u003eFujifilm X-T30 II Mirrorless Camera, No Lens, Black\u003c\/h2\u003e\n\u003cp\u003eCleverly weaving proven technology with a vintage aesthetic, X-T30 II has much to offer stills photographers and videographers of all levels. The 26.1MP back-illuminated X-Trans sensor and X-Processor 4 imaging engine combine to deliver exceptional performance, with autofocusing down to -7EV in just 0.02 secs and detail-packed results full of vibrant color. Pick up and start creating in seconds by flicking over to the Advanced SR Auto mode, or take more control over your output. X-T30 II has the features and functions to fit your creative style and mood, including the ability to share your work in seconds, via Wi-Fi or Bluetooth.\u003c\/p\u003e\n\u003cp\u003eX-T30 II uses Fujifilms fourth-generation X-Trans CMOS 4 back-illuminated sensor, designed to minimize noise, while also extending sensitivity to ISO 160. The unique structure of the X-Trans color filter array also minimizes moir and false colors, without the need for an optical low pass filter ensuring the best possible image quality, packed with detail and vibrant, true-to-life color.\u003c\/p\u003e\n\u003cp\u003eNever miss a moment, thanks to the X-Processor 4 quad-core CPU inside X-T30 II. It offers fast, accurate autofocusing in as little as 0.02 secs on any subject, but significant enhancements have been made to the original X-T30s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K\/30p video capabilities. Low light focusing performance has also been expanded from the original X-T30 model, down to -7EV (with XF50mmF1.0 R WR attached) for even greater versatility.\u003c\/p\u003e\n\u003cp\u003eA truly versatile imaging device, X-T30 II offers the ability to record 4K video at 30 frames-per- second, or 240fps at 1080p, to create 10x super slow-motion effects. Filmmakers needing extreme color fidelity can record 10-bit, 4:2:2 color through the cameras HDMI port, F-Log internally, or video using any one of X-T30 IIs 18 Film Simulation modes. Alongside these, X-T30 II makes it easy to define your own distinctive visual style on still images offering in-camera control over film grain texture, color depth, clarity, sharpness, and highlight and shadow tones.\u003c\/p\u003e\n\u003cp\u003eFrom the dial-based operation, and compact, lightweight body, to the latest-generation Fujifilm APS-C sensor, X-T30 II lights up the imagination and inspires creativity fusing cutting edge, convenient features with a vintage aesthetic charm. The three-inch, two-way tilting screen, for example, offers impressive touchscreen functionality, making it easy to get high-quality results in challenging conditions. For those who want to focus purely on light and composition, the Advanced SR Auto mode easily activated with a lever on the cameras top plate automatically chooses the optimum settings from 58 presets.\u003c\/p\u003e\n\u003cp\u003eX-T30 II is primed for sharing. Use Bluetooth or Wi-Fi to share your memories with friends and family on social media, by connecting and downloading images to the FUJIFILM Camera Remote App or instantly connect and print your favorites from any compatible FUJIFILM INSTAX Smartphone printer.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage Sensor:\u003c\/strong\u003e 26.1MP BSI APS-C X-Trans CMOS 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessor:\u003c\/strong\u003e X-Processor 4 quad-core CPU\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutofocus Coverage:\u003c\/strong\u003e 100% phase detect AF across the frame\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFace Detection:\u003c\/strong\u003e Strong face and eye detection AF with new Face Selection option\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eViewfinder:\u003c\/strong\u003e 2.36M-dot OLED EVF\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain Display:\u003c\/strong\u003e 3.0-inch 1.04M-dot 2-way tilting Touch LCD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo Performance:\u003c\/strong\u003e Cine DCI 4K\/30p and Full HD 120fps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLog Profiles:\u003c\/strong\u003e DCI and UHD 4K30 Video; F-Log Gamma\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecondary Display:\u003c\/strong\u003e 3.0” 1.62m-Dot Tilting LCD Touchscreen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAF Points:\u003c\/strong\u003e 425-Point Phase-Detection Autofocus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShutter System:\u003c\/strong\u003e Mechanical and Electronic Shutter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpeed and ISO:\u003c\/strong\u003e Extended ISO 80-51200, 30 fps Shooting\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnectivity:\u003c\/strong\u003e Bluetooth and Wi-Fi; Sports Finder Mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaintenance:\u003c\/strong\u003e Ultra-Sonic Vibration Sensor Cleaning\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eModel Name\u003c\/strong\u003e\u003cbr\u003eFUJIFILM X-T30 II\u003cbr\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003eFUJIFILM X mount\u003cbr\u003e\u003cstrong\u003eImage sensor\u003c\/strong\u003e\u003cbr\u003e23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter\u003cbr\u003e\u003cstrong\u003eNumber of effective pixels\u003c\/strong\u003e\u003cbr\u003e26.1 million pixels\u003cbr\u003e\u003cstrong\u003eSensor Cleaning System\u003c\/strong\u003e\u003cbr\u003eUltra-Sonic Vibration\u003cbr\u003e\u003cstrong\u003eImage Processing Engine\u003c\/strong\u003e\u003cbr\u003eX-Processor 4\u003cbr\u003e\u003cstrong\u003eStorage media\u003c\/strong\u003e\u003cbr\u003eSD Card (-2GB)\u003cbr\u003eSDHC Card (-32GB)\u003cbr\u003eSDXC Card (-2TB)\u003cbr\u003eUHS-I\u003cbr\u003e*Please see the Fujifilm website to check memory card compatibility.\u003cbr\u003e\u003cstrong\u003eFile format of still image\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDCF\u003c\/strong\u003e\u003cbr\u003eCompliant with Design rule for Camera File system (DCF2.0)\u003cbr\u003e\u003cstrong\u003eJPEG\u003c\/strong\u003e\u003cbr\u003eExif Ver.2.32\u003cbr\u003e\u003cstrong\u003eRAW\u003c\/strong\u003e\u003cbr\u003e14bit RAW (RAF original format)\u003cbr\u003e*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing\u003cbr\u003e\u003cstrong\u003eNumber of recorded pixels\u003c\/strong\u003e\u003cbr\u003eL: (3:2) 6240 x 4160 \/ (16:9) 6240 x 3512 \/ (1:1) 4160 x 4160\u003cbr\u003eM: (3:2) 4416 x 2944 \/ (16:9) 4416x 2488 \/ (1:1) 2944 x 2944\u003cbr\u003eS: (3:2) 3120 x 2080 \/ (16:9) 3120x 1760 \/ (1:1) 2080 x 2080\u003cbr\u003e\u003cstrong\u003ePanorama\u003c\/strong\u003e\u003cbr\u003eL: (vertical) 9600 x 2160 \/ (Horizontal) 9600 x 1440\u003cbr\u003eM: (Vertical) 6400 x 2160 \/ (Horizontal) 6400 x 1440\u003cbr\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStill Image\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStandard Output\u003c\/strong\u003e\u003cbr\u003eAUTO1 \/ AUTO2 \/ AUTO3 \/ ISO160 ~12800(1\/3 step)\u003cbr\u003e\u003cstrong\u003eExtended output\u003c\/strong\u003e\u003cbr\u003eISO80 \/ 100 \/ 125 \/ 25600 \/ 51200\u003cbr\u003e\u003cstrong\u003eMovie\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStandard Output Sensitivity\u003c\/strong\u003e\u003cbr\u003eAUTO \/ ISO160 ~12800 (1\/3 step)\u003cbr\u003e\u003cstrong\u003eExtended output sensitivity\u003c\/strong\u003e\u003cbr\u003eISO25600\u003cbr\u003e\u003cstrong\u003eExposure control\u003c\/strong\u003e\u003cbr\u003eTTL 256-zone metering, Multi \/ Spot \/ Average \/ Center Weighted\u003cbr\u003e\u003cstrong\u003eExposure mode\u003c\/strong\u003e\u003cbr\u003eP (Program AE) \/ A (Aperture Priority AE) \/ S (Shutter Speed Priority AE) \/ M (Manual Exposure)\u003cbr\u003e\u003cstrong\u003eExposure compensation\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStill\u003c\/strong\u003e\u003cbr\u003e-5.0EV ~ +5.0EV 1\/3EV step\u003cbr\u003e\u003cstrong\u003eMovie\u003c\/strong\u003e\u003cbr\u003e-2.0EV ~ +2.0EV 1\/3EV step\u003cbr\u003e\u003cstrong\u003eShutter type\u003c\/strong\u003e\u003cbr\u003eFocal Plane Shutter\u003cbr\u003e\u003cstrong\u003eShutter speed\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eP mode\u003c\/strong\u003e\u003cbr\u003e4sec. to 1\/4000sec.\u003cbr\u003e\u003cstrong\u003eA mode\u003c\/strong\u003e\u003cbr\u003e30sec. to 1\/4000sec.\u003cbr\u003e\u003cstrong\u003eS\/M mode\u003c\/strong\u003e\u003cbr\u003e15min. to 1\/4000sec.\u003cbr\u003e\u003cstrong\u003eBulb mode\u003c\/strong\u003e\u003cbr\u003eup to 60min.\u003cbr\u003e\u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eP mode\u003c\/strong\u003e\u003cbr\u003e4sec. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eA mode\u003c\/strong\u003e\u003cbr\u003e30sec. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eS\/M mode\u003c\/strong\u003e\u003cbr\u003e15min. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eBulb mode\u003c\/strong\u003e\u003cbr\u003e1sec. Fixed\u003cbr\u003e*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.\u003cbr\u003e\u003cstrong\u003eMechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eP mode\u003c\/strong\u003e\u003cbr\u003e4sec. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eA mode\u003c\/strong\u003e\u003cbr\u003e30sec. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eS\/M mode\u003c\/strong\u003e\u003cbr\u003e15min. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eBulb mode\u003c\/strong\u003e\u003cbr\u003eup to 60min.\u003cbr\u003e\u003cstrong\u003eContinuous shooting\u003c\/strong\u003e\u003cbr\u003eApprox. 30fps (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)\u003cbr\u003eApprox. 20fps (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)\u003cbr\u003eApprox. 10fps (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames)\u003cbr\u003eApprox. 20fps (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)\u003cbr\u003eApprox. 10fps (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames)\u003cbr\u003eApprox. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames)\u003cbr\u003eApprox. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames)\u003cbr\u003eApprox. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames)\u003cbr\u003eApprox. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames)\u003cbr\u003ePre-shot: Approx. 30fps (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames)\u003cbr\u003ePre-shot: Approx. 20fps (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames)\u003cbr\u003ePre-shot: Approx. 10fps (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames)\u003cbr\u003e* Recordable frames depend on recording media\u003cbr\u003e* Speed of continuous shooting depends on shooting environment and shooting frames\u003cbr\u003e\u003cstrong\u003eDrive Mode\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAE Bracketing\u003c\/strong\u003e\u003cbr\u003e2 frames\u003cbr\u003e3 frames\u003cbr\u003e5 frames\u003cbr\u003e7 frames\u003cbr\u003e9 frames\u003cbr\u003e*By 1\/3EV step, up to ±3EV steps\u003cbr\u003e\u003cstrong\u003eFilm simulation bracketing\u003c\/strong\u003e\u003cbr\u003eAny 3 types of film simulation selectable\u003cbr\u003e\u003cstrong\u003eDynamic Range Bracketing\u003c\/strong\u003e\u003cbr\u003e100%\u003cbr\u003e200%\u003cbr\u003e400%\u003cbr\u003e\u003cstrong\u003eISO sensitivity Bracketing\u003c\/strong\u003e\u003cbr\u003e±1\/3EV\u003cbr\u003e±2\/3EV\u003cbr\u003e±1EV\u003cbr\u003e\u003cstrong\u003eWhite Balance Bracketing\u003c\/strong\u003e\u003cbr\u003e±1\u003cbr\u003e±2\u003cbr\u003e±3\u003cbr\u003e\u003cstrong\u003eFocus Bracketing\u003c\/strong\u003e\u003cbr\u003eAUTO\u003cbr\u003eMANUAL\u003cbr\u003e\u003cstrong\u003eMultiple Exposure\u003c\/strong\u003e\u003cbr\u003eYes (Max. 9 frames)\u003cbr\u003eAdditive\u003cbr\u003eAverage\u003cbr\u003eBright\u003cbr\u003eDark\u003cbr\u003e\u003cstrong\u003eHDR Mode\u003c\/strong\u003e\u003cbr\u003eAUTO\u003cbr\u003e200%\u003cbr\u003e400%\u003cbr\u003e800%\u003cbr\u003e800% +\u003cbr\u003e\u003cstrong\u003eAdvanced filter\u003c\/strong\u003e\u003cbr\u003eToy camera\u003cbr\u003eMiniature\u003cbr\u003ePop color\u003cbr\u003eHigh-key\u003cbr\u003eLow-key\u003cbr\u003eDynamic tone\u003cbr\u003eSoft focus\u003cbr\u003ePartial color (Red \/ Orange \/ Yellow \/ Green \/ Blue \/ Purple)\u003cbr\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMode\u003c\/strong\u003e\u003cbr\u003eSingle AF \/ Continuous AF \/ MF\u003cbr\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003cbr\u003eIntelligent Hybrid AF (TTL contrast AF \/ TTL phase detection AF)\u003cbr\u003e\u003cstrong\u003eLow-light Performance\u003c\/strong\u003e\u003cbr\u003eContrast: -4.0EV *XF50mmF1.0 attached\u003cbr\u003ePhase Detection: -7.0EV *XF50mmF1.0 attached\u003cbr\u003e\u003cstrong\u003eAF frame selection\u003c\/strong\u003e\u003cbr\u003eSingle point AF: 13x9 \/ 25x17 (Changeable size of AF frame)\u003cbr\u003eZone AF: 3x3 \/ 5x5 \/ 7x7 from 117 areas on 13x9 grid\u003cbr\u003eWide\/Tracking AF: Yes (AF-S: Wide \/ AF-C: Tracking)\u003cbr\u003eAll: Yes\u003cbr\u003e\u003cstrong\u003eFace\/eye detection\u003c\/strong\u003e\u003cbr\u003eYes\u003cbr\u003e\u003cstrong\u003eFlash\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in flash\u003c\/strong\u003e\u003cbr\u003eManual pop-up flash (Super Intelligent Flash)\u003cbr\u003e\u003cstrong\u003eGuide Number\u003c\/strong\u003e\u003cbr\u003eapprox. 7 (ISO200xEm) \/ approx. 5 (ISO100xEm)\u003cbr\u003eEffective range (ISO1600)\u003cbr\u003e\u003cstrong\u003eSync. Mode\u003c\/strong\u003e\u003cbr\u003e1st Curtain \/ 2nd Curtain\u003cbr\u003e\u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003eTTL (TTL AUTO \/ STANDARD \/ SLOW SYNC.) \/ MANUAL \/ COMMANDER \/ OFF\u003cbr\u003e\u003cstrong\u003eShoe mount flash\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSync. Mode\u003c\/strong\u003e\u003cbr\u003e1st Curtain \/ 2nd Curtain \/ AUTO FP (HSS)\u003cbr\u003e\u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003eTTL (TTL AUTO \/ STANDARD \/ SLOW SYNC.) \/ MANUAL \/ MULTI *When EF-X500 is set \/ OFF\u003cbr\u003e\u003cstrong\u003eHot shoe\u003c\/strong\u003e\u003cbr\u003eYes (Dedicated TTL Flash compatible)\u003cbr\u003e\u003cstrong\u003eViewfinder\u003c\/strong\u003e\u003cbr\u003e0.39-inch OLED Color Viewfinder\u003cbr\u003eApprox. 2.36 million dots\u003cbr\u003eCoverage of Viewing Area vs. Capturing Area: Approx. 100%\u003cbr\u003e\u003cstrong\u003eEyepoint\u003c\/strong\u003e\u003cbr\u003eApprox. 17.5mm (from the Rear End of the Camera's Eyepiece)\u003cbr\u003e\u003cstrong\u003eDiopter Adjustment\u003c\/strong\u003e\u003cbr\u003e-4 ~ +2m-1\u003cbr\u003e\u003cstrong\u003eMagnification\u003c\/strong\u003e\u003cbr\u003e0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1\u003cbr\u003e\u003cstrong\u003eDiagonal Angle of View\u003c\/strong\u003e\u003cbr\u003eapprox. 31° (Horizontal angle of view: approx. 26°)\u003cbr\u003eBuilt-In Eye Sensor\u003cbr\u003e\u003cstrong\u003eLCD monitor\u003c\/strong\u003e\u003cbr\u003e3.0-inch Tilt-Type Touch Screen Color LCD Monitor\u003cbr\u003eAspect Ratio 3:2\u003cbr\u003eApprox. 1.62 million dots\u003cbr\u003e\u003cstrong\u003eTouch Screen Mode\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eShooting Mode\u003c\/strong\u003e\u003cbr\u003eShooting \/ AF \/ Focus Area \/ OFF \/ Double Tap Setting (ON\/OFF) \/ Touch Function Setting (ON\/OFF) \/ EVF Touch Screen Area Setting\u003cbr\u003e\u003cstrong\u003ePlayback Mode\u003c\/strong\u003e\u003cbr\u003eSwipe \/ Pinch-in \/ Pinch-out \/ Double-tap \/ Drag\u003cbr\u003e\u003cstrong\u003eMovie recording\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile format\u003c\/strong\u003e\u003cbr\u003eMOV: MPEG-4 AVC\/H.264, Linear PCM (Stereo sound 24bit \/ 48KHz sampling)\u003cbr\u003eMP4: MPEG-4 AVC\/H.264, AAC\u003cbr\u003e\u003cstrong\u003eMovie compression\u003c\/strong\u003e\u003cbr\u003eLong GOP\u003cbr\u003e\u003cstrong\u003eFile size \/ Frame rate \/ Recording time\u003c\/strong\u003e\u003cbr\u003e29.97p\/25p\/24p\/23.98p 200Mbps\/100Mbps up to approx. 30min\u003cbr\u003e\u0026lt;4K (16:9) 3840 x 2160\u0026gt;\u003cbr\u003e29.97p\/25p\/24p\/23.98p 200Mbps\/100Mbps up to approx. 30min\u003cbr\u003e59.94p\/50p\/29.97p\/25p\/24p\/23.98p 200Mbps\/100Mbps up to approx. 30min.\u003cbr\u003e59.94p\/50p\/29.97p\/25p\/24p\/23.98p 200Mbps\/100Mbps up to approx. 30min.\u003cbr\u003e240p\/200p\/120p\/100p 200Mbps(recording)\u003cbr\u003e240p \/ 200p up to approx. 3min\u003cbr\u003e120p \/ 100p up to approx. 6min.\u003cbr\u003e* For recording movies, use a SD memory card with UHS Speed Class 3 or higher.\u003cbr\u003e* Recording time can become short depending on the temperature and\/or shooting conditions\u003cbr\u003e\u003cstrong\u003eFilm simulation mode\u003c\/strong\u003e\u003cbr\u003e18 modes (PROVIA\/STANDARD, Velvia\/VIVID, ASTIA\/SOFT, CLASSIC CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg., ETERNA\/CINEMA, ETERNA BLEACH BYPASS, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME, MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA)\u003cbr\u003e\u003cstrong\u003eMonochromatic Color\u003c\/strong\u003e\u003cbr\u003eYes\u003cbr\u003e\u003cstrong\u003eGrain Effect\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoughness\u003c\/strong\u003e\u003cbr\u003eSTRONG, WEAK, OFF\u003cbr\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003cbr\u003eLARGE, SMALL\u003cbr\u003e\u003cstrong\u003eColor chrome effect\u003c\/strong\u003e\u003cbr\u003eSTRONG, WEAK, OFF\u003cbr\u003e\u003cstrong\u003eColor chrome Blue\u003c\/strong\u003e\u003cbr\u003eSTRONG, WEAK, OFF\u003cbr\u003e\u003cstrong\u003eDynamic range setting\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStill\u003c\/strong\u003e\u003cbr\u003eAUTO \/ 100％ \/ 200％ \/ 400％\u003cbr\u003eISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more\u003cbr\u003e\u003cstrong\u003eMovie\u003c\/strong\u003e\u003cbr\u003e100％ \/ 200％ \/ 400％\u003cbr\u003eISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more\u003cbr\u003e\u003cstrong\u003eWhite balance\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAuto\u003c\/strong\u003e\u003cbr\u003eWhite Priority \/ Auto \/ Ambience Priority\u003cbr\u003e\u003cstrong\u003eCustom\u003c\/strong\u003e\u003cbr\u003eCustom1 - 3\u003cbr\u003e\u003cstrong\u003eColor temperature selection\u003c\/strong\u003e\u003cbr\u003e2500K~10000K\u003cbr\u003e\u003cstrong\u003ePreset\u003c\/strong\u003e\u003cbr\u003eFine \/ Shade \/ Fluorescent Light-1 \/ Fluorescent Light-2 \/ Fluorescent Light-3 \/ Incandescent Light \/ Underwater\u003cbr\u003e\u003cstrong\u003eClarity setting\u003c\/strong\u003e\u003cbr\u003e±5 steps\u003cbr\u003e\u003cstrong\u003eSelf-timer\u003c\/strong\u003e\u003cbr\u003e10sec. \/ 2sec.\u003cbr\u003e\u003cstrong\u003eInterval timer shooting\u003c\/strong\u003e\u003cbr\u003eYes (Setting: Interval, Number of shots, starting time, Interval timer shooting exposure smoothing)\u003cbr\u003e\u003cstrong\u003eWireless transmitter\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e\u003cbr\u003eIEEE802.11b\/g\/n (standard wireless protocol)\u003cbr\u003e\u003cstrong\u003eEncryption\u003c\/strong\u003e\u003cbr\u003eWEP\/WPA\/WPA2 mixed mode\u003cbr\u003e\u003cstrong\u003eAccess mode\u003c\/strong\u003e\u003cbr\u003eInfrastructure\u003cbr\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e\u003cbr\u003eBluetooth Ver. 4.2 (Bluetooth low energy)\u003cbr\u003e\u003cstrong\u003eOperating frequency (Center frequency)\u003c\/strong\u003e\u003cbr\u003e2402~2480MHz\u003cbr\u003e\u003cstrong\u003eTerminal\u003c\/strong\u003e\u003cbr\u003eDigital interface: USB Type-C (USB3.2 Gen1x1)\u003cbr\u003eHDMI output: HDMI Micro connector (Type D)\u003cbr\u003eOthers: ø2.5mm, stereo mini connector (for Microphone and Remote Release) \/ Hot shoe\u003cbr\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003cbr\u003eNP-W126S Li-ion battery (included)\u003cbr\u003eBattery life for still images: Normal Mode Approx. 390 frames\u003cbr\u003e*When XF35mmF1.4 R is set\u003cbr\u003eActual battery life of movie capture: 4K Approx. 45min. (29.97p) \/ Full HD Approx. 45min. (59.94p)\u003cbr\u003e*Face detection is set to OFF\u003cbr\u003eContinuance battery life of movie capture: 4K Approx. 60min. (29.97p) \/Full HD Approx. 75min. (59.94p)\u003cbr\u003e*Face detection is set to OFF\u003cbr\u003e*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003cbr\u003e118.4mm\u003cbr\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003cbr\u003e82.8mm\u003cbr\u003e\u003cstrong\u003eDepth (Minimum Depth)\u003c\/strong\u003e\u003cbr\u003e46.8mm(31.9mm)\u003cbr\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eincluding battery and SD memory card\u003c\/strong\u003e\u003cbr\u003eApprox. 378g\u003cbr\u003e\u003cstrong\u003eexcluding battery and SD memory card\u003c\/strong\u003e\u003cbr\u003eApprox. 329g\u003cbr\u003e\u003cstrong\u003eOperation Environment\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003cbr\u003e0 Degrees Celsius ~ +40 Degrees Celsius\u003cbr\u003e\u003cstrong\u003eOperating Humidity\u003c\/strong\u003e\u003cbr\u003e10% - 80% (no condensation)\u003cbr\u003e\u003cstrong\u003eStarting up period\u003c\/strong\u003e\u003cbr\u003eApprox. 0.4sec.\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eInstallation \/ Use Cases \u0026amp; Package Contents\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePhotography using a \u003cstrong\u003emirrorless camera body\u003c\/strong\u003e for still image capture\u003c\/li\u003e\n  \u003cli\u003eContent creation workflows requiring \u003cstrong\u003ecompact interchangeable lens cameras\u003c\/strong\u003e\n\u003c\/li\u003e\n  \u003cli\u003eVideo and photo production with \u003cstrong\u003emirrorless camera systems\u003c\/strong\u003e\n\u003c\/li\u003e\n  \u003cli\u003eTravel and everyday shooting using a \u003cstrong\u003elightweight camera body\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePackage Contents\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFujifilm X-T30 II camera body (black)\u003c\/li\u003e\n\u003cli\u003eLi-ion battery NP-W126S\u003c\/li\u003e\n\u003cli\u003eBattery charger\u003c\/li\u003e\n\u003cli\u003eUSB cable\u003c\/li\u003e\n\u003cli\u003eShoulder strap\u003c\/li\u003e\n\u003cli\u003eBody cap\u003c\/li\u003e\n\u003cli\u003eOwner's manual and documentation\u003c\/li\u003e\n\u003cli\u003eNote: Lens not included - body only\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517551481029,"sku":"FUJI-FUJIFILM16759615","price":999.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/0b6c5e6e-cc19-4559-a458-711ccd467e0c.jpg?v=1737083189"},{"product_id":"fujifilm-x-t30-ii-mirrorless-camera-no-lens-silver","title":"Fujifilm X-T30 II Mirrorless Camera, No Lens, Silver","description":"\u003ch2\u003eFujifilm X-T30 II Mirrorless Camera, No Lens, Silver\u003c\/h2\u003e\n\u003cp\u003eCleverly weaving proven technology with a vintage aesthetic, X-T30 II has much to offer stills photographers and videographers of all levels. The 26.1MP back-illuminated X-Trans sensor and X-Processor 4 imaging engine combine to deliver exceptional performance, with autofocusing down to -7EV in just 0.02 secs and detail-packed results full of vibrant color. Pick up and start creating in seconds by flicking over to the Advanced SR Auto mode, or take more control over your output. X-T30 II has the features and functions to fit your creative style and mood, including the ability to share your work in seconds, via Wi-Fi or Bluetooth.\u003c\/p\u003e\n\u003cp\u003eX-T30 II uses Fujifilms fourth-generation X-Trans CMOS 4 back-illuminated sensor, designed to minimize noise, while also extending sensitivity to ISO 160. The unique structure of the X-Trans color filter array also minimizes moir and false colors, without the need for an optical low pass filter ensuring the best possible image quality, packed with detail and vibrant, true-to-life color.\u003c\/p\u003e\n\u003cp\u003eNever miss a moment, thanks to the X-Processor 4 quad-core CPU inside X-T30 II. It offers fast, accurate autofocusing in as little as 0.02 secs on any subject, but significant enhancements have been made to the original X-T30s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K\/30p video capabilities. Low light focusing performance has also been expanded from the original X-T30 model, down to -7EV (with XF50mmF1.0 R WR attached) for even greater versatility.\u003c\/p\u003e\n\u003cp\u003eA truly versatile imaging device, X-T30 II offers the ability to record 4K video at 30 frames-per- second, or 240fps at 1080p, to create 10x super slow-motion effects. Filmmakers needing extreme color fidelity can record 10-bit, 4:2:2 color through the cameras HDMI port, F-Log internally, or video using any one of X-T30 IIs 18 Film Simulation modes. Alongside these, X-T30 II makes it easy to define your own distinctive visual style on still images offering in-camera control over film grain texture, color depth, clarity, sharpness, and highlight and shadow tones.\u003c\/p\u003e\n\u003cp\u003eFrom the dial-based operation, and compact, lightweight body, to the latest-generation Fujifilm APS-C sensor, X-T30 II lights up the imagination and inspires creativity fusing cutting edge, convenient features with a vintage aesthetic charm. The three-inch, two-way tilting screen, for example, offers impressive touchscreen functionality, making it easy to get high-quality results in challenging conditions. For those who want to focus purely on light and composition, the Advanced SR Auto mode easily activated with a lever on the cameras top plate automatically chooses the optimum settings from 58 presets.\u003c\/p\u003e\n\u003cp\u003eX-T30 II is primed for sharing. Use Bluetooth or Wi-Fi to share your memories with friends and family on social media, by connecting and downloading images to the FUJIFILM Camera Remote App or instantly connect and print your favorites from any compatible FUJIFILM INSTAX Smartphone printer.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e26.1MP BSI APS-C X-Trans CMOS 4\u003c\/li\u003e\n\u003cli\u003eX-Processor 4 quad-core CPU\u003c\/li\u003e\n\u003cli\u003e100% phase detect AF across the frame\u003c\/li\u003e\n\u003cli\u003eStrong face and eye detection AF with new Face Selection option\u003c\/li\u003e\n\u003cli\u003e2.36M-dot OLED EVF and 3.0-inch 1.04M-dot 2-way tilting Touch LCD\u003c\/li\u003e\n\u003cli\u003eCine DCI 4K\/30p and Full HD 120fps\u003c\/li\u003e\n\u003cli\u003eDCI and UHD 4K30 Video; F-Log Gamma\u003c\/li\u003e\n\u003cli\u003e3.0” 1.62m-Dot Tilting LCD Touchscreen\u003c\/li\u003e\n\u003cli\u003e425-Point Phase-Detection Autofocus\u003c\/li\u003e\n\u003cli\u003eMechanical and Electronic Shutter\u003c\/li\u003e\n\u003cli\u003eExtended ISO 80-51200, 30 fps Shooting\u003c\/li\u003e\n\u003cli\u003eBluetooth and Wi-Fi; Sports Finder Mode\u003c\/li\u003e\n\u003cli\u003eUltra-Sonic Vibration Sensor Cleaning\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eModel Name\u003c\/strong\u003e\u003cbr\u003eFUJIFILM X-T30 II\u003cbr\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003eFUJIFILM X mount\u003cbr\u003e\u003cstrong\u003eImage sensor\u003c\/strong\u003e\u003cbr\u003e23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter\u003cbr\u003e\u003cstrong\u003eNumber of effective pixels\u003c\/strong\u003e\u003cbr\u003e26.1 million pixels\u003cbr\u003e\u003cstrong\u003eSensor Cleaning System\u003c\/strong\u003e\u003cbr\u003eUltra-Sonic Vibration\u003cbr\u003e\u003cstrong\u003eImage Processing Engine\u003c\/strong\u003e\u003cbr\u003eX-Processor 4\u003cbr\u003e\u003cstrong\u003eStorage media\u003c\/strong\u003e\u003cbr\u003eSD Card (-2GB)\u003cbr\u003eSDHC Card (-32GB)\u003cbr\u003eSDXC Card (-2TB)\u003cbr\u003eUHS-I\u003cbr\u003e*Please see the Fujifilm website to check memory card compatibility.\u003cbr\u003e\u003cstrong\u003eFile format of still image\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDCF\u003c\/strong\u003e\u003cbr\u003eCompliant with Design rule for Camera File system (DCF2.0)\u003cbr\u003e\u003cstrong\u003eJPEG\u003c\/strong\u003e\u003cbr\u003eExif Ver.2.32\u003cbr\u003e\u003cstrong\u003eRAW\u003c\/strong\u003e\u003cbr\u003e14bit RAW (RAF original format)\u003cbr\u003e*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing\u003cbr\u003e\u003cstrong\u003eNumber of recorded pixels\u003c\/strong\u003e\u003cbr\u003eL: (3:2) 6240 x 4160 \/ (16:9) 6240 x 3512 \/ (1:1) 4160 x 4160\u003cbr\u003eM: (3:2) 4416 x 2944 \/ (16:9) 4416x 2488 \/ (1:1) 2944 x 2944\u003cbr\u003eS: (3:2) 3120 x 2080 \/ (16:9) 3120x 1760 \/ (1:1) 2080 x 2080\u003cbr\u003e\u003cstrong\u003ePanorama\u003c\/strong\u003e\u003cbr\u003eL: (vertical) 9600 x 2160 \/ (Horizontal) 9600 x 1440\u003cbr\u003eM: (Vertical) 6400 x 2160 \/ (Horizontal) 6400 x 1440\u003cbr\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStill Image\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStandard Output\u003c\/strong\u003e\u003cbr\u003eAUTO1 \/ AUTO2 \/ AUTO3 \/ ISO160 ~12800(1\/3 step)\u003cbr\u003e\u003cstrong\u003eExtended output\u003c\/strong\u003e\u003cbr\u003eISO80 \/ 100 \/ 125 \/ 25600 \/ 51200\u003cbr\u003e\u003cstrong\u003eMovie\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStandard Output Sensitivity\u003c\/strong\u003e\u003cbr\u003eAUTO \/ ISO160 ~12800 (1\/3 step)\u003cbr\u003e\u003cstrong\u003eExtended output sensitivity\u003c\/strong\u003e\u003cbr\u003eISO25600\u003cbr\u003e\u003cstrong\u003eExposure control\u003c\/strong\u003e\u003cbr\u003eTTL 256-zone metering, Multi \/ Spot \/ Average \/ Center Weighted\u003cbr\u003e\u003cstrong\u003eExposure mode\u003c\/strong\u003e\u003cbr\u003eP (Program AE) \/ A (Aperture Priority AE) \/ S (Shutter Speed Priority AE) \/ M (Manual Exposure)\u003cbr\u003e\u003cstrong\u003eExposure compensation\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStill\u003c\/strong\u003e\u003cbr\u003e-5.0EV ~ +5.0EV 1\/3EV step\u003cbr\u003e\u003cstrong\u003eMovie\u003c\/strong\u003e\u003cbr\u003e-2.0EV ~ +2.0EV 1\/3EV step\u003cbr\u003e\u003cstrong\u003eShutter type\u003c\/strong\u003e\u003cbr\u003eFocal Plane Shutter\u003cbr\u003e\u003cstrong\u003eShutter speed\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eP mode\u003c\/strong\u003e\u003cbr\u003e4sec. to 1\/4000sec.\u003cbr\u003e\u003cstrong\u003eA mode\u003c\/strong\u003e\u003cbr\u003e30sec. to 1\/4000sec.\u003cbr\u003e\u003cstrong\u003eS\/M mode\u003c\/strong\u003e\u003cbr\u003e15min. to 1\/4000sec.\u003cbr\u003e\u003cstrong\u003eBulb mode\u003c\/strong\u003e\u003cbr\u003eup to 60min.\u003cbr\u003e\u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eP mode\u003c\/strong\u003e\u003cbr\u003e4sec. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eA mode\u003c\/strong\u003e\u003cbr\u003e30sec. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eS\/M mode\u003c\/strong\u003e\u003cbr\u003e15min. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eBulb mode\u003c\/strong\u003e\u003cbr\u003e1sec. Fixed\u003cbr\u003e*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.\u003cbr\u003e\u003cstrong\u003eMechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eP mode\u003c\/strong\u003e\u003cbr\u003e4sec. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eA mode\u003c\/strong\u003e\u003cbr\u003e30sec. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eS\/M mode\u003c\/strong\u003e\u003cbr\u003e15min. to 1\/32000sec.\u003cbr\u003e\u003cstrong\u003eBulb mode\u003c\/strong\u003e\u003cbr\u003eup to 60min.\u003cbr\u003e\u003cstrong\u003eContinuous shooting\u003c\/strong\u003e\u003cbr\u003eApprox. 30fps \u003conly crop=\"\" x=\"\" shutter=\"\" electronic=\"\"\u003e (JPEG:  29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames  Uncompressed RAW: 17 frames)\u003cbr\u003e  Approx. 20fps \u003conly electronic=\"\" shutter=\"\" x=\"\" crop=\"\"\u003e (JPEG:  79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames  Uncompressed RAW: 17 frames)\u003cbr\u003e  Approx. 10fps \u003conly electronic=\"\" shutter=\"\" x=\"\" crop=\"\"\u003e (JPEG:  153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames  Uncompressed RAW: 18 frames)\u003cbr\u003e  Approx. 20fps \u003conly electronic=\"\" shutter=\"\"\u003e (JPEG: 32 frames  Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW:  17 frames)\u003cbr\u003e  Approx. 10fps \u003conly electronic=\"\" shutter=\"\"\u003e (JPEG: 81 frames  Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW:  18 frames)\u003cbr\u003e  Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames  Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames)\u003cbr\u003e  Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames  Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames)\u003cbr\u003e  Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames  Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames)\u003cbr\u003e  Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames  Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames)\u003cbr\u003e  Pre-shot: Approx. 30fps \u003conly electronic=\"\" shutter=\"\" x=\"\" crop=\"\"\u003e  (max. 10 frames while half press, max. 15 frames after full press, total max.  25 frames)\u003cbr\u003e  Pre-shot: Approx. 20fps \u003conly electronic=\"\" shutter=\"\" x=\"\" crop=\"\"\u003e  (max. 10 frames while half press, max. 48 frames after full press, total max.  58 frames)\u003cbr\u003e  Pre-shot: Approx. 10fps \u003conly electronic=\"\" shutter=\"\" x=\"\" crop=\"\"\u003e  (max. 10 frames while half press, max. 110 frames after full press, total max.  120 frames)\u003cbr\u003e  * Recordable frames depend on recording media\u003cbr\u003e  * Speed of continuous shooting depends on shooting  environment and shooting frames\u003cbr\u003e  \u003cstrong\u003eDrive Mode\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eAE Bracketing\u003c\/strong\u003e\u003cbr\u003e  2 frames\u003cbr\u003e  3 frames\u003cbr\u003e  5 frames\u003cbr\u003e  7 frames\u003cbr\u003e  9 frames\u003cbr\u003e  *By 1\/3EV step, up to ±3EV steps\u003cbr\u003e  \u003cstrong\u003eFilm simulation bracketing\u003c\/strong\u003e\u003cbr\u003e  Any 3 types of film simulation selectable\u003cbr\u003e  \u003cstrong\u003eDynamic Range Bracketing\u003c\/strong\u003e\u003cbr\u003e  100%\u003cbr\u003e  200%\u003cbr\u003e  400%\u003cbr\u003e  \u003cstrong\u003eISO sensitivity Bracketing\u003c\/strong\u003e\u003cbr\u003e  ±1\/3EV\u003cbr\u003e  ±2\/3EV\u003cbr\u003e  ±1EV\u003cbr\u003e  \u003cstrong\u003eWhite Balance Bracketing\u003c\/strong\u003e\u003cbr\u003e  ±1\u003cbr\u003e  ±2\u003cbr\u003e  ±3\u003cbr\u003e  \u003cstrong\u003eFocus Bracketing\u003c\/strong\u003e\u003cbr\u003e  AUTO\u003cbr\u003e  MANUAL\u003cbr\u003e  \u003cstrong\u003eMultiple Exposure\u003c\/strong\u003e\u003cbr\u003e  Yes (Max. 9 frames)\u003cbr\u003e  Additive\u003cbr\u003e  Average\u003cbr\u003e  Bright\u003cbr\u003e  Dark\u003cbr\u003e  \u003cstrong\u003eHDR Mode\u003c\/strong\u003e\u003cbr\u003e  AUTO\u003cbr\u003e  200%\u003cbr\u003e  400%\u003cbr\u003e  800%\u003cbr\u003e  800% +\u003cbr\u003e  \u003cstrong\u003eAdvanced filter\u003c\/strong\u003e\u003cbr\u003e  Toy camera\u003cbr\u003e  Miniature\u003cbr\u003e  Pop color\u003cbr\u003e  High-key\u003cbr\u003e  Low-key\u003cbr\u003e  Dynamic tone\u003cbr\u003e  Soft focus\u003cbr\u003e  Partial color (Red \/ Orange \/ Yellow \/ Green \/ Blue \/  Purple)\u003cbr\u003e  \u003cstrong\u003eFocus\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eMode\u003c\/strong\u003e\u003cbr\u003e  Single AF \/ Continuous AF \/ MF\u003cbr\u003e  \u003cstrong\u003eType\u003c\/strong\u003e\u003cbr\u003e  Intelligent Hybrid AF (TTL contrast AF \/ TTL phase detection  AF)\u003cbr\u003e  \u003cstrong\u003eLow-light Performance\u003c\/strong\u003e\u003cbr\u003e  Contrast: -4.0EV *XF50mmF1.0 attached\u003cbr\u003e  Phase Detection: -7.0EV *XF50mmF1.0 attached\u003cbr\u003e  \u003cstrong\u003eAF frame selection\u003c\/strong\u003e\u003cbr\u003e  Single point AF: 13x9 \/ 25x17 (Changeable size of AF frame)\u003cbr\u003e  Zone AF: 3x3 \/ 5x5 \/ 7x7 from 117 areas on 13x9 grid\u003cbr\u003e  Wide\/Tracking AF: Yes (AF-S: Wide \/ AF-C: Tracking)\u003cbr\u003e  All: Yes\u003cbr\u003e  \u003cstrong\u003eFace\/eye detection\u003c\/strong\u003e\u003cbr\u003e  Yes\u003cbr\u003e  \u003cstrong\u003eFlash\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eBuilt-in flash\u003c\/strong\u003e\u003cbr\u003e  Manual pop-up flash (Super Intelligent Flash)\u003cbr\u003e  \u003cstrong\u003eGuide Number\u003c\/strong\u003e\u003cbr\u003e  approx. 7 (ISO200xEm) \/  approx. 5 (ISO100xEm)\u003cbr\u003e  Effective range (ISO1600)\u003cbr\u003e  \u003cstrong\u003eSync. Mode\u003c\/strong\u003e\u003cbr\u003e  1st Curtain \/ 2nd Curtain\u003cbr\u003e  \u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003e  TTL (TTL AUTO \/ STANDARD \/ SLOW SYNC.) \/ MANUAL \/ COMMANDER  \/ OFF\u003cbr\u003e  \u003cstrong\u003eShoe mount flash\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eSync. Mode\u003c\/strong\u003e\u003cbr\u003e  1st Curtain \/ 2nd Curtain \/ AUTO FP (HSS)\u003cbr\u003e  \u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003e  TTL (TTL AUTO \/ STANDARD \/ SLOW SYNC.) \/ MANUAL \/ MULTI  *When EF-X500 is set \/ OFF\u003cbr\u003e  \u003cstrong\u003eHot shoe\u003c\/strong\u003e\u003cbr\u003e  Yes (Dedicated TTL Flash compatible)\u003cbr\u003e  \u003cstrong\u003eViewfinder\u003c\/strong\u003e\u003cbr\u003e  0.39-inch OLED Color Viewfinder\u003cbr\u003e  Approx. 2.36 million dots\u003cbr\u003e  Coverage of Viewing Area vs. Capturing Area: Approx. 100%\u003cbr\u003e  \u003cstrong\u003eEyepoint\u003c\/strong\u003e\u003cbr\u003e  Approx. 17.5mm (from the Rear End of the Camera's Eyepiece)\u003cbr\u003e  \u003cstrong\u003eDiopter Adjustment\u003c\/strong\u003e\u003cbr\u003e  -4 ~ +2m-1\u003cbr\u003e  \u003cstrong\u003eMagnification\u003c\/strong\u003e\u003cbr\u003e  0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter  set to -1.0m-1\u003cbr\u003e  \u003cstrong\u003eDiagonal Angle of View\u003c\/strong\u003e\u003cbr\u003e  approx. 31° (Horizontal angle of view: approx. 26°)\u003cbr\u003e  Built-In Eye Sensor\u003cbr\u003e  \u003cstrong\u003eLCD monitor\u003c\/strong\u003e\u003cbr\u003e  3.0-inch Tilt-Type Touch Screen Color LCD Monitor\u003cbr\u003e  Aspect Ratio 3:2\u003cbr\u003e  Approx. 1.62 million dots\u003cbr\u003e  \u003cstrong\u003eTouch Screen Mode\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eShooting Mode\u003c\/strong\u003e\u003cbr\u003e  Shooting \/ AF \/ Focus Area \/ OFF \/ Double Tap Setting  (ON\/OFF) \/ Touch Function Setting (ON\/OFF) \/ EVF Touch Screen Area Setting\u003cbr\u003e  \u003cstrong\u003ePlayback Mode\u003c\/strong\u003e\u003cbr\u003e  Swipe \/ Pinch-in \/ Pinch-out \/ Double-tap \/ Drag\u003cbr\u003e  \u003cstrong\u003eMovie recording\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eFile format\u003c\/strong\u003e\u003cbr\u003e  MOV: MPEG-4 AVC\/H.264, Linear PCM (Stereo sound 24bit \/  48KHz sampling)\u003cbr\u003e  MP4: MPEG-4 AVC\/H.264, AAC\u003cbr\u003e  \u003cstrong\u003eMovie compression\u003c\/strong\u003e\u003cbr\u003e  Long GOP\u003cbr\u003e  \u003cstrong\u003eFile size \/ Frame rate \/ Recording time\u003c\/strong\u003e\u003cbr\u003e  \u003cdci4k x=\"\"\u003e\u003cbr\u003e  29.97p\/25p\/24p\/23.98p 200Mbps\/100Mbps up to approx. 30min\u003cbr\u003e  \u0026lt;4K (16:9) 3840 x 2160\u0026gt;\u003cbr\u003e  29.97p\/25p\/24p\/23.98p 200Mbps\/100Mbps up to approx. 30min\u003cbr\u003e  \u003cfull hd=\"\" x=\"\"\u003e\u003cbr\u003e  59.94p\/50p\/29.97p\/25p\/24p\/23.98p 200Mbps\/100Mbps up to  approx. 30min.\u003cbr\u003e  \u003cfull hd=\"\" x=\"\"\u003e\u003cbr\u003e  59.94p\/50p\/29.97p\/25p\/24p\/23.98p 200Mbps\/100Mbps up to approx.  30min.\u003cbr\u003e  \u003cfull hd=\"\" high=\"\" speed=\"\" rec.=\"\" x=\"\"\u003e\u003cbr\u003e  240p\/200p\/120p\/100p 200Mbps(recording)\u003cbr\u003e  240p \/ 200p up to approx. 3min\u003cbr\u003e  120p \/ 100p up to approx. 6min.\u003cbr\u003e  * For recording movies, use a SD memory card with UHS Speed  Class 3 or higher.\u003cbr\u003e  * Recording time can become short depending on the  temperature and\/or shooting conditions\u003cbr\u003e  \u003cstrong\u003eFilm simulation mode\u003c\/strong\u003e\u003cbr\u003e  18 modes (PROVIA\/STANDARD, Velvia\/VIVID, ASTIA\/SOFT, CLASSIC  CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg., ETERNA\/CINEMA, ETERNA BLEACH  BYPASS, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME,  MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA)\u003cbr\u003e  \u003cstrong\u003eMonochromatic Color\u003c\/strong\u003e\u003cbr\u003e  Yes\u003cbr\u003e  \u003cstrong\u003eGrain Effect\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eRoughness\u003c\/strong\u003e\u003cbr\u003e  STRONG, WEAK, OFF\u003cbr\u003e  \u003cstrong\u003eSize\u003c\/strong\u003e\u003cbr\u003e  LARGE, SMALL\u003cbr\u003e  \u003cstrong\u003eColor chrome effect\u003c\/strong\u003e\u003cbr\u003e  STRONG, WEAK, OFF\u003cbr\u003e  \u003cstrong\u003eColor chrome Blue\u003c\/strong\u003e\u003cbr\u003e  STRONG, WEAK, OFF\u003cbr\u003e  \u003cstrong\u003eDynamic range setting\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eStill\u003c\/strong\u003e\u003cbr\u003e  AUTO \/ 100％ \/ 200％ \/ 400％\u003cbr\u003e  ISO restriction DR100%: No limit, DR200%: ISO320 or more,  DR400%: ISO640 or more\u003cbr\u003e  \u003cstrong\u003eMovie\u003c\/strong\u003e\u003cbr\u003e  100％ \/ 200％ \/ 400％\u003cbr\u003e  ISO restriction DR100%: No limit, DR200%: ISO320 or more,  DR400%: ISO640 or more\u003cbr\u003e  \u003cstrong\u003eWhite balance\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eAuto\u003c\/strong\u003e\u003cbr\u003e  White Priority \/ Auto \/ Ambience Priority\u003cbr\u003e  \u003cstrong\u003eCustom\u003c\/strong\u003e\u003cbr\u003e  Custom1 - 3\u003cbr\u003e  \u003cstrong\u003eColor temperature selection\u003c\/strong\u003e\u003cbr\u003e  2500K~10000K\u003cbr\u003e  \u003cstrong\u003ePreset\u003c\/strong\u003e\u003cbr\u003e  Fine \/ Shade \/ Fluorescent Light-1 \/ Fluorescent Light-2 \/  Fluorescent Light-3 \/ Incandescent Light \/ Underwater\u003cbr\u003e  \u003cstrong\u003eClarity setting\u003c\/strong\u003e\u003cbr\u003e  ±5 steps\u003cbr\u003e  \u003cstrong\u003eSelf-timer\u003c\/strong\u003e\u003cbr\u003e  10sec. \/ 2sec.\u003cbr\u003e  \u003cstrong\u003eInterval timer shooting\u003c\/strong\u003e\u003cbr\u003e  Yes (Setting: Interval, Number of shots, starting time,  Interval timer shooting exposure smoothing)\u003cbr\u003e  \u003cstrong\u003eWireless transmitter\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eStandard\u003c\/strong\u003e\u003cbr\u003e  IEEE802.11b\/g\/n (standard wireless protocol)\u003cbr\u003e  \u003cstrong\u003eEncryption\u003c\/strong\u003e\u003cbr\u003e  WEP\/WPA\/WPA2 mixed mode\u003cbr\u003e  \u003cstrong\u003eAccess mode\u003c\/strong\u003e\u003cbr\u003e  Infrastructure\u003cbr\u003e  \u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eStandard\u003c\/strong\u003e\u003cbr\u003e  Bluetooth Ver. 4.2 (Bluetooth low energy)\u003cbr\u003e  \u003cstrong\u003eOperating frequency (Center frequency)\u003c\/strong\u003e\u003cbr\u003e  2402~2480MHz\u003cbr\u003e  \u003cstrong\u003eTerminal\u003c\/strong\u003e\u003cbr\u003e  Digital interface: USB Type-C (USB3.2 Gen1x1)\u003cbr\u003e  HDMI output: HDMI Micro connector (Type D)\u003cbr\u003e  Others: ø2.5mm, stereo mini connector (for Microphone and  Remote Release) \/ Hot shoe\u003cbr\u003e  \u003cstrong\u003ePower supply\u003c\/strong\u003e\u003cbr\u003e  NP-W126S Li-ion battery (included)\u003cbr\u003e  Battery life for still images: Normal Mode Approx. 390 frames\u003cbr\u003e  *When XF35mmF1.4 R is set\u003cbr\u003e  Actual battery life of movie capture: 4K Approx. 45min.  (29.97p) \/ Full HD Approx. 45min. (59.94p)\u003cbr\u003e  *Face detection is set to OFF\u003cbr\u003e  Continuance battery life of movie capture: 4K Approx. 60min.  (29.97p) \/Full HD Approx. 75min. (59.94p)\u003cbr\u003e  *Face detection is set to OFF\u003cbr\u003e  *Approximate number of frames or movie recording time that  can be taken with a fully-charged based on CIPA Standard.\u003cbr\u003e  \u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eWidth\u003c\/strong\u003e\u003cbr\u003e  118.4mm\u003cbr\u003e  \u003cstrong\u003eHeight\u003c\/strong\u003e\u003cbr\u003e  82.8mm\u003cbr\u003e  \u003cstrong\u003eDepth (Minimum Depth)\u003c\/strong\u003e\u003cbr\u003e  46.8mm(31.9mm)\u003cbr\u003e  \u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eincluding battery and SD memory card\u003c\/strong\u003e\u003cbr\u003e  Approx. 378g\u003cbr\u003e  \u003cstrong\u003eexcluding battery and SD memory card\u003c\/strong\u003e\u003cbr\u003e  Approx. 329g\u003cbr\u003e  \u003cstrong\u003eOperation Environment\u003c\/strong\u003e\u003cbr\u003e  \u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003cbr\u003e  0 Degrees Celsius ~ +40 Degrees Celsius\u003cbr\u003e  \u003cstrong\u003eOperating Humidity\u003c\/strong\u003e\u003cbr\u003e  10% - 80% (no condensation)\u003cbr\u003e  \u003cstrong\u003eStarting up period\u003c\/strong\u003e\u003cbr\u003e  Approx. 0.4sec.\u003cbr\u003e  \u003cstrong\u003eAccessories included\u003c\/strong\u003e\u003cbr\u003e  Li-ion battery NP-W126S \/ USB cable \/ Shoulder strap \/ Body  cap\u003c\/full\u003e\u003c\/full\u003e\u003c\/full\u003e\u003c\/dci4k\u003e\u003c\/only\u003e\u003c\/only\u003e\u003c\/only\u003e\u003c\/only\u003e\u003c\/only\u003e\u003c\/only\u003e\u003c\/only\u003e\u003c\/only\u003e\u003c\/p\u003e\n\u003ch3\u003eUse Cases\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePhotography and videography\u003c\/li\u003e\n  \u003cli\u003eContent creation\u003c\/li\u003e\n  \u003cli\u003eTravel and everyday shooting\u003c\/li\u003e\n  \u003cli\u003eProfessional and enthusiast use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePackage Contents\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFujifilm X-T30 II Camera Body (Silver)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517558296773,"sku":"FUJI-FUJIFILM16759641","price":999.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/a04de735-8840-45cc-865d-7b2f1d52f18c.jpg?v=1737083193"},{"product_id":"fujifilm-gfx50s-ii-body-with-gf35-70mmf4-5-5-6-wr-lens-kit","title":"Fujifilm GFX50S II Body with GF35-70mmF4.5-5.6 WR Lens Kit","description":"\u003cp\u003e\u003cstrong\u003eFujifilm GFX50S II Body with GF35-70mmF4.5-5.6 WR Lens Kit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStep into the world of large format photography with GFX50S  II, a GFX System camera that packs a 51.4 MP sensor that’s physically bigger  than every full-frame sensor by approx. 1.7x, but so wonderfully compact that it’s  still similar in size to many full-frame cameras. At just 900g (1.98lb) and  with a weather-resistant construction, it can certainly be taken everywhere, by  creators anywhere. With an incredibly accurate autofocus system, in-body image  stabilization that provides up to 6.5 stops stability, for complete handheld  freedom, and 19 Film Simulation modes created using over 85 years of color  science know-how GFX50S II is sure to produce outstanding results for creatives  of every level.\u003c\/p\u003e\n\u003cp\u003eGFX50S II offers the perfect mix of accessibility and  flexibility. Pair it with the new GF35-70mmF4.5-5.6 WR lens and you’ll find a  wonderfully affordable combination that delivers images from a 51.4-megapixel  sensor, which makes it the perfect gateway to large format photography. Get  outstanding results with professional features that include 19 Film Simulations,  advanced autofocusing, and a vast range of exposure controls providing  limitless opportunities for creativity.\u003c\/p\u003e\n\u003cp\u003eGFX50S II features a redesigned in-body image stabilization  (IBIS) system that is 20% smaller, and 10% lighter, than the version found in  GFX100. Despite this reduction in size and weight, it provides up to an  impressive 6.5 stops of five-axis stabilization (based on CIPA standards),  providing dramatically broad possibilities for image makers wanting to work  more freely with slow shutter speeds. Even when light levels are low, and a  tripod isn’t available, steady images are on the horizon.\u003c\/p\u003e\n\u003cp\u003eGFX50S II weighs just 900g (1.98lb) and is similar in size  to many to full-frame cameras, which makes the ergonomically contoured handgrip  and PASM dial - used to access the cameras main exposure functions - feel  wonderfully familiar and accessible. A gorgeous blend of curves and edges, the  camera body is finished with a top-plate LCD to display key settings, a  redesigned focus lever, and a feather-touch shutter release to turn that  familiar feeling into an intuitive image-making experience.\u003c\/p\u003e\n\u003cp\u003eFast, reliable autofocus comes to GFX50S II, thanks to a  combination of advanced technologies and Fujifilm’s powerful X-Processor 4  imaging engine. Sensor readout speeds have been boosted from 130fps to 250fps  compared to GFX50S, enabling razor-sharp responses whether subject tracking or  picking out a face in a crowd. An improved autofocusing algorithm, taken from  the latest FUJIFILM X Series and GFX System cameras, boosts focusing  performance in all modes, including face and eye detection. The AF system also  brilliantly works in tandem with in-body image stabilization (IBIS) to provide  up to 6.5 stops of handheld stability. This simply means the cameras  autofocusing performance will be up to the task when the creative senses are  flowing.\u003c\/p\u003e\n\u003cp\u003eFujifilm has been perfecting its color science know-how for  more than 85 years and all the knowledge from this impressive heritage has been  poured into GFX50S II. The 51.4MP large format sensor uses a specially designed  CMOS Bayer array that delivers images with minimal noise and an incredibly wide  dynamic range, while 19 Film Simulation modes allow creatives to produce images  with colors that stir emotion and memories. Coupled with the ever-growing  family of G Mount lenses that can resolve sensors of 100MP or more, this is a  camera and system that meets the demands of exacting creators seeking the  ultimate image quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 Megapixel Large Format CMOS Image Sensor\n    \u003c\/li\u003e\n\u003cli\u003eX-Processor 4 Image Processor\n    \u003c\/li\u003e\n\u003cli\u003e0 Frames per second\n    \u003c\/li\u003e\n\u003cli\u003eEnhanced autofocus (AF) algorithm for optimized performance  with G Mount lenses\n    \u003c\/li\u003e\n\u003cli\u003eUp to 6.5 stops of Internal Body Image Stabilization (IBIS)\n    \u003c\/li\u003e\n\u003cli\u003eCompact, weather resistant body\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e\n  11 elements in 9 groups\u003cbr\u003e\n  (Includes 1 aspherical and 2 ED elements)\u003cbr\u003e\n  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e\n  35-70mm\u003cbr\u003e\n  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e\n  28-55mm\u003cbr\u003e\n  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e\n  76-42.7\u003cbr\u003e\n  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e\n  F4.5-F5.6\u003cbr\u003e\n  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e\n  F32\u003cbr\u003e\n  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e\n  9 (rounded diaphragm opening)\u003cbr\u003e\n  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e\n  1\/3EV (Wide:18 steps, Tele:16 steps)\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e\n  35\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e\n  13.78\u003cbr\u003e\n  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e\n  \u003ct\u003e 0.28x\u003cbr\u003e\n  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e\n  84.9\u003cbr\u003e\n  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e\n  73.9\u003cbr\u003e\n  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e\n  2.91\u003cbr\u003e\n  \u003cstrong\u003eLens Length - Extended (mm)\u003c\/strong\u003e\u003cbr\u003e\n  2.9\u003cbr\u003e\n  \u003cstrong\u003eLens Length - Extended (in)\u003c\/strong\u003e\u003cbr\u003e\n  96.4\u003cbr\u003e\n  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e\n  390\u003cbr\u003e\n  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e\n  0.86\u003cbr\u003e\n  \u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003cbr\u003e\n  62mm\u003cbr\u003e\n  \u003cstrong\u003eNumber of Effective Pixels\u003c\/strong\u003e\u003cbr\u003e\n  51.4 million pixels\u003cbr\u003e\n  \u003cstrong\u003eImage Sensor\u003c\/strong\u003e\u003cbr\u003e\n  43.8mmx32.9mm Bayer array with primary color filter\u003cbr\u003e\n  \u003cstrong\u003eSensor Cleaning System\u003c\/strong\u003e\u003cbr\u003e\n  Ultra Sonic Vibration\u003cbr\u003e\n  \u003cstrong\u003eStorage Media\u003c\/strong\u003e\u003cbr\u003e\n  SD Card (-2GB) \/ SDHC Card (-32GB) \/ SDXC Card (-256GB)  UHS-I \/ UHS-II*\u003cbr\u003e\n  *Please see the Fujifilm website  (https:\/\/fujifilm-x.com\/support\/compatibility\/cameras) to check memory card  compatibility.\u003cbr\u003e\n  \u003cstrong\u003eFile format (Still)\u003c\/strong\u003e\u003cbr\u003e\n  JPEG: Exif Ver.2.3, RAW: 14bit RAW RAF original format,  RAW+JPEG, TIFF 8bit RGB (In-camera Raw Conversion Only)\u003cbr\u003e\n  \u003cstrong\u003eNumber of Recorded Pixels\u003c\/strong\u003e\u003cbr\u003e\n  L: \u0026lt;4:3\u0026gt; 8256x6192 \u0026lt;3:2\u0026gt; 8256x5504 \u0026lt;16:9\u0026gt; 8256x4640 \u0026lt;1:1\u0026gt;  6192x6192 \u0026lt;65:24\u0026gt; 8256x3048 \u0026lt;5:4\u0026gt; 7744x6192 \u0026lt;7:6\u0026gt; 7232x6192\u003cbr\u003e\n  S: \u0026lt;4:3\u0026gt; 4000x3000 \u0026lt;3:2\u0026gt; 4000x2664 \u0026lt;16:9\u0026gt; 4000x2248 \u0026lt;1:1\u0026gt;  2992x2992 \u0026lt;65:24\u0026gt; 4000x1480 \u0026lt;5:4\u0026gt; 3744x3000 \u0026lt;7:6\u0026gt; 3504x3000\u003cbr\u003e\n  \u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003e\n  FUJIFILM G Mount\u003cbr\u003e\n  \u003cstrong\u003eSensitivity Standard Output\u003c\/strong\u003e\u003cbr\u003e\n  AUTO1\/ AUTO2\/ AUTO3 (up to ISO12800)\/ ISO100~12800 (1\/ 3  step)\u003cbr\u003e\n  \u003cstrong\u003eSensitivity Extended Output\u003c\/strong\u003e\u003cbr\u003e\n  ISO50\/ 25600\/ 51200\/ 102400\u003cbr\u003e\n  \u003cstrong\u003eExposure Control\u003c\/strong\u003e\u003cbr\u003e\n  TTL 256-zone metering, Multi\/ Spot\/ Average\/ Center Weighted\u003cbr\u003e\n  \u003cstrong\u003eExposure Mode\u003c\/strong\u003e\u003cbr\u003e\n  P (Program AE)\/ A (Aperture Priority AE)\/ S (Shutter Speed  Priority AE)\/ M (Manual Exposure)\u003cbr\u003e\n  \u003cstrong\u003eExposure Compensation\u003c\/strong\u003e\u003cbr\u003e\n  STILL -5.0EV - +5.0EV (1\/3EV step)\/ MOVIE: -2.0EV - +2.0EV  (1\/3EV step)\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Mechanism\u003c\/strong\u003e\u003cbr\u003e\n  Image sensor shift mechanism with 5-axis compensation\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Compensation Effect\u003c\/strong\u003e\u003cbr\u003e\n  Up to 6.5 stops (based on CIPA standard). Pitch\/yaw shake  only.\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Digital Image Stabilization\u003c\/strong\u003e\u003cbr\u003e\n  Yes, movie mode only\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer IS MODE BOOST\u003c\/strong\u003e\u003cbr\u003e\n  Yes, movie mode only\u003cbr\u003e\n  \u003cstrong\u003eShutter Type\u003c\/strong\u003e\u003cbr\u003e\n  Focal Plane Shutter\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/4000, A mode: 30sec to 1\/4000, S\/M mode:  60min to 1\/4000, Bulb mode: up to 60min,\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/16000 A mode: 30sec to 1\/16000, S\/M mode:  60min to 1\/16000, Bulb mode: up to 60min*\u003cbr\u003e\n  *The Electronic Shutter may not be suitable for fast-moving  objects or handheld shooting. Flash can not be used.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Electronic Front curtain Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/4000 A mode: 30sec to 1\/4000 S\/M mode:  60min to 1\/4000 Bulb mode: up to 60min\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/16000, A mode: 30sec to 1\/16000, S\/M mode:  60min to 1\/16000, Bulb mode: up to 60min*\u003cbr\u003e\n  *The Electronic Shutter may not be suitable for fast-moving  objects or handheld shooting. Flash can not be used.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed E-Front + Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/16000, A mode: 30sec to 1\/16000, S\/M mode:  60min to 1\/16000, Bulb mode: up to 60min*\u003cbr\u003e\n  *The Electronic Shutter may not be suitable for fast-moving  objects or handheld shooting. Flash can not be used.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed E-Front + Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/16000, A mode: 30sec to 1\/16000, S\/M mode:  60min to 1\/16000, Bulb mode: up to 60min\u003cbr\u003e\n  *Electronic front curtain shutter works until 1\/500sec,  Mechanical shutter works until 1\/4000sec.\u003cbr\u003e\n  **The Electronic Shutter may not be suitable for fast-moving  objects or handheld shooting. Flash can not be used.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Movie\u003c\/strong\u003e\u003cbr\u003e\n  14000to124 (depends on the frame rate)\u003cbr\u003e\n  \u003cstrong\u003eSynchronized Shutter Speed for Flash\u003c\/strong\u003e\u003cbr\u003e\n  1\/125sec. or slower\u003cbr\u003e\n  \u003cstrong\u003eContinuous Shooting\u003c\/strong\u003e\u003cbr\u003e\n  Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 Frames,  Lossless compressed RAW: 13 Frames, Uncompressed RAW: 8 Frames)\u003cbr\u003e\n  *When Using the Electronic Front Curtain Shutter\u003cbr\u003e\n  Approx. 1.8fps (JPEG: Endless Lossless Compression RAW:  Endless Uncompressed RAW: 8 Frames)\u003cbr\u003e\n  **Recordable frame depends on recording media.\u003cbr\u003e\n  ***Speed of continuous shooting depends on shooting  environment and shooting frames.\u003cbr\u003e\n  \u003cstrong\u003eAE Bracketing\u003c\/strong\u003e\u003cbr\u003e\n  AE Bracketing ((2\/3\/5\/7\/9 frames) 1\/3EV - 3EV, 1\/3EV step)\u003cbr\u003e\n  Film Simulation Bracketing (Any 3 types of film simulation  selectable)\u003cbr\u003e\n  Dynamic Range Bracketing (100%, 200%, 400%)\u003cbr\u003e\n  ISO Sensitivity Bracketing (1\/3EV, 2\/3EV, 1EV)\u003cbr\u003e\n  White Balance Bracketing (1, 2, 3)\u003cbr\u003e\n  Focus Bracketing (AUTO, MANUAL)\u003cbr\u003e\n  \u003cstrong\u003eFocus Mode\u003c\/strong\u003e\u003cbr\u003e\n  Single AF\/ Continuous AF\/ MF\u003cbr\u003e\n  \u003cstrong\u003eFocus Type\u003c\/strong\u003e\u003cbr\u003e\n  TTL Contrast AF\u003cbr\u003e\n  \u003cstrong\u003eFocus Low-light Performance\u003c\/strong\u003e\u003cbr\u003e\n  Contrast: -3.5EV with Low light priority AF-S ON and  GF80mmF1.7 attached\u003cbr\u003e\n  \u003cstrong\u003eAF Frame Selection\u003c\/strong\u003e\u003cbr\u003e\n  Single Point AF: EVF\/ LCD: 139\/ 2517 (Changeable Size of AF  Frame Among 6 Types)\u003cbr\u003e\n  Zone AF: 33\/ 55\/ 77 from 117 Areas on 139 Grid\u003cbr\u003e\n  Wide\/Tracking AF: (Up to 9 Area) *AF-S: Wide *AF-C: Tracking\u003cbr\u003e\n  All\u003cbr\u003e\n  \u003cstrong\u003eWhite Balance\u003c\/strong\u003e\u003cbr\u003e\n  Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)\/ Custom1-3\/  Color temperature selection (2500K-10000K)\/ Dayight, Shade, Fluorescent light  1, Fluorescent light 2, Fluorescent light 3, Incandescent light, Underwater\u003cbr\u003e\n  \u003cstrong\u003eSelf-timer\u003c\/strong\u003e\u003cbr\u003e\n  10sec.\/ 2sec.\u003cbr\u003e\n  \u003cstrong\u003eInterval Timer Shooting\u003c\/strong\u003e\u003cbr\u003e\n  Yes (Setting: Interval, Number of shots, starting time,  Interval timer shooting exposure smoothing)\u003cbr\u003e\n  \u003cstrong\u003eFlash Sync Mode\u003c\/strong\u003e\u003cbr\u003e\n  1st Curtain\/ 2nd Curtain\/ AUTO FP (HSS)\u003cbr\u003e\n  \u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003e\n  TTL (FLASH AUTO \/ STANDARD \/ SLOW SYNC.) \/ MANUAL \/ OFF\u003cbr\u003e\n  \u003cstrong\u003eHot Shoe\u003c\/strong\u003e\u003cbr\u003e\n  Yes (Dedicated TTL Flash compatible)\u003cbr\u003e\n  \u003cstrong\u003eViewfinder EVF\u003c\/strong\u003e\u003cbr\u003e\n  0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder\u003cbr\u003e\n  Coverage of Viewing Area vs. Capturing Area: Approx. 100%\u003cbr\u003e\n  Eyepoint: Approx. 23mm (from the Rear End of the Camera's  Eyepiece)\u003cbr\u003e\n  Diopter Adjustment: -4+2m-1\u003cbr\u003e\n  Magnification: 0.77x with 50mm Lens (35mm Equivalent) at  infinity and Diopter set to -1.0m-1\u003cbr\u003e\n  Diagonal Angle of View: Approx. 38 (Horizontal Angle of  View: Approx. 30)\u003cbr\u003e\n  Built-In Eye Sensor\u003cbr\u003e\n  \u003cstrong\u003eLCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n  3.2-inch Tilt-Type (Three Direction) Touch Screen Color LCD  Monitor (Approx. 100% Coverage), Aspect Ratio 4:3, Approx. 2.36 million dots\u003cbr\u003e\n  \u003cstrong\u003eTouch Screen Shooting Mode\u003c\/strong\u003e\u003cbr\u003e\n  AF, Focus Area, OFF, Double Tap Setting (ON\/OFF), Touch  Function Setting (ON\/OFF), EVF Touch Screen Area Setting\u003cbr\u003e\n  \u003cstrong\u003eTouch Screen Playback Mode\u003c\/strong\u003e\u003cbr\u003e\n  Swipe, Zoom, Pinch-in \/ Pinch-out, Double-tap, Drag (ON\/OFF  Selectable)\u003cbr\u003e\n  \u003cstrong\u003eSub LCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n  1.80-inch, Aspect Ratio 4:3, 303230-dot Monochrome LCD  Monitor\u003cbr\u003e\n  \u003cstrong\u003eFile format (Movie)\u003c\/strong\u003e\u003cbr\u003e\n  MPEG-4 AVC\/H.264, Linear PCM (Stereo sound 24bit \/ 48KHz  sampling)\u003cbr\u003e\n  \u003cstrong\u003eMovie Compression\u003c\/strong\u003e\u003cbr\u003e\n  Long GOP\u003cbr\u003e\n  \u003cstrong\u003eFile Size \/ Frame Rate \/ Recording Time\u003c\/strong\u003e\u003cbr\u003e\n  Full HD (19201080) 29.97p\/ 25p\/ 24p\/ 23.98p 50Mbps up to  Approx. 120 min.\u003cbr\u003e\n  \u003cstrong\u003eFilm Simulation Mode\u003c\/strong\u003e\u003cbr\u003e\n  19 modes: PROVIA\/ Standard, Velvia\/ Vivid, ASTIA\/ Soft,  Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA\/  Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS  + G Filter, Black \u0026amp; White, Black \u0026amp; White + Ye Filter, Black \u0026amp; White  + R Filter, Black \u0026amp; White + G Filter, Sepia\u003cbr\u003e\n  \u003cstrong\u003eClarity setting\u003c\/strong\u003e\u003cbr\u003e\n  5 steps\u003cbr\u003e\n  \u003cstrong\u003eMonochromatic Color\u003c\/strong\u003e\u003cbr\u003e\n  Yes\u003cbr\u003e\n  \u003cstrong\u003eGrain Effect\u003c\/strong\u003e\u003cbr\u003e\n  Roughness: STRONG\/ WEAK\/ OFF, Size: LARGE\/ SMALL\u003cbr\u003e\n  \u003cstrong\u003eColor Chrome Effect\u003c\/strong\u003e\u003cbr\u003e\n  STRONG\/ WEAK\/ OFF\u003cbr\u003e\n  \u003cstrong\u003eColor chrome Blue\u003c\/strong\u003e\u003cbr\u003e\n  STRONG\/ WEAK\/ OFF\u003cbr\u003e\n  \u003cstrong\u003eSmooth Skin Effect\u003c\/strong\u003e\u003cbr\u003e\n  STRONG\/ WEAK\/ OFF\u003cbr\u003e\n  \u003cstrong\u003eDynamic Range Setting\u003c\/strong\u003e\u003cbr\u003e\n  AUTO \/ 100 \/ 200 \/ 400\u003cbr\u003e\n  *ISO RESTRICTION: DR100%: No limit\/ DR200%: ISO200 or more\/  DR400%: ISO400 or more\u003cbr\u003e\n  \u003cstrong\u003eDynamic Range Setting (Movie)\u003c\/strong\u003e\u003cbr\u003e\n  100 \/ 200 \/ 400\u003cbr\u003e\n  *DR100%: No limit\/ DR200%: ISO400 or more\/ DR400%: ISO800 or  more\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Standard\u003c\/strong\u003e\u003cbr\u003e\n  IEEE 802.11b\/g\/n (standard wireless protocol)\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Encryption\u003c\/strong\u003e\u003cbr\u003e\n  WEP\/ WPA\/ WPA2 mixed mode\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Access Mode\u003c\/strong\u003e\u003cbr\u003e\n  Infrastructure\u003cbr\u003e\n  \u003cstrong\u003eTerminal - Digital Interface\u003c\/strong\u003e\u003cbr\u003e\n  USB Type-C (USB3.2 Gen1x1)\u003cbr\u003e\n  \u003cstrong\u003eTerminal - HDMI Output\u003c\/strong\u003e\u003cbr\u003e\n  HDMI Micro connector (Type D)\u003cbr\u003e\n  \u003cstrong\u003eTerminal - Others\u003c\/strong\u003e\u003cbr\u003e\n  3.5mm, stereo mini connector (Microphone)\u003cbr\u003e\n  3.5mm, stereo mini connector (Headphone)\u003cbr\u003e\n  2.5mm, Remote Release Connector\u003cbr\u003e\n  Hot shoe\u003cbr\u003e\n  Synchronized terminal\u003cbr\u003e\n  \u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003cbr\u003e\n  NP-W235 Li-ion battery (included)\u003cbr\u003e\n  \u003cstrong\u003eBattery Life for Still Images\u003c\/strong\u003e\u003cbr\u003e\n  Approx. 455 frames When GF63mmF2.8 R WR is set. (Auto power  save ON)\u003cbr\u003e\n  \u003cstrong\u003eActual Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n  \u003cfull hd\u003e Approx. 80min. Face detection is OFF\u003cbr\u003e\n  \u003cstrong\u003eContinuance Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n  \u003cfull hd\u003e Approx. 140min @ 29.97p. Face detection set to OFF\u003cbr\u003e\n  \u003cstrong\u003eApproximate External Camera Dimensions\u003c\/strong\u003e\u003cbr\u003e\n  (W) 150.0mm x (H) 104.2mm x (D) 87.2mm, (W) 5.91in. x (H)  4.1in. x (D) 3.43in., Minimum Depth: 44.0mm \/ 1.73in.\u003cbr\u003e\n  \u003cstrong\u003eApproximate External Lens Dimensions\u003c\/strong\u003e\u003cbr\u003e\n  84.9mm73.9mm (Collapsed position), 84.9mmx96.4mm (Wide  position), 84.9mmx95.7mm (Telephoto position)\u003cbr\u003e\n  \u003cstrong\u003eCamera Width (mm)\u003c\/strong\u003e\u003cbr\u003e\n  150\u003cbr\u003e\n  \u003cstrong\u003eCamera Height (mm)\u003c\/strong\u003e\u003cbr\u003e\n  104.2\u003cbr\u003e\n  \u003cstrong\u003eCamera Depth (mm)\u003c\/strong\u003e\u003cbr\u003e\n  87.2\u003cbr\u003e\n  \u003cstrong\u003eCamera Minimum Depth (mm)\u003c\/strong\u003e\u003cbr\u003e\n  44\u003cbr\u003e\n  \u003cstrong\u003eCamera Width (in)\u003c\/strong\u003e\u003cbr\u003e\n  5.91\u003cbr\u003e\n  \u003cstrong\u003eCamera Height (in)\u003c\/strong\u003e\u003cbr\u003e\n  4.1\u003cbr\u003e\n  \u003cstrong\u003eCamera Depth (in)\u003c\/strong\u003e\u003cbr\u003e\n  3.43\u003cbr\u003e\n  \u003cstrong\u003eCamera Minimum Depth (in)\u003c\/strong\u003e\u003cbr\u003e\n  1.73\u003cbr\u003e\n  \u003cstrong\u003eCamera Body Weight\u003c\/strong\u003e\u003cbr\u003e\n  Approx. 900g including battery and memory card, Approx. 821g  excluding battery and memory card\u003cbr\u003e\n  \u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003cbr\u003e\n  -10C-40C\/ 14F-104F\u003cbr\u003e\n  \u003cstrong\u003eOperating Humidity\u003c\/strong\u003e\u003cbr\u003e\n  10% - 80% (no condensation)\u003cbr\u003e\n  \u003cstrong\u003eStart Up Period\u003c\/strong\u003e\u003cbr\u003e\n  Approx. 0.4sec.\u003cbr\u003e\n  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e\n  FLCP-62 II Lens cap\u003cbr\u003e\n  RLCP-002 Rear lens cap\u003cbr\u003e\n  Lens hood\u003cbr\u003e\n  Tripod collar foot\u003cbr\u003e\n  Lens pouch\u003cbr\u003e\n  Li-ion battery NP-W235\u003cbr\u003e\n  AC power adapter AC-5VJ\u003cbr\u003e\n  Plug adapter\u003cbr\u003e\n  USB cable\u003cbr\u003e\n  Shoulder strap\u003cbr\u003e\n  BCP-002 Body cap\u003cbr\u003e\n  Hot shoe cover\u003cbr\u003e\n  Cable protector\u003c\/full\u003e\u003c\/full\u003e\u003c\/t\u003e\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517559902405,"sku":"FUJI-FUJIFILM600022313","price":4499.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/af52e451-dd6c-4bfc-8337-7cf9a1824147.jpg?v=1737083448"},{"product_id":"fujifilm-gfx100s-camera-body-no-lens","title":"Fujifilm GFX100S Medium Format Mirrorless Camera Body, No Lens","description":"\u003cp\u003e\u003cstrong\u003eFujifilm GFX100S Medium Format Mirrorless Camera Body, No Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGFX100S is a new generation of large format digital camera, designed to suit a new generation of creators. The 102MP back-illuminated CMOS sensor combines with the X-Processor 4 quad-core CPU to deliver images of astonishing quality and professional 4K\/30p video. The cameras five-axis In-Body Image Stabilization provides up to 6 stops of vibration reduction, while phase detection autofocuses pixels, covering nearly 100% of the frame, work at speeds of up to 0.18 sec in light as low as -5.5EV. Have the freedom to create, even when the light begins to fade, and do it knowing that Fujifilm’s legendary color science will deliver the beautiful tones it is renowned for time and time again. Considering that all this is housed in a camera body comparable in size to many full-frame cameras, it’s clear that FUJIFILM GFX100S is blazing a new trail in the worlds of photography and filmmaking.\u003c\/p\u003e\n\u003cp\u003ePowered by Fujifilm’s high-performance X-Processor 4 quad-core CPU, GFX100S utilizes its 102MP, back-illuminated large format CMOS sensor to create truly stunning results. Create remarkably detailed still images that possess amazing color fidelity, and rich shadow detail, with enough dynamic range to allow for astonishing push and pull adjustments in post-production. Or, use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. In video mode, record 4K\/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver-screen.\u003c\/p\u003e\n\u003cp\u003eSitting at the heart of GFX100S is a newly developed shutter and In-Body Image Stabilization (IBIS) system that helps ensure you always make the most of the extreme resolution of the cameras 102MP imaging sensor. While reduced in size, compared to their counterparts in GFX100, both elements offer incredible performance, with the new shutter capable of 5fps continuous shooting and the unique, five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction. With such outstanding performance, GFX100S frees you from a tripod and lets you keep creating even when the light is low.\u003c\/p\u003e\n\u003cp\u003eWith an advanced phase detection autofocus (AF) system, GFX100S spearheads a whole new era of large format digital camera systems. An updated autofocus algorithm brings subjects into focus in as quickly as 0.18 sec, even in light levels as low as -5.5EV. This extraordinary performance is strengthened by the presence of phase detect autofocus pixels across nearly 100% of the frame, resulting in complete precision regardless of where the subject is. Combined with responsive tracking and reliable Face\/Eye Detection, GFX100S lets large format photographers enjoy reliably accurate AF, even in low-contrast situations.\u003c\/p\u003e\n\u003cp\u003eThe GFX system already has a strong reputation for taking high-resolution photography out of the studio and into the world, but GFX100S takes it even further. Not only does it have a super-tough magnesium-alloy casing, but it is also made to operate in temperatures as low as 14F (-10C) and to be dust- and weather-resistant for those off-road moments. At less than 2 pounds (900g), its compact body is comparable in size to many full-frame cameras, but it contains an incredible, 102MP sensor that’s almost twice the physical size of the typical full-frame sensor! Simply put, whether you are creating handheld portraits on location, or framing landscapes in the remote wilderness, GFX100S will truly let you harness the extreme power of large format.\u003c\/p\u003e\n\u003cp\u003eFujifilm’s expertise in color science is legendary among image makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color straight out of camera. With a new Film Simulation mode to explore - Nostalgic Neg. - it may just be worth it to spend a little more time here than you originally thought.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e102MP, back-illuminated large format CMOS sensor\u003c\/li\u003e\n\u003cli\u003eNewly developed shutter and In-Body Image Stabilization (IBIS) system to provide up to 6 stops of correction\u003c\/li\u003e\n\u003cli\u003eBring subjects into focus in as quickly as 0.18 sec, even in light levels as low as -5.5EV.\u003c\/li\u003e\n\u003cli\u003eWeighs less than 2 pounds (900g)\u003c\/li\u003e\n\u003cli\u003eChoice of 19 exclusive FUJIFILM Film Simulation modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Effective Pixels\u003c\/strong\u003e\u003cbr\u003e\n102 million pixels\u003cbr\u003e\n\u003cstrong\u003eImage Sensor\u003c\/strong\u003e\u003cbr\u003e\n43.8mmx32.9mm Bayer array with primary color filter\u003cbr\u003e\n\u003cstrong\u003eSensor Cleaning System\u003c\/strong\u003e\u003cbr\u003e\nUltra Sonic Vibration\u003cbr\u003e\n\u003cstrong\u003eStorage Media\u003c\/strong\u003e\u003cbr\u003e\nSD Card (-2GB) \/ SDHC Card (-32GB) \/ SDXC Card (-2TB) \/ UHS-I \/ UHS-II \/ Video Speed Class V90*\u003cbr\u003e\n\u003cstrong\u003eFile format (Still)\u003c\/strong\u003e\u003cbr\u003e\nJPEG: Exif Ver.2.32, RAW: 14bit\/ 16bit RAW RAF original format, RAW+JPEG, TIFF: 8bit\/ 16bit RGB (In-camera RAW Conversion Only)\u003cbr\u003e\n\u003cstrong\u003eNumber of Recorded Pixels\u003c\/strong\u003e\u003cbr\u003e\nL: \u0026lt;4:3\u0026gt; 11648x8736 \u0026lt;3:2\u0026gt; 11648x7768 \u0026lt;16:9\u0026gt; 11648x6552 \u0026lt;1:1\u0026gt; 8736x8736 \u0026lt;65:24\u0026gt; 11648x4304 \u0026lt;5:4\u0026gt; 10928x8736 \u0026lt;7:6\u0026gt; 10192x8736\u003cbr\u003e\nM: \u0026lt;4:3\u0026gt; 8256x6192 \u0026lt;3:2\u0026gt; 8256x5504 \u0026lt;16:9\u0026gt; 8256x4640 \u0026lt;1:1\u0026gt; 6192x6192 \u0026lt;65:24\u0026gt; 8256x3048 \u0026lt;5:4\u0026gt; 7744x6192 \u0026lt;7:6\u0026gt; 7232x6192\u003cbr\u003e\nS: \u0026lt;4:3\u0026gt; 4000x3000 \u0026lt;3:2\u0026gt; 4000x2664 \u0026lt;16:9\u0026gt; 4000x2248 \u0026lt;1:1\u0026gt; 2992x2992 \u0026lt;65:24\u0026gt; 4000x1480 \u0026lt;5:4\u0026gt; 3744x3000 \u0026lt;7:6\u0026gt; 3504x3000\u003cbr\u003e\n\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003e\nFUJIFILM G Mount\u003cbr\u003e\n\u003cstrong\u003eSensitivity Standard Output\u003c\/strong\u003e\u003cbr\u003e\nSTILL: AUTO1\/ AUTO2\/ AUTO3 (up to ISO12800)\/ ISO100~12800 (1\/ 3 step)\u003cbr\u003e\nMOVIE: AUTO\/ ISO200~12800\u003cbr\u003e\n\u003cstrong\u003eSensitivity Extended Output\u003c\/strong\u003e\u003cbr\u003e\nSTILL: ISO50\/ 25600\/ 51200\/ 102400\u003cbr\u003e\nMOVIE: ISO25600\u003cbr\u003e\n\u003cstrong\u003eExposure Control\u003c\/strong\u003e\u003cbr\u003e\nTTL 256-zone metering, Multi\/ Spot\/ Average\/ Center Weighted\u003cbr\u003e\n\u003cstrong\u003eExposure Mode\u003c\/strong\u003e\u003cbr\u003e\nP (Program AE)\/ A (Aperture Priority AE)\/ S (Shutter Speed Priority AE)\/ M (Manual Exposure)\u003cbr\u003e\n\u003cstrong\u003eExposure Compensation\u003c\/strong\u003e\u003cbr\u003e\nSTILL -5.0EV - +5.0EV (1\/3EV step)\/ MOVIE: -2.0EV - +2.0EV (1\/3EV step)\u003cbr\u003e\n\u003cstrong\u003eImage Stabilizer Mechanism\u003c\/strong\u003e\u003cbr\u003e\nImage sensor shift mechanism with 5-axis compensation\u003cbr\u003e\n\u003cstrong\u003eImage Stabilizer Compensation Effect\u003c\/strong\u003e\u003cbr\u003e\nUp to 6.0 stops (based on CIPA standard). Pitch\/yaw shake only.\u003cbr\u003e\n\u003cstrong\u003eImage Stabilizer Digital Image Stabilization\u003c\/strong\u003e\u003cbr\u003e\nYes, movie mode only\u003cbr\u003e\n\u003cstrong\u003eImage Stabilizer IS MODE BOOST\u003c\/strong\u003e\u003cbr\u003e\nYes, movie mode only\u003cbr\u003e\n\u003cstrong\u003eShutter Type\u003c\/strong\u003e\u003cbr\u003e\nFocal Plane Shutter\u003cbr\u003e\n\u003cstrong\u003eShutter Speed Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\nP mode: 4sec to 1\/4000 A mode: 30sec to 1\/4000 S\/M mode: 60min to 1\/4000 Bulb mode: up to 60min\u003cbr\u003e\n\u003cstrong\u003eShutter Speed Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\nP mode: 4sec to 1\/16000 A mode: 30sec to 1\/16000 S\/M mode: 60min to 1\/16000 Bulb mode: up to 60min\u003cbr\u003e\n\u003cstrong\u003eShutter Speed Electronic Front curtain Shutter\u003c\/strong\u003e\u003cbr\u003e\nP mode: 4sec to 1\/4000 A mode: 30sec to 1\/4000 S\/M mode: 60min to 1\/4000 Bulb mode: up to 60min\u003cbr\u003e\n\u003cstrong\u003eShutter Speed Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\nP mode: 4sec to 1\/16000 A mode: 30sec to 1\/16000 S\/M mode: 60min to 1\/16000 Bulb mode: up to 60min\u003cbr\u003e\n\u003cstrong\u003eShutter Speed E-Front + Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\nP mode: 4sec to 1\/4000 A mode: 30sec to 1\/4000 S\/M mode: 60min to 1\/4000 Bulb mode: up to 60min\u003cbr\u003e\n*Electronic front curtain shutter works until 1\/1250\u003cbr\u003e\n*When using the electronic front curtain shutter, the continuous shooting supports CL only\u003cbr\u003e\n\u003cstrong\u003eShutter Speed E-Front + Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\nP mode: 4sec to 1\/16000 A mode: 30sec to 1\/16000 S\/M mode: 60min to 1\/16000 Bulb mode: up to 60min\u003cbr\u003e\n*Electronic front curtain shutter works until 1\/1250, Mechanical shutter works until 1\/4000\u003cbr\u003e\n*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting Flash can not be used\u003cbr\u003e\n*When using the electronic front curtain shutter, the continuous shooting supports CL only\u003cbr\u003e\n\u003cstrong\u003eShutter Speed Movie\u003c\/strong\u003e\u003cbr\u003e\nDCI4K\/4k: 1\/4000 to 1\/24 FHD: 1\/4000 to 1\/24\u003cbr\u003e\n\u003cstrong\u003eSynchronized Shutter Speed for Flash\u003c\/strong\u003e\u003cbr\u003e\n1\/125 or slower\u003cbr\u003e\n\u003cstrong\u003eContinuous Shooting\u003c\/strong\u003e\u003cbr\u003e\nCH Mechanical Shutter Approx. 5.0fps: (JPEG: 42 Frames, Compressed RAW: 16 Frames, Lossless compressed RAW: 15 Frames, Uncompressed RAW: 14 Frames)\u003cbr\u003e\nCH Electronic Shutter Approx. 2.9fps: (JPEG: 64 Frames, Compressed RAW: 236 Frames, Lossless compressed RAW: 18 Frames, Uncompressed RAW: 15 Frames)\u003cbr\u003e\nCL Mechanical Shutter Approx. 2.0fps (JPEG: Endless, Compressed RAW: 45 Frames, Lossless compressed RAW: 22 Frames, Uncompressed RAW: 16 Frames)\u003cbr\u003e\n*Electronic Front Curtain Shutter support CL only.\u003cbr\u003e\n*Recordable frames depends on recording media\u003cbr\u003e\n*Speed of continuous shooting depends on shooting environment and shooting frames\u003cbr\u003e\n\u003cstrong\u003eAE Bracketing\u003c\/strong\u003e\u003cbr\u003e\nAE Bracketing (Frames: -2, -3, +3, +2, 9, 7, 5, 3 Step: 1\/3EV, 2\/3EV, 1EV, 4\/3EV5\/3EV2EV7\/3EV8\/3EV3EV)\u003cbr\u003e\nFilm Simulation Bracketing (Any 3 types of film simulation selectable)\u003cbr\u003e\nDynamic Range Bracketing (100%, 200%, 400%)\u003cbr\u003e\nISO Sensitivity Bracketing (1\/3EV, 2\/3EV, 1EV)\u003cbr\u003e\nWhite Balance Bracketing (1, 2, 3)\u003cbr\u003e\nFocus Bracketing (AUTO, MANUAL)\u003cbr\u003e\nMultiple Exposure (Max 9 frames - Additive, Average, Bright. Dark)\u003cbr\u003e\nPixel Shift Multi-Shot (Yes)\u003cbr\u003e\n\u003cstrong\u003eFocus Mode\u003c\/strong\u003e\u003cbr\u003e\nSingle AF\/ Continuous AF\/ MF\u003cbr\u003e\n\u003cstrong\u003eFocus Type\u003c\/strong\u003e\u003cbr\u003e\nIntelligent Hybrid AF (TTL contrast AF \/ TTL phase detection AF)\u003cbr\u003e\nFocus Low-light Performance\u003cbr\u003e\nContrast: -2.5EV with GF80mmF1.7 attached Phase Detection: -5.5EV with GF80mmF1.7 attached\u003cbr\u003e\n\u003cstrong\u003eAF Frame Selection\u003c\/strong\u003e\u003cbr\u003e\nSingle point AF: EVF\/ LCD: 139\/ 2517 (Changeable size of AF frame)\u003cbr\u003e\nZone AF: 33\/ 55\/ 77 from 117 areas on 139 grid\u003cbr\u003e\nWide\/Tracking AF: AF-S: Wide\/ AF-C: Tracking\u003cbr\u003e\nAll\u003cbr\u003e\n\u003cstrong\u003eWhite Balance\u003c\/strong\u003e\u003cbr\u003e\nAuto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)\/ Custom1-3\/ Color temperature selection (2500K-10000K)\/ Dayight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater\u003cbr\u003e\n\u003cstrong\u003eSelf-timer\u003c\/strong\u003e\u003cbr\u003e\n10sec. \/ 2sec.\u003cbr\u003e\n\u003cstrong\u003eInterval Timer Shooting\u003c\/strong\u003e\u003cbr\u003e\nYes (Setting: Interval, Number of shots, starting time, Interval timer shooting exposure smoothing)\u003cbr\u003e\n\u003cstrong\u003eFlash Sync Mode\u003c\/strong\u003e\u003cbr\u003e\n1st Curtain\/ 2nd Curtain\/ AUTO FP (HSS)\u003cbr\u003e\n\u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003e\nTTL (TTL AUTO (P mode) \/ STANDARD \/ SLOW SYNC. ) \/ MANUAL \/ MULTI \/ OFF\u003cbr\u003e\n\u003cstrong\u003eHot Shoe\u003c\/strong\u003e\u003cbr\u003e\nYes (Dedicated TTL Flash compatible)\u003cbr\u003e\n\u003cstrong\u003eViewfinder EVF\u003c\/strong\u003e\u003cbr\u003e\n0.5-inch OLED Color Viewfinder\u003cbr\u003e\nResolution: Approx. 3.69 million dots\u003cbr\u003e\nCoverage of Viewing Area vs. Coverage of Capture Area: Approx. 100%\u003cbr\u003e\nEyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)\u003cbr\u003e\nDiopeter Adjustment: -4+2m-1\u003cbr\u003e\nMagnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1\u003cbr\u003e\nDiagonal Angle of View: approx. 38 (Horizontal angle of view: approx. 30)\u003cbr\u003e\nBuilt-In Eye Sensor\u003cbr\u003e\n\u003cstrong\u003eLCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n3.2-inch Tilt-Type (Three Direction) Touch Screen Color LCD Monitor, 4:3 Aspect Ratio, approx. 2.36 million dots\u003cbr\u003e\n\u003cstrong\u003eTouch Screen Shooting Mode\u003c\/strong\u003e\u003cbr\u003e\nAF\u003cbr\u003e\nFocus Area\u003cbr\u003e\nOFF\u003cbr\u003e\nDouble Tap Setting\u003cbr\u003e\nTouch Function Setting\u003cbr\u003e\nEVF Touch Screen Area Setting\u003cbr\u003e\n\u003cstrong\u003eTouch Screen Playback Mode\u003c\/strong\u003e\u003cbr\u003e\nSwipe, Zoom, Pinch-in \/ Pinch-out, Double-tap, Drag\u003cbr\u003e\n\u003cstrong\u003eSub LCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n1.80-inch, Aspect Ratio 4:3, 303230-dot Monochrome LCD Monitor\u003cbr\u003e\n\u003cstrong\u003eFile format (Movie)\u003c\/strong\u003e\u003cbr\u003e\nMOV (MPEG-4 AVC \/ H.264, HEVC \/ H.265, Audio: Linear PCM \/ Stereo sound 24bit \/ 48KHz sampling)\u003cbr\u003e\n\u003cstrong\u003eMovie Compression\u003c\/strong\u003e\u003cbr\u003e\nAll Intra \/ Long GOP\u003cbr\u003e\n*All Intra can be used with following settings.\u003cbr\u003e\nDCI4K\/4K 29.97p\/25p\/24p\/23.98p 400Mbps\u003cbr\u003e\nFull HD (2048x1080) \/ Full HD (19201080) 59.94p\/50p\/29.97p\/25p\/24p\/23.98p200Mbps\u003cbr\u003e\n\u003cstrong\u003eFile Size \/ Frame Rate \/ Recording Time\u003c\/strong\u003e\u003cbr\u003e\nDCI 4K (40962160) 29.97p\/ 25p\/ 24p\/ 23.98p 400Mbps\/ 200Mbps\/ 100Mbps up to Approx. 120min.\u003cbr\u003e\n4K (38402160) 29.97p\/ 25p\/ 24p\/ 23.98p 400Mbps\/ 200Mbps\/ 100Mbps up to Approx. 120min.\u003cbr\u003e\nFull HD (20481080) 59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p 200Mbps\/ 100Mbps\/ 50Mbps up to Approx. 120min.\u003cbr\u003e\nFull HD (19201080) 59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p 200Mbps\/ 100Mbps\/ 50Mbps up to Approx. 120min.\u003cbr\u003e\n*For recording movies, use a SD memory card with UHS Speed Class 3 or higher.\u003cbr\u003e\n*For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.\u003cbr\u003e\n*Recording movies in 400Mbps can be done with DCI 4K\/ 4K 29.97p\/ 25p\/ 24p\/ 23.98p.\u003cbr\u003e\n*Recording time can become short depending on the temperature and\/ or shooting conditions\u003cbr\u003e\n\u003cstrong\u003eFilm Simulation Mode\u003c\/strong\u003e\u003cbr\u003e\n19 modes\u003cbr\u003e\nPROVIA\/ Standard\u003cbr\u003e\nVelvia\/ Vivid\u003cbr\u003e\nASTIA\/ Soft\u003cbr\u003e\nClassic Chrome\u003cbr\u003e\nPRO Neg.Hi\u003cbr\u003e\nPRO Neg.Std\u003cbr\u003e\nClassic Neg.\u003cbr\u003e\nNostalgic Neg.\u003cbr\u003e\nETERNA\/ Cinema\u003cbr\u003e\nETERNA BLEACH BYPASS\u003cbr\u003e\nACROS\u003cbr\u003e\nACROS + Ye Filter\u003cbr\u003e\nACROS + R Filter\u003cbr\u003e\nACROS + G Filter\u003cbr\u003e\nBlack \u0026amp; White\u003cbr\u003e\nBlack \u0026amp; White + Ye Filter\u003cbr\u003e\nBlack \u0026amp; White + R Filter\u003cbr\u003e\nBlack \u0026amp; White + G Filter\u003cbr\u003e\nSepia\u003cbr\u003e\nMonochromatic\u003cbr\u003e\n\u003cstrong\u003eClarity setting\u003c\/strong\u003e\u003cbr\u003e\n5 steps\u003cbr\u003e\n\u003cstrong\u003eMonochromatic Color\u003c\/strong\u003e\u003cbr\u003e\nYes\u003cbr\u003e\n\u003cstrong\u003eGrain Effect\u003c\/strong\u003e\u003cbr\u003e\nRoughness: STRONG, WEAK, OFF Size: LARGE, SMALL*117\u003cbr\u003e\n\u003cstrong\u003eColor Chrome Effect\u003c\/strong\u003e\u003cbr\u003e\nSTRONG, WEAK, OFF\u003cbr\u003e\n\u003cstrong\u003eColor chrome Blue\u003c\/strong\u003e\u003cbr\u003e\nSTRONG, WEAK, OFF\u003cbr\u003e\n\u003cstrong\u003eSmooth Skin Effect\u003c\/strong\u003e\u003cbr\u003e\nSTRONG, WEAK, OFF\u003cbr\u003e\n\u003cstrong\u003eDynamic Range Setting\u003c\/strong\u003e\u003cbr\u003e\nAUTO, 100%, 200%, 400%\u003cbr\u003e\n\u003cstrong\u003eDynamic Range Setting (Movie)\u003c\/strong\u003e\u003cbr\u003e\n100, 200, 400\u003cbr\u003e\n\u003cstrong\u003eWireless Transmitter Standard\u003c\/strong\u003e\u003cbr\u003e\nIEEE802.11b\/g\/n (standard wireless protocol)\u003cbr\u003e\n\u003cstrong\u003eWireless Transmitter Encryption\u003c\/strong\u003e\u003cbr\u003e\nWEP\/ WPA\/ WPA2 mixed mode\u003cbr\u003e\n\u003cstrong\u003eWireless Transmitter Access Mode\u003c\/strong\u003e\u003cbr\u003e\nInfrastructure\u003cbr\u003e\n\u003cstrong\u003eTerminal - Digital Interface\u003c\/strong\u003e\u003cbr\u003e\nUSB Type-C (USB3.2 Gen1x1)\u003cbr\u003e\n\u003cstrong\u003eTerminal - HDMI Output\u003c\/strong\u003e\u003cbr\u003e\nHDMI Micro connector (Type D)\u003cbr\u003e\n\u003cstrong\u003eTerminal - Others\u003c\/strong\u003e\u003cbr\u003e\n3.5mm, stereo mini connector (Microphone)\u003cbr\u003e\n3.5mm, stereo mini connector (Headphone)\u003cbr\u003e\n2.5mm, Remote Release Connector\u003cbr\u003e\nHot shoe\u003cbr\u003e\nSynchronized terminal\u003cbr\u003e\n\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003cbr\u003e\nNP-W235 Li-ion battery (included)\u003cbr\u003e\n\u003cstrong\u003eBattery Life for Still Images\u003c\/strong\u003e\u003cbr\u003e\nApprox. 460 frames when GF63mmF2.8 R WR is attached\u003cbr\u003e\n\u003cstrong\u003eActual Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n\u0026lt;4K\u0026gt; Approx. 60min @ 29.97p\u003cbr\u003e\n\u003cfull hd\u003e Approx. 65min @ 59.94p\u003cbr\u003e\n*Face detection is set to OFF\u003cbr\u003e\n*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.\u003cbr\u003e\n\u003cstrong\u003eContinuance Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n\u0026lt;4K\u0026gt; Approx. 95min @ 29.97p\u003cbr\u003e\n\u003cfull hd\u003e Approx. 110min @ 59.94p\u003cbr\u003e\n*Face detection is set to OFF\u003cbr\u003e\n*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.\u003cbr\u003e\n\u003cstrong\u003eApproximate External Camera Dimensions\u003c\/strong\u003e\u003cbr\u003e\n(W) 150.0mm x (H) 104.2mm x (D) 87.2mm\u003cbr\u003e\n(W) 5.91in. x (H) 4.1in. x (D) 3.43in.\u003cbr\u003e\nMinimum Depth: 44.0mm \/ 1.73in.\u003cbr\u003e\n\u003cstrong\u003eCamera Width (mm)\u003c\/strong\u003e\u003cbr\u003e\n150\u003cbr\u003e\n\u003cstrong\u003eCamera Height (mm)\u003c\/strong\u003e\u003cbr\u003e\n104.2\u003cbr\u003e\n\u003cstrong\u003eCamera Depth (mm)\u003c\/strong\u003e\u003cbr\u003e\n87.2\u003cbr\u003e\n\u003cstrong\u003eCamera Minimum Depth (mm)\u003c\/strong\u003e\u003cbr\u003e\n44\u003cbr\u003e\n\u003cstrong\u003eCamera Width (in)\u003c\/strong\u003e\u003cbr\u003e\n5.91\u003cbr\u003e\n\u003cstrong\u003eCamera Height (in)\u003c\/strong\u003e\u003cbr\u003e\n4.1\u003cbr\u003e\n\u003cstrong\u003eCamera Depth (in)\u003c\/strong\u003e\u003cbr\u003e\n3.43\u003cbr\u003e\n\u003cstrong\u003eCamera Minimum Depth (in)\u003c\/strong\u003e\u003cbr\u003e\n1.73\u003cbr\u003e\n\u003cstrong\u003eCamera Body Weight\u003c\/strong\u003e\u003cbr\u003e\nApprox. 900g including battery and memory card\u003cbr\u003e\nApprox. 821g excluding battery and memory card\u003cbr\u003e\n\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003cbr\u003e\n-10C-40C\/ 14F-104F\u003cbr\u003e\n\u003cstrong\u003eOperating Humidity\u003c\/strong\u003e\u003cbr\u003e\n10% - 80% (no condensation)\u003cbr\u003e\n\u003cstrong\u003eStart Up Period\u003c\/strong\u003e\u003cbr\u003e\nApprox. 0.5sec.\u003cbr\u003e\n\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e\nLi-ion battery NP-W235\u003cbr\u003e\nAC power adapter AC-5VJ\u003cbr\u003e\nPlug adapter\u003cbr\u003e\nUSB cable\u003cbr\u003e\nShoulder strap\u003cbr\u003e\nBody cap\u003cbr\u003e\nHot shoe cover\u003cbr\u003e\nCable protector\u003cbr\u003e\nOwner's manual\u003c\/full\u003e\u003c\/full\u003e\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517560066245,"sku":"FUJI-FUJIFILM600022058","price":5999.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/fdbd0336-16b1-49d8-9b55-65e5b19328b1.jpg?v=1737083440"},{"product_id":"fujifilm-x-h2-mirrorless-camera-with-xf16-80mmf4-r-ois-wr-lens-kit-black","title":"Fujifilm X-H2 Mirrorless Camera with XF16-80mmF4 R OIS WR Lens Kit, Black","description":"\u003cp\u003e\u003cstrong\u003eFujifilm X-H2 Mirrorless Camera with XF16-80mmF4 R OIS WR Lens Kit, Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing the world’s first 40-megapixel APS-C sensor, 8K  video and powerful features for both stills and motion creatives, X-H2 offers  an incredible specification in a compact and portable body. The all-new X-Trans  CMOS 5 HR sensor produces images with incredible color and detail, featuring  Pixel Shift Multi-Shot another X Series first that generates 160-megapixel  files. 8K video is possible for up to 240 minutes with 10-bit 4:2:2 ProRes  footage recorded internally via CF Express Type B card. 12-bit RAW footage can  also be recorded via the Type A HDMI socket to compatible external recorders.  Add the optional VFT-XH File Transmitter to access Remote Rec, allowing control  over up to four cameras simultaneously perfect for live streaming. All this  processing power is packed into a small, light, and durable X Series body that  offers a seven-stop IBIS system, continuous shooting at up to 15  frames-per-second (mechanical shutter), an incredible 1\/180,000 sec top shutter  speed and more.\u003c\/p\u003e\n\u003cp\u003ePerfect for the next generation of hybrid image makers, X-H2  blends the compact and lightweight versatility of APS-C mirrorless cameras with  an unmatched back-side illuminated X-Trans CMOS 5 HR imaging sensor. The result  gives image-makers 40-megapixels of resolution that brings life to the details  of any image. Add in an optimized pixel layout that promises exceptional  detail, unrivaled color accuracy, and impressive video flexibility, these  game-changing features are made possible only with X-Processor 5, which  delivers lightning-fast performance to help X-H2 deliver 8K\/30p video, enhanced  autofocus capabilities, and black-out free image bursts at 15fps. Not to  mention, its also more efficient than its predecessor, boosting battery  performance by 10%.\u003c\/p\u003e\n\u003cp\u003eX-H2 uses its native 8K video resolution to give filmmakers  several ways of unlocking the cameras true potential. From being able to  increase the focal length of any lens with the cameras 2x digital zoom, when  recording up to 4K, to delivering incredible 4K video by down sampling from the  cameras higher resolution, X-H2 offers a suite of video functions that make it  perfect for every moviemaking occasion. Apple ProRes 10-bit 4:2:2 footage can  be recorded internally at up to 8K\/30p using a CFexpress Type B card, while  12-bit Apple ProRes or Blackmagic RAW footage can be recorded to compatible  external devices* via the full-size HDMI Type A port on the side of the camera.  Additionally, when recording video using the F-Log2 color profile, X-H2s  dynamic range extends to 13+ stops a one-stop improvement over the previous sensor,  enhancing post-production flexibility. X-H2 can also record continuously for up  to 160 minutes at 25C (77F), and can be extended to 240 minutes with the  optional X-H2 cooling fan. *Atomos Ninja V+ HDR monitor-recorder or Blackmagic  Design Video Assist monitor\u003c\/p\u003e\n\u003cp\u003eX-H2 is the first X Series to feature Pixel Shift  Multi-Shot, which delivers 160-megapixel images for the ultimate quality when  detail really matters. A staple of GFX System cameras, Pixel Shift Multi-Shot  records 20 frames, shifting the sensor by 0.5 pixels between each frame.  Resulting images are automatically combined into one DNG RAW file, which can be  output to a desired file format using suitable RAW processing software. This  groundbreaking feature is invaluable for archival recording and other  commercial applications where color fidelity and fine detail are paramount.  Using Pixel Shift Multi-Shot ensures false colors and moir effects are  suppressed to such an extent as to be virtually non-existent.\u003c\/p\u003e\n\u003cp\u003eX-H2 has a feature set designed to support creatives in  their pursuit of the ultimate stills or video. Improved in-body image  stabilization (IBIS), for example, offers seven stops of compensation and  features an enhanced algorithm that improves motion detection. This produces  shake-free results in more scenarios than ever before, most notably when  panning or following subjects on foot for video. For stills photographers,  full-resolution images can be recorded at an incredible 15 frames-per-second  when using the mechanical shutter, while those switching to the electronic  shutter can work at 20fps in the 1.29x crop factor option. Further high-speed  options are provided by the electronic shutters 1\/180,000 sec top speed, while  photographers seeking optimum quality will welcome the lower minimum ISO 125.\u003c\/p\u003e\n\u003cp\u003eThanks to its broad range of wired and wireless options for  transferring image and video data, X-H2 is a true multimedia creative tool. The  camera body supports wireless image transfer through the Fujifilm Remote Camera  App and natively delivers webcam resolutions of up to 4K\/60p for a high-quality  live streaming experience. With the optional FT-XH File Transmitter Grip,  however, functionality is expanded even further. The grip adds tethering  connections and FTP file transfer through Wi-Fi, Ethernet and smartphone  connections, plus the Remote Rec function. This enables up to four camera  bodies, FT-XH Wireless File Battery Grip accessories attached, to be connected  and controlled via a web browser on a computer, tablet or smartphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e40 Megapixel X-Trans CMOS 5 HR BSI Imaging Sensor\n    \u003c\/li\u003e\n\u003cli\u003e15 Frames per second in Mechanical Shutter\n    \u003c\/li\u003e\n\u003cli\u003e8K\/30P 10-bit 4:2:2 Apple ProRes, ProResHQ, ProRes LT\n    \u003c\/li\u003e\n\u003cli\u003eUp to 7 stops of Internal Body Image Stabilization (IBIS)\n    \u003c\/li\u003e\n\u003cli\u003e160MP pixel shift multi shot\n    \u003c\/li\u003e\n\u003cli\u003e1\/180,000 Max Shutter speed in EShutter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e\n  16 elements in 12 groups\u003cbr\u003e\n  (Includes 3 aspherical and 1 ED aspherical elements)\u003cbr\u003e\n  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e\n  16-80mm\u003cbr\u003e\n  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e\n  24-122mm\u003cbr\u003e\n  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e\n  83.2-20.1\u003cbr\u003e\n  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e\n  F4\u003cbr\u003e\n  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e\n  F22\u003cbr\u003e\n  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e\n  9 (rounded diaphragm opening)\u003cbr\u003e\n  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e\n  1\/3EV (16 steps)\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e\n  35\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e\n  13.78\u003cbr\u003e\n  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e\n  0.25x (Telephoto)\u003cbr\u003e\n  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e\n  78.3\u003cbr\u003e\n  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e\n  88.9\u003cbr\u003e\n  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e\n  3.5\u003cbr\u003e\n  \u003cstrong\u003eLens Length - Extended (mm)\u003c\/strong\u003e\u003cbr\u003e\n  131.5\u003cbr\u003e\n  \u003cstrong\u003eLens Length - Extended (in)\u003c\/strong\u003e\u003cbr\u003e\n  5.18\u003cbr\u003e\n  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e\n  440\u003cbr\u003e\n  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e\n  0.97\u003cbr\u003e\n  \u003cstrong\u003eNumber of Effective Pixels\u003c\/strong\u003e\u003cbr\u003e\n  40.2 million pixels\u003cbr\u003e\n  \u003cstrong\u003eImage Sensor\u003c\/strong\u003e\u003cbr\u003e\n  23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HR with primary color  filter\u003cbr\u003e\n  \u003cstrong\u003eSensor Cleaning System\u003c\/strong\u003e\u003cbr\u003e\n  Ultra Sonic Vibration\u003cbr\u003e\n  \u003cstrong\u003eStorage Media\u003c\/strong\u003e\u003cbr\u003e\n  SD Card (-2GB) \/ SDHC Card (-32GB) \/ SDXC Card (-2TB) \/  UHS-I \/ UHS-II \/ Video Speed Class V90 \/ CFexpress Type B Card (-2TB)\u003cbr\u003e\n  \u003cstrong\u003eFile format (Still)\u003c\/strong\u003e\u003cbr\u003e\n  JPEG-Exif Ver.2.32, HEIF-4:2:2 10bit, RAW-14bit RAW (RAF  original format), TIFF-8bit \/ 16bit RGB (In-camera Raw Conversion Only)\u003cbr\u003e\n  *Exif 2.32 is a digital camera file format that contains a  variety of shooting information for optimal printing\u003cbr\u003e\n  \u003cstrong\u003eNumber of Recorded Pixels\u003c\/strong\u003e\u003cbr\u003e\n  L: \u0026lt;4:3\u0026gt;6864x5152 \u0026lt;3:2\u0026gt; 7728x5152 \u0026lt;16:9\u0026gt; 7728x4344 \u0026lt;1:1\u0026gt;  5152x5152 \u0026lt;5:4\u0026gt; 6432x5152\u003cbr\u003e\n  M: \u0026lt;4:3\u0026gt; 4864x3648 \u0026lt;3:2\u0026gt; 5472x3648 \u0026lt;16:9\u0026gt;5472x3080 \u0026lt;1:1\u0026gt;  3648x3648 \u0026lt;5:4\u0026gt; 4560x3648\u003cbr\u003e\n  S: \u0026lt;4:3\u0026gt;3464x2592 \u0026lt;3:2\u0026gt; 3888x2592 \u0026lt;16:9\u0026gt; 3888x2184 \u0026lt;1:1\u0026gt;  2592x2592 \u0026lt;5:4\u0026gt; 3264x2592\u003cbr\u003e\n  \u003cstrong\u003eDigital Tele-Converter\u003c\/strong\u003e\u003cbr\u003e\n  2.0x\u003cbr\u003e\n  1.4x\u003cbr\u003e\n  OFF\u003cbr\u003e\n  \u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003e\n  FUJIFILM X mount\u003cbr\u003e\n  \u003cstrong\u003eSensitivity Standard Output\u003c\/strong\u003e\u003cbr\u003e\n  STILL: AUTO1\/ AUTO2\/ AUTO3\/ ISO16012800 (1\/3 step)\u003cbr\u003e\n  MOVIE: AUTO\/ ISO16012800 (1\/3 step)\u003cbr\u003e\n  \u003cstrong\u003eSensitivity Extended Output\u003c\/strong\u003e\u003cbr\u003e\n  STILL: ISO64\/ ISO80\/I SO100\/ ISO12\/ ISO25600\/ ISO51200\u003cbr\u003e\n  MOVIE: ISO25600\u003cbr\u003e\n  \u003cstrong\u003eExposure Control\u003c\/strong\u003e\u003cbr\u003e\n  TTL 256-zone metering\/ Multi\/ Spot\/Average\/ Center Weighted\u003cbr\u003e\n  \u003cstrong\u003eExposure Mode\u003c\/strong\u003e\u003cbr\u003e\n  P (Program AE)\/ A (Aperture Priority AE)\/ S (Shutter Speed  Priority AE)\/ M (Manual Exposure)\u003cbr\u003e\n  \u003cstrong\u003eExposure Compensation\u003c\/strong\u003e\u003cbr\u003e\n  STILL: -5.0EV+5.0EV (1\/3EV step)\/ MOVIE: -2.0EV+2.0EV (1\/3EV  step)\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Mechanism\u003c\/strong\u003e\u003cbr\u003e\n  Image sensor shift mechanism with 5-axis compensation\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Compensation Effect\u003c\/strong\u003e\u003cbr\u003e\n  Up to 7.0 stops (based on CIPA standard). Pitch\/yaw shake  only, with XF35mmF1.4 R lens attached.\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Digital Image Stabilization\u003c\/strong\u003e\u003cbr\u003e\n  Yes, movie mode only\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer IS MODE BOOST\u003c\/strong\u003e\u003cbr\u003e\n  Yes, movie mode only\u003cbr\u003e\n  \u003cstrong\u003eShutter Type\u003c\/strong\u003e\u003cbr\u003e\n  Focal Plane Shutter\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/8000\u003cbr\u003e\n  A mode: 30sec to 1\/8000\u003cbr\u003e\n  S\/M mode: 15min to 1\/8000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/180000\u003cbr\u003e\n  A mode: 30sec to 1\/180000\u003cbr\u003e\n  S\/M mode: 15min to 1\/180000\u003cbr\u003e\n  Bulb mode: 1sec Fixed\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Electronic Front curtain Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/8000\u003cbr\u003e\n  A mode: 30sec to 1\/8000\u003cbr\u003e\n  S\/M mode: 15min to 1\/8000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/180000\u003cbr\u003e\n  A mode: 30sec to 1\/180000\u003cbr\u003e\n  S\/M mode: 15min to 1\/180000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  *Mechanical shutter works until 1\/8000sec.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed E-Front + Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/8000\u003cbr\u003e\n  A mode: 30sec to 1\/8000\u003cbr\u003e\n  S\/M mode: 15min to 1\/8000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  *Electronic front curtain shutter works until 1\/2000\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed E-Front + Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/180000\u003cbr\u003e\n  A mode: 30sec to 1\/180000\u003cbr\u003e\n  S\/M mode: 15min to 1\/180000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  *Electronic front curtain shutter works until 1\/2000,  Mechanical shutter works until 1\/8000\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Movie\u003c\/strong\u003e\u003cbr\u003e\n  8K: 1\/8000 to 1\/24\u003cbr\u003e\n  6.2K: 1\/8000 to 1\/24\u003cbr\u003e\n  DCI 4K\/4K: 1\/8000 to 1\/4 sec.\u003cbr\u003e\n  FHD: 1\/8000 to 1\/4 sec.\u003cbr\u003e\n  *Cannot choose slower shutter speed than frame rate for some  settings.\u003cbr\u003e\n  \u003cstrong\u003eSynchronized Shutter Speed for Flash\u003c\/strong\u003e\u003cbr\u003e\n  Mechanical Shutter: 1\/250sec. or slower\u003cbr\u003e\n  \u003cstrong\u003eContinuous Shooting\u003c\/strong\u003e\u003cbr\u003e\n  Electronic Shutter Approx. 20fps @1.29x Crop (JPEG: 1000 + frames,  Compressed RAW: 1000 + frames, Lossless Compressed RAW 1000 + frames,  Uncompressed RAW: 202 frames, Compressed RAW + JPEG: 129 frames, Lossless  compressed RAW + JPEG: 95 frames, Uncompressed RAW + JPEG: 90 frames)\u003cbr\u003e\n  Electronic Shutter Approx. 13fps @1.29x Crop (JPEG: 1000 + frames,  Compressed RAW: 1000 + frames, Lossless Compressed RAW 1000 + frames,  Uncompressed RAW: 1000 frames, Compressed RAW + JPEG: 372 frames, Lossless  compressed RAW + JPEG: 361 frames, Uncompressed RAW + JPEG: 223 frames)\u003cbr\u003e\n  Electronic Shutter Approx. 13fps (JPEG: 1000 + frames,  Compressed RAW: 1000 + frames, Lossless Compressed RAW 1000 + frames,  Uncompressed RAW: 1000 frames, Compressed RAW + JPEG: 131 frames, Lossless  compressed RAW + JPEG: 131 frames, Uncompressed RAW + JPEG: 127 frames)\u003cbr\u003e\n  Electronic Shutter Approx. 8.9fps (JPEG: 1000 + frames  ,Compressed RAW: 1000 + frames, Lossless Compressed RAW 1000 + frames,  Uncompressed RAW: 1000 frames, Compressed RAW + JPEG: 769 frames, Lossless  compressed RAW + JPEG: 751 frames, Uncompressed RAW + JPEG: 302  frames)Mechanical Shutter Approx. 15fps (JPEG: 1000 + frames ,Compressed RAW:  1000 + frames, Lossless Compressed RAW 1000 + frames, Uncompressed RAW: 1000 +  frames, Compressed RAW + JPEG: 110 frames, Lossless compressed RAW + JPEG: 108  frames, Uncompressed RAW + JPEG: 104 frames)\u003cbr\u003e\n  Mechanical Shutter Approx. 15fps (JPEG: 1000 + frames,  Compressed RAW: 1000 + frames, Lossless Compressed RAW 1000 + frames,  Uncompressed RAW: 1000 + frames, Compressed RAW + JPEG: 110 frames, Lossless  compressed RAW + JPEG: 108 frames, Uncompressed RAW + JPEG: 104 frames)\u003cbr\u003e\n  Mechanical Shutter Approx. 10fps (JPEG: 1000 + frames,  Compressed RAW: 1000 + frames, Lossless Compressed RAW 1000 + frames,  Uncompressed RAW: 1000 + frames, Compressed RAW + JPEG: 512 frames, Lossless  compressed RAW + JPEG: 492 frames, Uncompressed RAW + JPEG: 223 frames)\u003cbr\u003e\n  Mechanical Shutter Approx. 17ps (JPEG: 1000 + frames,  Compressed RAW: 1000 + frames, Lossless Compressed RAW 1000 + frames,  Uncompressed RAW: 1000 + frames, Compressed RAW + JPEG: 1000 + frames, Lossless  compressed RAW + JPEG: 1000 + frames, Uncompressed RAW + JPEG: 1000 + frames)\u003cbr\u003e\n  *No. of recordable frames are calculated based on CFexpress  Type B card in a cold start\u003cbr\u003e\n  *Recordable frames depend on recording media\u003cbr\u003e\n  *Speed of continuous shooting depends on shooting  environment and shooting frames\u003cbr\u003e\n  \u003cstrong\u003eAE Bracketing\u003c\/strong\u003e\u003cbr\u003e\n  AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1\/3EV step, up  to 3EV steps)\u003cbr\u003e\n  Filmsimulation bracketing (Any 3 types of film simulation  selectable)\u003cbr\u003e\n  Dynamic Range Bracketing (100%, 200%, 400%)\u003cbr\u003e\n  ISO sensitivity Bracketing (1\/3EV, 2\/3EV, 1EV\u003cbr\u003e\n  White Balance Bracketing (1, 2, 3)\u003cbr\u003e\n  Focus Bracketing (AUTO, MANUAL)\u003cbr\u003e\n  Multiple Exposure Yes (Max. 9 frames) Additive, Average,  Bright, Dark\u003cbr\u003e\n  HDR Mode (AUTO, 200%, 400%, 800%, 800%+)\u003cbr\u003e\n  Advanced filter Toy camera, Miniature, Pop color, High-key,  Low-key, Dynamic tone, Soft focus, Partial color (Red \/ Orange \/ Yellow \/ Green  \/ Blue \/ Purple)\u003cbr\u003e\n  \u003cstrong\u003eFocus Mode\u003c\/strong\u003e\u003cbr\u003e\n  Single AF\/ Continuous AF\/ MF\u003cbr\u003e\n  \u003cstrong\u003eFocus Type\u003c\/strong\u003e\u003cbr\u003e\n  Intelligent Hybrid AF (TTL contrast AF \/ TTL phase detection  AF)\u003cbr\u003e\n  \u003cstrong\u003eFocus Low-light Performance\u003c\/strong\u003e\u003cbr\u003e\n  Contrast: -4.0EV\u003cbr\u003e\n  Phase Detection: -7.0EV\u003cbr\u003e\n  *XF50mmF1.0 attached\u003cbr\u003e\n  \u003cstrong\u003eAF Frame Selection\u003c\/strong\u003e\u003cbr\u003e\n  Single point AF: 139\/ 2517 (Changeable size of AF frame)\u003cbr\u003e\n  Zone AF: 33\/ 55\/ 77 from 117 areas on 139 grid\u003cbr\u003e\n  Wide\/Tracking AF AF-S: Wide\/ AF-C: Tracking\u003cbr\u003e\n  All\u003cbr\u003e\n  \u003cstrong\u003eWhite Balance\u003c\/strong\u003e\u003cbr\u003e\n  Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)\/ Custom1 - 3\/  Color temperature selection (2500K10000K)\/ Preset Daylight, Shade, Fluorescent  Light-1, Fluorescent Light-2, Fluorescent Light-3, Incandescent Light,  Underwater\u003cbr\u003e\n  \u003cstrong\u003eSelf-timer\u003c\/strong\u003e\u003cbr\u003e\n  10sec.\/2sec.\u003cbr\u003e\n  \u003cstrong\u003eInterval Timer Shooting\u003c\/strong\u003e\u003cbr\u003e\n  Yes (Setting: Interval, Number of shots, starting time,  Interval timer shooting exposure smoothing)\u003cbr\u003e\n  \u003cstrong\u003eFlash\u003c\/strong\u003e\u003cbr\u003e\n  EF-X8 Guide Number approx. 11 (ISO200m) \/ approx. 8  (ISO100m)\u003cbr\u003e\n  \u003cstrong\u003eFlash Sync Mode\u003c\/strong\u003e\u003cbr\u003e\n  EF-X8: 1st Curtain\/ 2nd Curtain\u003cbr\u003e\n  Shoe Mount Flash: 1st Curtain\/ 2nd Curtain AUTO FP (HSS)\u003cbr\u003e\n  Synchronized terminal: 1st Curtain\/ 2nd Curtain.\u003cbr\u003e\n  \u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003e\n  TTL (TTL AUTO \/ STANDARD \/ SLOW SYNC.) \/ MANUAL \/ COMMANDER  \/ OFF Shoe Mount Flash TTL (TTL AUTO) \/ STANDARD \/ SLOW SYNC.) \/ MANUAL \/ MULTI\u003cbr\u003e\n  * When EF-X500 is set\/ OFF Synchronized terminal MANUAL\u003cbr\u003e\n  \u003cstrong\u003eHot Shoe\u003c\/strong\u003e\u003cbr\u003e\n  Yes (Dedicated TTL Flash compatible)\u003cbr\u003e\n  \u003cstrong\u003eViewfinder EVF\u003c\/strong\u003e\u003cbr\u003e\n  0.5 inch approx. 5.76 million dots OLED Color Viewfinder\u003cbr\u003e\n  Coverage of viewing area vs. capturing area: approx. 100%\u003cbr\u003e\n  Eyepoint: approx. 24mm (from the Rear End of the camera's  Eyepiece) Diopter adjustment: -5~+3m-1\u003cbr\u003e\n  Magnification: 0.80 with 50mm lens (35mm equivalent) at  infinity and Diopter set to -1.0m-1\u003cbr\u003e\n  Diagonal angle of view: approx. 40 (Horizontal angle of  view: approx. 32 ) Built-in eye sensor\u003cbr\u003e\n  \u003cstrong\u003eLCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n  3.0-inch vari-angle Touch Screen Color LCD Monitor\u003cbr\u003e\n  Aspect Ratio 3:2\u003cbr\u003e\n  Resolution: Approx. 1.62 million dots\u003cbr\u003e\n  \u003cstrong\u003eTouch Screen Shooting Mode\u003c\/strong\u003e\u003cbr\u003e\n  Shooting, AF, Focus Area, OFF, Double Tap Setting (ON\/OFF),  Touch Function Setting (ON\/OFF), EVF Touch Screen Area Setting\u003cbr\u003e\n  \u003cstrong\u003eTouch Screen Playback Mode\u003c\/strong\u003e\u003cbr\u003e\n  Swipe, Pinch-in \/ Pinch-out, Double-tap, Drag\u003cbr\u003e\n  \u003cstrong\u003eSub LCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n  1.28-inch Monochrome LCD Monitor, Aspect Ratio 1:1, Dots  128x128-dot\u003cbr\u003e\n  \u003cstrong\u003eFile format (Movie)\u003c\/strong\u003e\u003cbr\u003e\n  MOV\/ Apple ProRes (422, HQ, LT)\u003cbr\u003e\n  Audio: Linear PCM\/ Stereo Sound (24bit \/ 48KHz sampling)\u003cbr\u003e\n  HEVC\/ H.265\u003cbr\u003e\n  Audio: Linear PCM \/ Stereo sound (24bit \/ 48KHz sampling)\u003cbr\u003e\n  MPEG-4, AVC\/ H.264\u003cbr\u003e\n  Audio: Linear PCM \/ Stereo sound (24bit \/ 48KHz sampling)\u003cbr\u003e\n  MP4, MPEG-4, AVC\/ H.264\u003cbr\u003e\n  Audio: AAC\u003cbr\u003e\n  \u003cstrong\u003eMovie Compression\u003c\/strong\u003e\u003cbr\u003e\n  All Intra\/Long-GOP\u003cbr\u003e\n  \u003cstrong\u003eFile Size \/ Frame Rate \/ Recording Time\u003c\/strong\u003e\u003cbr\u003e\n  8K \u0026lt;16:9\u0026gt; - 7680x4320\u003cbr\u003e\n  29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  6.2K \u0026lt;16:9\u0026gt; - 62403150\u003cbr\u003e\n  29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  DCI 4K HQ \u0026lt;17:9\u0026gt; - 40962160\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/100Mbps\/50Mbps\u003cbr\u003e\n  4K HQ \u0026lt;16:9\u0026gt; - 38402160\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  DCI 4K \u0026lt;17:9\u0026gt; - 40962160\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/100Mbps\/50Mbps\u003cbr\u003e\n  4K \u0026lt;16:9\u0026gt; - 38402160\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  Full HD \u0026lt;17:9\u0026gt; - 2048 1080\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  Full HD \u0026lt;16:9\u0026gt; - 19201080\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  Full HD High speed rec. \u0026lt;17:9\u0026gt; - 2048x1080\u003cbr\u003e\n  240p\/200p\/ 120p\/ 100p\u003cbr\u003e\n  720Mbps(recording)\/ 360Mbps(recording)\/ 200Mbps(recording)\u003cbr\u003e\n  Full HD High speed rec. \u0026lt;16:9\u0026gt; - 1920x1080\u003cbr\u003e\n  240p\/200p\/ 120p\/ 100p\/\u003cbr\u003e\n  720Mbps(recording)\/ 360Mbps(recording)\/ 200Mbps(recording)\u003cbr\u003e\n  *For recording movies, use a CFexpress Type B card or SD  memory card with UHS Speed Class 3 or higher.\u003cbr\u003e\n  *For recording movies in 360Mbps, use a CFexpress Type B  card or SD memory card with Video Speed Class 60 or higher.\u003cbr\u003e\n  *For recording movies in 720Mbps, use a CFexpress Type B  card or SD memory card with Video Speed Class 90 or higher.\u003cbr\u003e\n  *Selectable bitrate will be changed depends on the setting.\u003cbr\u003e\n  *Apple ProRes codec can be only recorded to CFexpress Type B  card\u003cbr\u003e\n  *Bitrate for Apple ProRes codec is not selectable.\u003cbr\u003e\n  *Recording length can shorten depending on the temperature  and\/or shooting conditions\u003cbr\u003e\n  \u003cstrong\u003eFilm Simulation Mode\u003c\/strong\u003e\u003cbr\u003e\n  19 modes (PROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic  Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA Cinema,  ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter\u003cbr\u003e\n  ACROS + G Filter, Black \u0026amp; White, Black \u0026amp; White + Ye  Filter, Black \u0026amp; White + R Filter, Black \u0026amp; White + G Filter, Sepia)\u003cbr\u003e\n  \u003cstrong\u003eClarity setting\u003c\/strong\u003e\u003cbr\u003e\n  5 steps\u003cbr\u003e\n  \u003cstrong\u003eMonochromatic Color\u003c\/strong\u003e\u003cbr\u003e\n  Yes\u003cbr\u003e\n  \u003cstrong\u003eHDR Mode\u003c\/strong\u003e\u003cbr\u003e\n  AUTO\u003cbr\u003e\n  200%\u003cbr\u003e\n  400%\u003cbr\u003e\n  800%\u003cbr\u003e\n  800% +\u003cbr\u003e\n  \u003cstrong\u003eGrain Effect\u003c\/strong\u003e\u003cbr\u003e\n  Roughness STRONG, WEAK, OFF, Size LARGE, SMALL\u003cbr\u003e\n  \u003cstrong\u003eColor Chrome Effect\u003c\/strong\u003e\u003cbr\u003e\n  STRONG, WEAK, OFF\u003cbr\u003e\n  \u003cstrong\u003eColor chrome Blue\u003c\/strong\u003e\u003cbr\u003e\n  STRONG, WEAK, OFF\u003cbr\u003e\n  \u003cstrong\u003eSmooth Skin Effect\u003c\/strong\u003e\u003cbr\u003e\n  STRONG, WEAK, OFF\u003cbr\u003e\n  \u003cstrong\u003eDynamic Range Setting\u003c\/strong\u003e\u003cbr\u003e\n  AUTO, 100%, 200%, 400%\u003cbr\u003e\n  ISO restriction (DR100%: No limit, DR200%: ISO320 or more,  DR400%: ISO640 or more)\u003cbr\u003e\n  \u003cstrong\u003eDynamic Range Setting (Movie)\u003c\/strong\u003e\u003cbr\u003e\n  100%, 200%, 400%\u003cbr\u003e\n  ISO restriction (DR100%: No limit, DR200%: ISO320 or more,  DR400%: ISO640 or more)\u003cbr\u003e\n  \u003cstrong\u003eAdvanced Filter\u003c\/strong\u003e\u003cbr\u003e\n  Toy camera\u003cbr\u003e\n  Miniature\u003cbr\u003e\n  Pop color\u003cbr\u003e\n  High-key\u003cbr\u003e\n  Low-key\u003cbr\u003e\n  Dynamic tone\u003cbr\u003e\n  Soft focus\u003cbr\u003e\n  Partial color (Red \/ Orange \/ Yellow \/ Green \/ Blue \/  Purple)\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Standard\u003c\/strong\u003e\u003cbr\u003e\n  IEEE802.11a\/b\/g\/n\/ac (standard wireless protocol)\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Encryption\u003c\/strong\u003e\u003cbr\u003e\n  WEP\/WPA\/WPA2 mixed mode\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Access Mode\u003c\/strong\u003e\u003cbr\u003e\n  Infrastructure\u003cbr\u003e\n  \u003cstrong\u003eTerminal - Digital Interface\u003c\/strong\u003e\u003cbr\u003e\n  USB Type-C (USB3.2 Gen2x1)\u003cbr\u003e\n  \u003cstrong\u003eTerminal - HDMI Output\u003c\/strong\u003e\u003cbr\u003e\n  HDMI connector (Type A)\u003cbr\u003e\n  \u003cstrong\u003eTerminal - Others\u003c\/strong\u003e\u003cbr\u003e\n  3.5mm, stereo mini connector (Microphone), 3.5mm, stereo  mini connector (Headphone), 2.5mm, Remote Release Connector, Hot shoe,  Synchronized terminal\u003cbr\u003e\n  \u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003cbr\u003e\n  NP-W235 Li-ion battery (included)\u003cbr\u003e\n  *Approximate number of frames or movie recording time that  can be taken with a fully-charged based on CIPA Standard.\u003cbr\u003e\n  \u003cstrong\u003eBattery Life for Still Images\u003c\/strong\u003e\u003cbr\u003e\n  Economy Mode Approx. 680 frames, Normal Mode Approx. 540  frames\u003cbr\u003e\n  *When XF35mmF1.4 R is set\u003cbr\u003e\n  \u003cstrong\u003eActual Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n  8K Approx. 70min. (29.97p),4K Approx. 75min. (59.94p), Full  HD Approx. 85min. (59.94p)\u003cbr\u003e\n  *Face detection is set to OFF\u003cbr\u003e\n  \u003cstrong\u003eContinuance Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n  8K Approx. 100min. (29.97p),4K Approx. 120min. (59.94p),  Full HD Approx. 140min. 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From family gatherings to vacation memories, this lens has it  covered. 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Designed in a silver or black finish  specifically for X100 series cameras, this 0.79x converter will give your  camera a wider angle of view without degrading its excellent image quality. The  28mm equivalent angle of view that the WCL-X100 II Wide Conversion Lens  achieves means that you are perfectly equipped to photograph architecture,  interiors or panoramic landscapes.\u003c\/p\u003e\n\u003cp\u003eDedicated to the FUJIFILM X100F digital camera, the silver  WCL-X100 II Wide Conversion Lens broadens the original lens's field of view by  0.8x to offer a wider, 28mm equivalent focal length. 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Central to its success are the 26.1-megapixel, back-illuminated X-Trans CMOS 5  HS stacked sensor and X-Processor 5, which combine to provide a 14-stop dynamic  range and outstanding performance in all lighting conditions. For motion  professionals, there is a wealth of 6.2K 30P full sensor 3:2 recording options,  which includes internal 10-bit 4:2:2 Apple ProRes and external Apple ProRes RAW  and Blackmagic RAW, all with an electronic shutter capable of making images at  40 frames-per-second, with up to 7-stops of in-body image stabilization, and  with an AI-powered advanced autofocus system designed to ensure that  performance-seeking stills photographers will also not be disappointed.\u003c\/p\u003e\n\u003cp\u003eX-H2S is the first X Series camera to feature the  26.1-megapixel, X-Trans 5 stacked back-illuminated sensor. Building on the unique  X-Trans color filter array that minimizes moir and false colors, placing the  sensors circuitry on a separate layer from the pixels delivers outstanding  image quality thanks to expanded low light capabilities and up to 14-stops of  dynamic range. Allied to the sensor is the new X-Processor 5, offering  lightning-fast performance for the most demanding situations. Capable of  handling vast amounts of data, X-Processor 5 delivers next-level performance  enhancements in video and stills processing capabilities and a 5.76 million dot  resolution EVF, alongside advanced, intelligent autofocus functionality thats  3x faster than Fujifilms preceding X-T4 model.\u003c\/p\u003e\n\u003cp\u003ePowerful video features make X-H2S a go-to device both for  hybrid image makers and dedicated motion professionals. Up to 90 minutes of  footage can be internally recorded with a single battery, at a wide range of  resolutions and frame rates up to 6.2K\/30P in Open Gate 3:2, 4K\/120P, and Full  HD\/240P. This delivers unparalleled flexibility within the X Series lineup.  Additionally, the ability to record 10-bit 4:2:2 Apple ProRes footage  internally to CFexpress Type B memory cards offers incredible post-production  flexibility, while the X-Trans 5 sensors 14-stop dynamic range optimizes the  level of image detail across a uniquely wide exposure range.\u003c\/p\u003e\n\u003cp\u003eThe autofocusing system in X-H2S is not only quick, but also  highly advanced. Capable of working in light levels down to -7EV and keeping up  with both fast and erratically moving subjects, it now features Subject Detection  autofocus, utilizing AI to deliver an unmatched autofocus performance. Whereas  previous X Series models offer Face and Eye Detection AF, X-H2Ss Subject  Detection AF broadens the range of identifiable subjects to further enhance  focusing accuracy. The new system has the ability to identify and track cars,  planes, trains, motorcyclists, birds, horses, dogs, cats and more. Furthermore,  face and eye detection capabilities have been expanded to pick up hairlines,  glasses, and face coverings.\u003c\/p\u003e\n\u003cp\u003eX-H2S delivers powerful performance, suitable for any  professional photographer or filmmaker. Continuous shooting is possible at 15  frames-per-second with the mechanical shutter, and up to 40 frames-per-second  when the electronic shutter is deployed. These impressive speeds are backed up  by the cameras high-capacity buffer, which allows unlimited continuous  recording and writing of JPEG and RAW files to a high-speed memory card when  using the mechanical shutter. Creative possibilities abound with by the cameras  in-body image stabilization system, offering up to seven stops of shake  reduction to give the handheld user true versatility.\u003c\/p\u003e\n\u003cp\u003eIn addition to a wide range of internal video recording  features, X-H2S provides significant flexibility for external recording. F-Log  or F-Log2, Apple ProRes RAW and Blackmagic RAW footage can all be recorded to  an external device through the cameras standard, Type A HDMI port. Unlock the  full capability of X-H2Ss unmatched image quality by recording F-Log or F-Log2  in resolutions of up to 6.2K in Apple ProRes RAW*1 and Blackmagic RAW*2. *1  Atomos Ninja V+ HDR Monitor Recorder Required *2 Blackmagic Design Video Assist  Monitor Required\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Megapixel X-Trans CMOS 5 HS Stacked BSI Imaging Sensor\n    \u003c\/li\u003e\n\u003cli\u003e40 Frames per second in Electronic Shutter, 4K\/120P,  6.2K\/30P, HD\/240P\n    \u003c\/li\u003e\n\u003cli\u003eRecord Apple ProResHQ internally in 10-bit at 4:2:2\n    \u003c\/li\u003e\n\u003cli\u003eNewly created Flog2 encoding for greater dynamic range\n    \u003c\/li\u003e\n\u003cli\u003eExternal recording of ProRes Raw and Blackmagic Raw\n    \u003c\/li\u003e\n\u003cli\u003eUp to 7 stops of Internal Body Image Stabilization (IBIS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Effective Pixels\u003c\/strong\u003e\u003cbr\u003e\n  26.16 millions pixels\u003cbr\u003e\n  \u003cstrong\u003eImage Sensor\u003c\/strong\u003e\u003cbr\u003e\n  23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HS with primary color  filter\u003cbr\u003e\n  \u003cstrong\u003eSensor Cleaning System\u003c\/strong\u003e\u003cbr\u003e\n  Ultra Sonic Vibration\u003cbr\u003e\n  \u003cstrong\u003eStorage Media\u003c\/strong\u003e\u003cbr\u003e\n  SD Card (-2GB) \/ SDHC Card (-32GB) \/ SDXC Card (-2TB) \/  UHS-I \/ UHS-II \/ Video Speed Class V90 \/ CFexpress Type B Card (-2TB)\u003cbr\u003e\n  \u003cstrong\u003eFile format (Still)\u003c\/strong\u003e\u003cbr\u003e\n  JPEG-Exif Ver.2.32, HEIF-4:2:2 10bit, RAW-14bit RAW (RAF  original format), TIFF-8bit \/ 16bit RGB (In-camera Raw Conversion Only)\u003cbr\u003e\n  *Exif 2.32 is a digital camera file format that contains a  variety of shooting information for optimal printing\u003cbr\u003e\n  \u003cstrong\u003eNumber of Recorded Pixels\u003c\/strong\u003e\u003cbr\u003e\n  L: \u0026lt;3:2\u0026gt; 6240x4160 \u0026lt;16:9\u0026gt; 6240x3512 \u0026lt;1:1\u0026gt; 4160x4160\u003cbr\u003e\n  M: \u0026lt;3:2\u0026gt; 4416x2944 \u0026lt;16:9\u0026gt; 4416x2488 \u0026lt;1:1\u0026gt; 2944x2944\u003cbr\u003e\n  S: \u0026lt;3:2\u0026gt; 3120x2080 \u0026lt;16:9\u0026gt; 3120x1760 \u0026lt;1:1\u0026gt; 2080x2080\u003cbr\u003e\n  \u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003e\n  FUJIFILM X mount\u003cbr\u003e\n  \u003cstrong\u003eSensitivity Standard Output\u003c\/strong\u003e\u003cbr\u003e\n  STILL: AUTO1\/ AUTO2\/ AUTO3\/ ISO16012800 (1\/3 step)\u003cbr\u003e\n  MOVIE: AUTO\/ ISO16012800 (1\/3 step)\u003cbr\u003e\n  \u003cstrong\u003eSensitivity Extended Output\u003c\/strong\u003e\u003cbr\u003e\n  STILL: ISO80\/I SO100\/ ISO12\/ ISO25600\/ ISO51200\u003cbr\u003e\n  MOVIE: ISO25600\u003cbr\u003e\n  \u003cstrong\u003eExposure Control\u003c\/strong\u003e\u003cbr\u003e\n  TTL 256-zone metering\/ Multi\/ Spot\/Average\/ Center Weighted\u003cbr\u003e\n  \u003cstrong\u003eExposure Mode\u003c\/strong\u003e\u003cbr\u003e\n  P (Program AE)\/ A (Aperture Priority AE)\/ S (Shutter Speed  Priority AE)\/ M (Manual Exposure)\u003cbr\u003e\n  \u003cstrong\u003eExposure Compensation\u003c\/strong\u003e\u003cbr\u003e\n  STILL: -5.0EV+5.0EV (1\/3EV step)\/ MOVIE: -2.0EV+2.0EV (1\/3EV  step)\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Mechanism\u003c\/strong\u003e\u003cbr\u003e\n  Image sensor shift mechanism with 5-axis compensation\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Compensation Effect\u003c\/strong\u003e\u003cbr\u003e\n  Up to 7.0 stops (based on CIPA standard). Pitch\/yaw shake  only, with XF35mmF1.4 R lens attached.\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Digital Image Stabilization\u003c\/strong\u003e\u003cbr\u003e\n  Yes, movie mode only \u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer IS MODE BOOST\u003c\/strong\u003e\u003cbr\u003e\n  Yes, movie mode only\u003cbr\u003e\n  \u003cstrong\u003eShutter Type\u003c\/strong\u003e\u003cbr\u003e\n  Focal Plane Shutter\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/8000\u003cbr\u003e\n  A mode: 30sec to 1\/8000\u003cbr\u003e\n  S\/M mode: 15min to 1\/8000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/32000\u003cbr\u003e\n  A mode: 30sec to 1\/32000\u003cbr\u003e\n  S\/M mode: 15min to 1\/32000\u003cbr\u003e\n  Bulb mode: 1sec Fixed\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Electronic Front curtain Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/8000\u003cbr\u003e\n  A mode: 30sec to 1\/8000\u003cbr\u003e\n  S\/M mode: 15min to 1\/8000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/32000\u003cbr\u003e\n  A mode: 30sec to 1\/32000\u003cbr\u003e\n  S\/M mode: 15min to 1\/32000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  *Mechanical shutter works until 1\/8000sec.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed E-Front + Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/8000\u003cbr\u003e\n  A mode: 30sec to 1\/8000\u003cbr\u003e\n  S\/M mode: 15min to 1\/8000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  *Electronic front curtain shutter works until 1\/2000\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed E-Front + Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/32000\u003cbr\u003e\n  A mode: 30sec to 1\/32000\u003cbr\u003e\n  S\/M mode: 15min to 1\/32000\u003cbr\u003e\n  Bulb mode: up to 60min\u003cbr\u003e\n  *Electronic front curtain shutter works until 1\/2000,  Mechanical shutter works until 1\/8000\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Movie\u003c\/strong\u003e\u003cbr\u003e\n  6.2K: 1\/8000 to 1\/24\u003cbr\u003e\n  DCI 4K\/4K: 1\/8000 to 1\/4 sec.\u003cbr\u003e\n  FHD: 1\/8000 to 1\/4 sec.\u003cbr\u003e\n  *Cannot choose slower shutter speed than frame rate for some  settings.\u003cbr\u003e\n  \u003cstrong\u003eSynchronized Shutter Speed for Flash\u003c\/strong\u003e\u003cbr\u003e\n  Mechanical Shutter: 1\/250sec. or slower\u003cbr\u003e\n  Electronic Shutter: 1\/125sec. or slower\u003cbr\u003e\n  \u003cstrong\u003eContinuous Shooting\u003c\/strong\u003e\u003cbr\u003e\n  Electronic Shutter Approx. 40fps (JPEG: 184 frames,  Compressed RAW: 175 frames, Lossless Compressed RAW 170 frames, Uncompressed  RAW: 140 frames)\u003cbr\u003e\n  Electronic Shutter Approx. 30fps (JPEG: 1000+ frames, Compressed  RAW: 270 frames, Lossless Compressed RAW 250 frames, Uncompressed RAW: 180  frames)\u003cbr\u003e\n  Electronic Shutter Approx. 20fps (JPEG: 1000+ frames,  Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed  RAW: 800 frames)\u003cbr\u003e\n  Electronic Shutter Approx. 15fps (JPEG: 1000+ frames,  Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed  RAW: 1000 frames)\u003cbr\u003e\n  Mechanical Shutter Approx. 15fps (JPEG: 1000+ frames,  Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed  RAW: 1000 frames)\u003cbr\u003e\n  Mechanical Shutter Approx. 10fps (JPEG: 1000+ frames,  Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames, Uncompressed  RAW: 1000+frames)\u003cbr\u003e\n  Mechanical Shutter Approx. 8.0fps (JPEG: 1000+ frames  ,Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames,  Uncompressed RAW: 1000+frames)\u003cbr\u003e\n  Electronic Shutter Approx. 40fps (While half press 40 frames,  After full press 110 frames, Total 150 frames)\u003cbr\u003e\n  Electronic Shutter Approx. 30fps (While half press 30 frames,  After full press 1000+ frames,)\u003cbr\u003e\n  Electronic Shutter Approx. 20fps (While half press 20 frames,  After full press 1000+ frames,)\u003cbr\u003e\n  Electronic Shutter Approx. 15fps (While half press 15 frames,  After full press 1000+ frames,)\u003cbr\u003e\n  *No. of recordable frames are calculated based on CFexpress  Type B card in a cold start\u003cbr\u003e\n  *Recordable frames depends on recording media\u003cbr\u003e\n  *Speed of continuous shooting depends on shooting  environment and shooting frames\u003cbr\u003e\n  \u003cstrong\u003eAE Bracketing\u003c\/strong\u003e\u003cbr\u003e\n  AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1\/3EV step, up  to 3EV steps)\u003cbr\u003e\n  Filmsimulation bracketing (Any 3 types of film simulation  selectable)\u003cbr\u003e\n  Dynamic Range Bracketing (100%, 200%, 400%)\u003cbr\u003e\n  ISO sensitivity Bracketing (1\/3EV, 2\/3EV, 1EV)\u003cbr\u003e\n  White Balance Bracketing (1, 2, 3)\u003cbr\u003e\n  Focus Bracketing (AUTO, MANUAL)\u003cbr\u003e\n  Multiple Exposure Yes (Max. 9 frames) Additive, Average,  Bright, Dark\u003cbr\u003e\n  HDR Mode (AUTO, 200%, 400%, 800%, 800%+)\u003cbr\u003e\n  Advanced filter Toy camera, Miniature, Pop color, High-key,  Low-key, Dynamic tone, Soft focus, Partial color (Red \/ Orange \/ Yellow \/ Green  \/ Blue \/ Purple)\u003cbr\u003e\n  \u003cstrong\u003eFocus Mode\u003c\/strong\u003e\u003cbr\u003e\n  Single AF\/ Continuous AF\/ MF\u003cbr\u003e\n  \u003cstrong\u003eFocus Type\u003c\/strong\u003e\u003cbr\u003e\n  Intelligent Hybrid AF (TTL contrast AF \/ TTL phase detection  AF)\u003cbr\u003e\n  \u003cstrong\u003eFocus Low-light Performance\u003c\/strong\u003e\u003cbr\u003e\n  Contrast: -4.0EV\u003cbr\u003e\n  Phase Detection: -7.0EV\u003cbr\u003e\n  *XF50mmF1.0 attached\u003cbr\u003e\n  \u003cstrong\u003eAF Frame Selection\u003c\/strong\u003e\u003cbr\u003e\n  Single point AF: 139\/ 2517 (Changeable size of AF frame)\u003cbr\u003e\n  Zone AF: 33\/ 55\/ 77 from 117 areas on 139 grid\u003cbr\u003e\n  Wide\/Tracking AF AF-S: Wide\/ AF-C: Tracking\u003cbr\u003e\n  All\u003cbr\u003e\n  \u003cstrong\u003eWhite Balance\u003c\/strong\u003e\u003cbr\u003e\n  Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)\/ Custom1 - 3\/  Color temperature selection (2500K10000K)\/ Preset Daylight, Shade, Fluorescent  Light-1, Fluorescent Light-2, Fluorescent Light-3, Incandescent Light,  Underwater\u003cbr\u003e\n  \u003cstrong\u003eSelf-timer\u003c\/strong\u003e\u003cbr\u003e\n  10sec.\/2sec.\u003cbr\u003e\n  \u003cstrong\u003eInterval Timer Shooting\u003c\/strong\u003e\u003cbr\u003e\n  Yes (Setting: Interval, Number of shots, starting time,  Interval timer shooting exposure smoothing)\u003cbr\u003e\n  \u003cstrong\u003eFlash\u003c\/strong\u003e\u003cbr\u003e\n  EF-X8 Guide Number approx. 11 (ISO200m) \/ approx. 8  (ISO100m)\u003cbr\u003e\n  \u003cstrong\u003eFlash Sync Mode\u003c\/strong\u003e\u003cbr\u003e\n  EF-X8: 1st Curtain\/ 2nd Curtain\u003cbr\u003e\n  Shoe Mount Flash: 1st Curtain\/ 2nd Curtain AUTO FP (HSS)\u003cbr\u003e\n  Synchronized terminal: 1st Curtain\/ 2nd Curtain.\u003cbr\u003e\n  \u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003e\n  TTL (TTL AUTO \/ STANDARD \/ SLOW SYNC. ) \/ MANUAL \/ COMMANDER  \/ OFF Shoe Mount Flash TTL (TTL AUTO) \/ STANDARD \/ SLOW SYNC. ) \/ MANUAL \/  MULTI\u003cbr\u003e\n  * When EF-X500 is set\/ OFF Synchronized terminal MANUAL\u003cbr\u003e\n  \u003cstrong\u003eHot Shoe\u003c\/strong\u003e\u003cbr\u003e\n  Yes (Dedicated TTL Flash compatible)\u003cbr\u003e\n  \u003cstrong\u003eViewfinder EVF\u003c\/strong\u003e\u003cbr\u003e\n  0.5 inch approx. 5.76 million dots OLED Color Viewfinder\u003cbr\u003e\n  Coverage of viewing area vs. capturing area: approx. 100%\u003cbr\u003e\n  Eyepoint: approx. 24mm (from the Rear End of the camera's  Eyepiece) Diopter adjustment: -5~+3m-1\u003cbr\u003e\n  Magnification: 0.80 with 50mm lens (35mm equivalent) at  infinity and Diopter set to -1.0m-1\u003cbr\u003e\n  Diagonal angle of view: approx. 40 (Horizontal angle of  view: approx. 32 ) Built-in eye sensor\u003cbr\u003e\n  \u003cstrong\u003eLCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n  3.0-inch vari-angle Touch Screen Color LCD Monitor\u003cbr\u003e\n  Aspect Ratio 3:2\u003cbr\u003e\n  Resolution: Approx. 1.62 million dots\u003cbr\u003e\n  \u003cstrong\u003eTouch Screen Shooting Mode\u003c\/strong\u003e\u003cbr\u003e\n  Shooting, AF, Focus Area, OFF, Double Tap Setting (ON\/OFF),  Touch Function Setting (ON\/OFF), EVF Touch Screen Area Setting\u003cbr\u003e\n  \u003cstrong\u003eTouch Screen Playback Mode\u003c\/strong\u003e\u003cbr\u003e\n  Swipe, Pinch-in \/ Pinch-out, Double-tap, Drag\u003cbr\u003e\n  \u003cstrong\u003eSub LCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n  1.28-inch Monochrome LCD Monitor, Aspect Ratio 1:1, Dots  128x128-dot\u003cbr\u003e\n  \u003cstrong\u003eFile format (Movie)\u003c\/strong\u003e\u003cbr\u003e\n  MOV\/ Apple ProRes (422, HQ, LT)\u003cbr\u003e\n  Audio: Linear PCM\/ Stereo Sound (24bit \/ 48KHz sampling)\u003cbr\u003e\n  HEVC\/ H.265\u003cbr\u003e\n  Audio: Linear PCM \/ Stereo sound (24bit \/ 48KHz sampling)\u003cbr\u003e\n  MPEG-4, AVC\/ H.264\u003cbr\u003e\n  Audio: Linear PCM \/ Stereo sound (24bit \/ 48KHz sampling)\u003cbr\u003e\n  MP4, MPEG-4, AVC\/ H.264\u003cbr\u003e\n  Audio: AAC\u003cbr\u003e\n  \u003cstrong\u003eMovie Compression\u003c\/strong\u003e\u003cbr\u003e\n  All Intra\/Long-GOP\u003cbr\u003e\n  \u003cstrong\u003eFile Size \/ Frame Rate \/ Recording Time\u003c\/strong\u003e\u003cbr\u003e\n  6.2K \u0026lt;3:2\u0026gt; - 62404160\u003cbr\u003e\n  29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  DCI 4K \u0026lt;17:9\u0026gt; - 40962160\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/100Mbps\/50Mbps\u003cbr\u003e\n  4K \u0026lt;16:9\u0026gt; - 38402160\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  Full HD \u0026lt;17:9\u0026gt; - 2048 1080\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  Full HD \u0026lt;16:9\u0026gt; - 19201080\u003cbr\u003e\n  59.94p\/ 50p\/ 29.97p\/ 25p\/ 24p\/ 23.98p\u003cbr\u003e\n  720Mbps\/ 360Mbps\/ 200Mbps\/ 100Mbps\/ 50Mbps\u003cbr\u003e\n  DCI4K High speed rec. \u0026lt;17:9\u0026gt; - 4096x2160\u003cbr\u003e\n  120p\/100p\u003cbr\u003e\n  720Mbps(recording)\/ 360Mbps(recording)\/ 200Mbps(recording)\u003cbr\u003e\n  4K High speed rec. \u0026lt;16:9\u0026gt; - 3840x2160\u003cbr\u003e\n  120p\/100p\u003cbr\u003e\n  720Mbps(recording)\/ 360Mbps(recording)\/ 200Mbps(recording)\u003cbr\u003e\n  Full HD High speed rec. \u0026lt;17:9\u0026gt; - 2048x1080\u003cbr\u003e\n  240p\/200p\/ 120p\/ 100p\u003cbr\u003e\n  720Mbps(recording)\/ 360Mbps(recording)\/ 200Mbps(recording)\u003cbr\u003e\n  Full HD High speed rec. \u0026lt;16:9\u0026gt; - 1920x1080\u003cbr\u003e\n  240p\/200p\/ 120p\/ 100p\/\u003cbr\u003e\n  720Mbps(recording)\/ 360Mbps(recording)\/ 200Mbps(recording)\u003cbr\u003e\n  *For recording movies, use a CFexpress Type B card or SD  memory card with UHS Speed Class 3 or higher.\u003cbr\u003e\n  *For recording movies in 360Mbps, use a CFexpress Type B  card or SD memory card with Video Speed Class 60 or higher.\u003cbr\u003e\n  *For recording movies in 720Mbps, use a CFexpress Type B  card or SD memory card with Video Speed Class 90 or higher.\u003cbr\u003e\n  *Selectable bitrate will be changed depends on the setting.\u003cbr\u003e\n  *Apple ProRes codec can be only recorded to CFexpress Type B  card\u003cbr\u003e\n  *Bitrate for Apple ProRes codec is not selectable.\u003cbr\u003e\n  *Recording length can shorten depending on the temperature  and\/or shooting conditions\u003cbr\u003e\n  \u003cstrong\u003eFilm Simulation Mode\u003c\/strong\u003e\u003cbr\u003e\n  19 modes (PROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic  Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA Cinema,  ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter\u003cbr\u003e\n  ACROS + G Filter, Black \u0026amp; White, Black \u0026amp; White + Ye  Filter, Black \u0026amp; White + R Filter, Black \u0026amp; White + G Filter, Sepia)\u003cbr\u003e\n  \u003cstrong\u003eClarity setting\u003c\/strong\u003e\u003cbr\u003e\n  5 steps\u003cbr\u003e\n  \u003cstrong\u003eMonochromatic Color\u003c\/strong\u003e\u003cbr\u003e\n  Yes\u003cbr\u003e\n  \u003cstrong\u003eHDR Mode\u003c\/strong\u003e\u003cbr\u003e\n  AUTO\u003cbr\u003e\n  200%\u003cbr\u003e\n  400%\u003cbr\u003e\n  800%\u003cbr\u003e\n  800% +\u003cbr\u003e\n  \u003cstrong\u003eGrain Effect\u003c\/strong\u003e\u003cbr\u003e\n  Roughness STRONG, WEAK, OFF, Size LARGE, SMALL\u003cbr\u003e\n  \u003cstrong\u003eColor Chrome Effect\u003c\/strong\u003e\u003cbr\u003e\n  STRONG, WEAK, OFF\u003cbr\u003e\n  \u003cstrong\u003eColor chrome Blue\u003c\/strong\u003e\u003cbr\u003e\n  STRONG, WEAK, OFF\u003cbr\u003e\n  \u003cstrong\u003eDynamic Range Setting\u003c\/strong\u003e\u003cbr\u003e\n  AUTO, 100%, 200%, 400%\u003cbr\u003e\n  ISO restriction (DR100%: No limit, DR200%: ISO320 or more,  DR400%: ISO640 or more)\u003cbr\u003e\n  \u003cstrong\u003eDynamic Range Setting (Movie)\u003c\/strong\u003e\u003cbr\u003e\n  100%, 200%, 400%\u003cbr\u003e\n  ISO restriction (DR100%: No limit, DR200%: ISO320 or more,  DR400%: ISO640 or more)\u003cbr\u003e\n  \u003cstrong\u003eAdvanced 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- Others\u003c\/strong\u003e\u003cbr\u003e\n  3.5mm, stereo mini connector (Microphone), 3.5mm, stereo  mini connector (Headphone), 2.5mm, Remote Release Connector, Hot shoe,  Synchronized terminal\u003cbr\u003e\n  \u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003cbr\u003e\n  NP-W235 Li-ion battery (included)\u003cbr\u003e\n  *Approximate number of frames or movie recording time that  can be taken with a fully-charged based on CIPA Standard.\u003cbr\u003e\n  \u003cstrong\u003eBattery Life for Still Images\u003c\/strong\u003e\u003cbr\u003e\n  Economy Mode Approx. 720 frames, Normal Mode Approx. 580  frames\u003cbr\u003e\n  *When XF35mmF1.4 R is set\u003cbr\u003e\n  \u003cstrong\u003eActual Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n  6.2K Approx. 90min. (29.97p),4K Approx. 70min. (59.94p),  Approx. 60min (120p), Full HD Approx. 95min. (59.94p)\u003cbr\u003e\n  *Face detection is set to OFF\u003cbr\u003e\n  \u003cstrong\u003eContinuance Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n  6.2K Approx. 120min. (29.97p),4K Approx. 105min. (59.94p),  Full HD Approx. 165min. 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By attaching this to the existing fixed lens  on your X100 camera, you can add extra magnification of 1.4x with next to no  loss in quality. The TCL-X100 II is available in black and silver, and  increases the standard 23mm lens to a 33mm, which is a 35mm equivalent focal  length of 50mm. This makes it great for a wide range of applications including  portraits, family shots and everyday scenes.\u003c\/p\u003e\n\u003cp\u003eDedicated to the Fujifilm X100, X100S, X100T, X100F, or  X100V digital camera, the silver TCL-X100 II Tele Conversion Lens narrows the  original lens's field of view by 1.4x to offer a tighter, 50mm equivalent focal  length. 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Small and lightweight, the weather sealed XF16mmF2.8 R  WR lens also adopts an inner focusing system and stepping motor to provide  extremely fast and quiet auto-focusing capabilities.\u003c\/p\u003e\n\u003cp\u003eEdge-to-edge sharpness from the center to the corners of the  frame is achieved by the precise arrangement of 10 lens elements in 8 groups.  This lens also includes two aspherical elements, which serve to suppress the  image degrading effects of chromatic aberration and field curvature  imperfection.\u003c\/p\u003e\n\u003cp\u003eWeighing in at 5.47oz (155g) and measuring just 1.79in  (45.4mm) in length, this lens offers up the renowned image quality and refined  style associated with the FUJINON XF family of lenses. With its metal exterior,  precise click stops, and smooth dampening, this lens offers incredible image  quality in a durable aesthetically pleasing appearance.\u003c\/p\u003e\n\u003cp\u003eThe inner focusing AF system uses a stepping motor to move  focusing elements into place through precise electrical pulses, in order to achieve  fast and near-silent autofocus performance.\u003c\/p\u003e\n\u003cp\u003eThe lens is designed to operate in temperatures as low as  14F (-10c) and is sealed at nine points around the barrel, making it both  weather and dust resistant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm Equivalent Focal Length: 24mm    \u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: F2.8    \u003c\/li\u003e\n\u003cli\u003e10 elements in 8 groups with 2 aspherical elements    \u003c\/li\u003e\n\u003cli\u003eWeight: 155g (0.34lb)    \u003c\/li\u003e\n\u003cli\u003eFilter Size: 49mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e  10 elements in 8 groups\u003cbr\u003e  (Includes 2 aspherical elements)\u003cbr\u003e  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e  16mm\u003cbr\u003e  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e  24mm\u003cbr\u003e  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e  83.2\u003cbr\u003e  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e  F2.8\u003cbr\u003e  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e  F22\u003cbr\u003e  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e  9 (rounded diaphragm opening)\u003cbr\u003e  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e  1\/3EV (19 steps)\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e  17\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e  6.69\u003cbr\u003e  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e  0.13x\u003cbr\u003e  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e  60\u003cbr\u003e  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e  45.4\u003cbr\u003e  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e  1.79\u003cbr\u003e  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e  155\u003cbr\u003e  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e  0.34\u003cbr\u003e  \u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003cbr\u003e  49mm\u003cbr\u003e  \u003cstrong\u003eApproximate External Lens Dimensions\u003c\/strong\u003e\u003cbr\u003e  60mm x 45.4mm\u003cbr\u003e  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e  FLCP-49 Lens cap\u003cbr\u003e  RLCP-001 Rear lens cap\u003cbr\u003e  Lens hood\u003cbr\u003e  Wrapping cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517564031173,"sku":"FUJI-FUJIFILM16611681","price":449.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/ac73a255-ca84-45c4-94ba-180bc1252c75.jpg?v=1737083131"},{"product_id":"fujifilm-wcl-x100-ii-wide-conversion-lens-for-x100-silver","title":"Fujifilm WCL-X100 II Wide Conversion Lens for X100, Silver","description":"\u003cp\u003e\u003cstrong\u003eFujifilm WCL-X100 II Wide Conversion Lens for X100, Silver\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you like to fit a lot into your frame, then you’ll love  the WCL-X100 II Wide Conversion Lens. Designed in a silver or black finish  specifically for X100 series cameras, this 0.79x converter will give your  camera a wider angle of view without degrading its excellent image quality. The  28mm equivalent angle of view that the WCL-X100 II Wide Conversion Lens  achieves means that you are perfectly equipped to photograph architecture,  interiors or panoramic landscapes.\u003c\/p\u003e\n\u003cp\u003eDedicated to the FUJIFILM X100F digital camera, the silver  WCL-X100 II Wide Conversion Lens broadens the original lens's field of view by  0.8x to offer a wider, 28mm equivalent focal length. 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This lens features an all-metal  exterior that is built to handle everyday use and will give many years of  reliable service.\u003c\/p\u003e\n\u003cp\u003eThe maximum aperture on XF23mmF2 R WR gives plenty of  options. It is great for low-light use, but it is also useful when you want to  blur the background for professional-looking portraits. 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With  its versatile 41mm equivalent focal length, wide F2.8 aperture, and extremely  compact, lightweight design, XF27mmF2.8 R WR allows you to do just that.  Consisting of seven elements in five groups, measuring just .9in (23mm) deep  and weighing as little as 2.9oz (84g), the lens’s combination of quality and  portability is perfect for street photographers and everyday creators  documenting the day-to-day experiences that make life special. XF27mmF2.8 R WR  also benefits from dust- and weather-resistance, so you can make the most of  any situation, while the near-silent autofocus and easy-to-use aperture ring  with its aperture lock, guarantee you can create with complete confidence and  minimal distractions. All this comes together to ensure that, while the lens  itself may not get noticed, the pictures you make certainly will.\u003c\/p\u003e\n\u003cp\u003eStay discreet and remain completely immersed in the moment  with XF27mmF2.8 R WRs aperture ring, which lets you externally control your  aperture, even when the camera is switched off. Not only does this feature  ensure you’re always ready to frame fleeting moments, but it also minimizes  mistakes with a new aperture lock button to keep the ring locked into the A  position when you’re letting the camera do the work. Create with complete  confidence with XF27mmF2.8 R WR at your side.\u003c\/p\u003e\n\u003cp\u003eWith an extremely small and lightweight design, XF27mmF2.8 R  WR is an ideal compact prime lens to carry at all times, just in case the  perfect photo opportunity arises. Thats why it has been equipped with extensive  weather-resistance and the ability to operate in temperatures as low as 14F  (-10C). Regardless of where you are or what you’re faced with, this lens is  always ready to perform.\u003c\/p\u003e\n\u003cp\u003eframing a fraction of a second is no easy task, so ensuring  your lens is able to react as quickly as you can is a must. With a core-less DC  motor that moves the whole lens group, XF27mmF2.8 R WR is capable of extremely fast,  precise, and near-silent autofocus. When combined with a wide F2.8 aperture, it  creates high-quality images with gorgeous background blur, even when the light  is low. All this ensures that you don’t just frame the moment, you frame it  beautifully.\u003c\/p\u003e\n\u003cp\u003eLens hoods play an important role in photography. By  blocking stray light from hitting the lens at oblique angles, they help prevent  flare and other forms of interference. They also offer valuable protection for  the front element from inadvertent bumps that can happen while you’re immersed  in creating an image. The included dome-style hood is small, compact, and finds  the perfect balance between practicality and performance by minimizing uneven  flash coverage or obstructions to the field of view that can occur when using  larger hoods.\u003c\/p\u003e\n\u003cp\u003eOn top of so many fantastic and new features, XF27mmF2.8 R  WR is even more affordable than its predecessor, making high-quality prime  photography more accessible than ever. 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With its maximum aperture of F2  and its compact and lightweight weather resistant design, this lens will be  ready to give you softly blurred backgrounds whatever the conditions.\u003c\/p\u003e\n\u003cp\u003eAt just 7oz (200g), you’ll barely notice a difference in  weight when it’s mounted to your X Series camera, which means you’ll be able to  make images with ease and comfort. Being so compact, it is also an ideal lens  to pack in a bag or pocket in case you need a little extra reach.\u003c\/p\u003e\n\u003cp\u003eXF50mmF2 R WR features a stepping motor, which lets it focus  quickly and almost silently. This makes it great for documenting those fleeting  moments or catching fast-paced action.\u003c\/p\u003e\n\u003cp\u003eYou never know when the weather might change, but with the  rugged design of this lens theres no need to worry. Its metal construction is  weather resistant and can withstand rain and dust. 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At just 900g (1.98lb) and  with a weather-resistant construction, it can certainly be taken everywhere, by  creators anywhere. With an incredibly accurate autofocus system, in-body image  stabilization that provides up to 6.5 stops stability, for complete handheld  freedom, and 19 Film Simulation modes created using over 85 years of color  science know-how GFX50S II is sure to produce outstanding results for creatives  of every level.\u003c\/p\u003e\n\u003cp\u003eGFX50S II offers the perfect mix of accessibility and  flexibility. Pair it with the new GF35-70mmF4.5-5.6 WR lens and you’ll find a  wonderfully affordable combination that delivers images from a 51.4-megapixel  sensor, which makes it the perfect gateway to large format photography. Get outstanding  results with professional features that include 19 Film Simulations, advanced  autofocusing, and a vast range of exposure controls providing limitless  opportunities for creativity.\u003c\/p\u003e\n\u003cp\u003eGFX50S II features a redesigned in-body image stabilization  (IBIS) system that is 20% smaller, and 10% lighter, than the version found in  GFX100. Despite this reduction in size and weight, it provides up to an  impressive 6.5 stops of five-axis stabilization (based on CIPA standards),  providing dramatically broad possibilities for image makers wanting to work  more freely with slow shutter speeds. Even when light levels are low, and a  tripod isnt available, steady images are on the horizon.\u003c\/p\u003e\n\u003cp\u003eGFX50S II weighs just 900g (1.98lb) and is similar in size  to many to full-frame cameras, which makes the ergonomically contoured handgrip  and PASM dial - used to access the cameras main exposure functions - feel  wonderfully familiar and accessible. A gorgeous blend of curves and edges, the  camera body is finished with a top-plate LCD to display key settings, a  redesigned focus lever, and a feather-touch shutter release to turn that  familiar feeling into an intuitive image-making experience.\u003c\/p\u003e\n\u003cp\u003eFast, reliable autofocus comes to GFX50S II, thanks to a  combination of advanced technologies and Fujifilm’s powerful X-Processor 4  imaging engine. Sensor readout speeds have been boosted from 130fps to 250fps  compared to GFX50S, enabling razor-sharp responses whether subject tracking or  picking out a face in a crowd. An improved autofocusing algorithm, taken from  the latest FUJIFILM X Series and GFX System cameras, boosts focusing  performance in all modes, including face and eye detection. The AF system also  brilliantly works in tandem with in-body image stabilization (IBIS) to provide  up to 6.5 stops of handheld stability. This simply means the cameras  autofocusing performance will be up to the task when the creative senses are  flowing.\u003c\/p\u003e\n\u003cp\u003eFujifilm has been perfecting its color science know-how for  more than 85 years and all the knowledge from this impressive heritage has been  poured into GFX50S II. The 51.4MP large format sensor uses a specially designed  CMOS Bayer array that delivers images with minimal noise and an incredibly wide  dynamic range, while 19 Film Simulation modes allow creatives to produce images  with colors that stir emotion and memories. Coupled with the ever-growing  family of G Mount lenses that can resolve sensors of 100MP or more, this is a  camera and system that meets the demands of exacting creators seeking the  ultimate image quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 Megapixel Large Format CMOS Image Sensor\n    \u003c\/li\u003e\n\u003cli\u003eX-Processor 4 Image Processor\n    \u003c\/li\u003e\n\u003cli\u003e0 Frames per second\n    \u003c\/li\u003e\n\u003cli\u003eEnhanced autofocus (AF) algorithm for optimized performance  with G Mount lenses\n    \u003c\/li\u003e\n\u003cli\u003eUp to 6.5 stops of Internal Body Image Stabilization (IBIS)\n    \u003c\/li\u003e\n\u003cli\u003eCompact, weather resistant body\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Effective Pixels\u003c\/strong\u003e\u003cbr\u003e\n  51.4 million pixels\u003cbr\u003e\n  \u003cstrong\u003eImage Sensor\u003c\/strong\u003e\u003cbr\u003e\n  43.8mmx32.9mm Bayer array with primary color filter\u003cbr\u003e\n  \u003cstrong\u003eSensor Cleaning System\u003c\/strong\u003e\u003cbr\u003e\n  Ultra Sonic Vibration\u003cbr\u003e\n  \u003cstrong\u003eStorage Media\u003c\/strong\u003e\u003cbr\u003e\n  SD Card (-2GB) \/ SDHC Card (-32GB) \/ SDXC Card (-256GB)  UHS-I \/ UHS-II*\u003cbr\u003e\n  \u003cstrong\u003eFile format (Still)\u003c\/strong\u003e\u003cbr\u003e\n  JPEG: Exif Ver.2.3, RAW: 14bit RAW RAF original format,  RAW+JPEG, TIFF 8bit RGB (In-camera Raw Conversion Only)\u003cbr\u003e\n  \u003cstrong\u003eNumber of Recorded Pixels\u003c\/strong\u003e\u003cbr\u003e\n  L: \u0026lt;4:3\u0026gt; 8256x6192 \u0026lt;3:2\u0026gt; 8256x5504 \u0026lt;16:9\u0026gt; 8256x4640 \u0026lt;1:1\u0026gt;  6192x6192 \u0026lt;65:24\u0026gt; 8256x3048 \u0026lt;5:4\u0026gt; 7744x6192 \u0026lt;7:6\u0026gt; 7232x6192\u003cbr\u003e\n  S: \u0026lt;4:3\u0026gt; 4000x3000 \u0026lt;3:2\u0026gt; 4000x2664 \u0026lt;16:9\u0026gt; 4000x2248 \u0026lt;1:1\u0026gt;  2992x2992 \u0026lt;65:24\u0026gt; 4000x1480 \u0026lt;5:4\u0026gt; 3744x3000 \u0026lt;7:6\u0026gt; 3504x3000\u003cbr\u003e\n  \u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003e\n  FUJIFILM G Mount\u003cbr\u003e\n  \u003cstrong\u003eSensitivity Standard Output\u003c\/strong\u003e\u003cbr\u003e\n  AUTO1\/ AUTO2\/ AUTO3 (up to ISO12800)\/ ISO100~12800 (1\/ 3  step)\u003cbr\u003e\n  \u003cstrong\u003eSensitivity Extended Output\u003c\/strong\u003e\u003cbr\u003e\n  ISO50\/ 25600\/ 51200\/ 102400\u003cbr\u003e\n  \u003cstrong\u003eExposure Control\u003c\/strong\u003e\u003cbr\u003e\n  TTL 256-zone metering, Multi\/ Spot\/ Average\/ Center Weighted\u003cbr\u003e\n  \u003cstrong\u003eExposure Mode\u003c\/strong\u003e\u003cbr\u003e\n  P (Program AE)\/ A (Aperture Priority AE)\/ S (Shutter Speed  Priority AE)\/ M (Manual Exposure)\u003cbr\u003e\n  \u003cstrong\u003eExposure Compensation\u003c\/strong\u003e\u003cbr\u003e\n  STILL -5.0EV - +5.0EV (1\/3EV step)\/ MOVIE: -2.0EV - +2.0EV  (1\/3EV step)\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Mechanism\u003c\/strong\u003e\u003cbr\u003e\n  Image sensor shift mechanism with 5-axis compensation\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Compensation Effect\u003c\/strong\u003e\u003cbr\u003e\n  Up to 6.5 stops (based on CIPA standard). Pitch\/yaw shake  only.\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer Digital Image Stabilization\u003c\/strong\u003e\u003cbr\u003e\n  Yes, movie mode only\u003cbr\u003e\n  \u003cstrong\u003eImage Stabilizer IS MODE BOOST\u003c\/strong\u003e\u003cbr\u003e\n  Yes, movie mode only\u003cbr\u003e\n  \u003cstrong\u003eShutter Type\u003c\/strong\u003e\u003cbr\u003e\n  Focal Plane Shutter\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/4000, A mode: 30sec to 1\/4000, S\/M mode:  60min to 1\/4000, Bulb mode: up to 60min\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/16000 A mode: 30sec to 1\/16000, S\/M mode:  60min to 1\/16000, Bulb mode: up to 60min*\u003cbr\u003e\n  *The Electronic Shutter may not be suitable for fast-moving  objects or handheld shooting. Flash can not be used.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Electronic Front curtain Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/4000 A mode: 30sec to 1\/4000 S\/M mode:  60min to 1\/4000 Bulb mode: up to 60min\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/16000, A mode: 30sec to 1\/16000, S\/M mode:  60min to 1\/16000, Bulb mode: up to 60min*\u003cbr\u003e\n  *The Electronic Shutter may not be suitable for fast-moving  objects or handheld shooting. Flash can not be used.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed E-Front + Mechanical Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/16000, A mode: 30sec to 1\/16000, S\/M mode:  60min to 1\/16000, Bulb mode: up to 60min*\u003cbr\u003e\n  *The Electronic Shutter may not be suitable for fast-moving  objects or handheld shooting. Flash can not be used.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed E-Front + Mechanical + Electronic Shutter\u003c\/strong\u003e\u003cbr\u003e\n  P mode: 4sec to 1\/16000, A mode: 30sec to 1\/16000, S\/M mode:  60min to 1\/16000, Bulb mode: up to 60min\u003cbr\u003e\n  *Electronic front curtain shutter works until 1\/500sec,  Mechanical shutter works until 1\/4000sec.\u003cbr\u003e\n  **The Electronic Shutter may not be suitable for fast-moving  objects or handheld shooting. Flash can not be used.\u003cbr\u003e\n  \u003cstrong\u003eShutter Speed Movie\u003c\/strong\u003e\u003cbr\u003e\n  14000 to 124 (depends on the frame rate)\u003cbr\u003e\n  \u003cstrong\u003eSynchronized Shutter Speed for Flash\u003c\/strong\u003e\u003cbr\u003e\n  1\/125sec. or slower\u003cbr\u003e\n  \u003cstrong\u003eContinuous Shooting\u003c\/strong\u003e\u003cbr\u003e\n  Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 Frames,  Lossless compressed RAW: 13 Frames, Uncompressed RAW: 8 Frames)\u003cbr\u003e\n  *When Using the Electronic Front Curtain Shutter\u003cbr\u003e\n  Approx. 1.8fps (JPEG: Endless Lossless Compression RAW:  Endless Uncompressed RAW: 8 Frames)\u003cbr\u003e\n  **Recordable frame depends on recording media.\u003cbr\u003e\n  ***Speed of continuous shooting depends on shooting  environment and shooting frames.\u003cbr\u003e\n  \u003cstrong\u003eAE Bracketing\u003c\/strong\u003e\u003cbr\u003e\n  AE Bracketing ((2\/3\/5\/7\/9 frames) 1\/3EV - 3EV, 1\/3EV step)\u003cbr\u003e\n  Film Simulation Bracketing (Any 3 types of film simulation  selectable)\u003cbr\u003e\n  Dynamic Range Bracketing (100%, 200%, 400%)\u003cbr\u003e\n  ISO Sensitivity Bracketing (1\/3EV, 2\/3EV, 1EV)\u003cbr\u003e\n  White Balance Bracketing (1, 2, 3)\u003cbr\u003e\n  Focus Bracketing (AUTO, MANUAL)\u003cbr\u003e\n  \u003cstrong\u003eFocus Mode\u003c\/strong\u003e\u003cbr\u003e\n  Single AF\/ Continuous AF\/ MF\u003cbr\u003e\n  \u003cstrong\u003eFocus Type\u003c\/strong\u003e\u003cbr\u003e\n  TTL Contrast AF\u003cbr\u003e\n  \u003cstrong\u003eFocus Low-light Performance\u003c\/strong\u003e\u003cbr\u003e\n  Contrast: -3.5EV with Low light priority AF-S ON and  GF80mmF1.7 attached\u003cbr\u003e\n  \u003cstrong\u003eAF Frame Selection\u003c\/strong\u003e\u003cbr\u003e\n  Single Point AF: EVF\/ LCD: 139\/ 2517 (Changeable Size of AF  Frame Among 6 Types)\u003cbr\u003e\n  Zone AF: 33\/ 55\/ 77 from 117 Areas on 139 Grid\u003cbr\u003e\n  Wide\/Tracking AF: (Up to 9 Area) *AF-S: Wide *AF-C: Tracking\u003cbr\u003e\n  All\u003cbr\u003e\n  \u003cstrong\u003eWhite Balance\u003c\/strong\u003e\u003cbr\u003e\n  Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)\/ Custom1-3\/  Color temperature selection (2500K-10000K)\/ Dayight, Shade, Fluorescent light  1, Fluorescent light 2, Fluorescent light 3, Incandescent light, Underwater\u003cbr\u003e\n  \u003cstrong\u003eSelf-timer\u003c\/strong\u003e\u003cbr\u003e\n  10sec.\/ 2sec.\u003cbr\u003e\n  \u003cstrong\u003eInterval Timer Shooting\u003c\/strong\u003e\u003cbr\u003e\n  Yes (Setting: Interval, Number of shots, starting time,  Interval timer shooting exposure smoothing)\u003cbr\u003e\n  \u003cstrong\u003eFlash Sync Mode\u003c\/strong\u003e\u003cbr\u003e\n  1st Curtain\/ 2nd Curtain\/ AUTO FP (HSS)\u003cbr\u003e\n  \u003cstrong\u003eFlash Mode\u003c\/strong\u003e\u003cbr\u003e\n  TTL (FLASH AUTO \/ STANDARD \/ SLOW SYNC.) \/ MANUAL \/ OFF\u003cbr\u003e\n  \u003cstrong\u003eHot Shoe\u003c\/strong\u003e\u003cbr\u003e\n  Yes (Dedicated TTL Flash compatible)\u003cbr\u003e\n  \u003cstrong\u003eViewfinder EVF\u003c\/strong\u003e\u003cbr\u003e\n  0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder\u003cbr\u003e\n  Coverage of Viewing Area vs. Capturing Area: Approx. 100%\u003cbr\u003e\n  Eyepoint: Approx. 23mm (from the Rear End of the Camera's  Eyepiece)\u003cbr\u003e\n  Diopter Adjustment: -4+2m-1\u003cbr\u003e\n  Magnification: 0.77x with 50mm Lens (35mm Equivalent) at  infinity and Diopter set to -1.0m-1\u003cbr\u003e\n  Diagonal Angle of View: Approx. 38 (Horizontal Angle of  View: Approx. 30)\u003cbr\u003e\n  Built-In Eye Sensor\u003cbr\u003e\n  \u003cstrong\u003eLCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n  3.2-inch Tilt-Type (Three Direction) Touch Screen Color LCD  Monitor (Approx. 100% Coverage), Aspect Ratio 4:3, Approx. 2.36 million dots\u003cbr\u003e\n  \u003cstrong\u003eTouch Screen Shooting Mode\u003c\/strong\u003e\u003cbr\u003e\n  AF, Focus Area, OFF, Double Tap Setting (ON\/OFF), Touch  Function Setting (ON\/OFF), EVF Touch Screen Area Setting\u003cbr\u003e\n  \u003cstrong\u003eTouch Screen Playback Mode\u003c\/strong\u003e\u003cbr\u003e\n  Swipe, Zoom, Pinch-in \/ Pinch-out, Double-tap, Drag (ON\/OFF  Selectable)\u003cbr\u003e\n  \u003cstrong\u003eSub LCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n  1.80-inch, Aspect Ratio 4:3, 303230-dot Monochrome LCD  Monitor\u003cbr\u003e\n  \u003cstrong\u003eFile format (Movie)\u003c\/strong\u003e\u003cbr\u003e\n  MPEG-4 AVC\/H.264, Linear PCM (Stereo sound 24bit \/ 48KHz  sampling)\u003cbr\u003e\n  \u003cstrong\u003eMovie Compression\u003c\/strong\u003e\u003cbr\u003e\n  Long GOP\u003cbr\u003e\n  \u003cstrong\u003eFile Size \/ Frame Rate \/ Recording Time\u003c\/strong\u003e\u003cbr\u003e\n  Full HD (19201080) 29.97p\/ 25p\/ 24p\/ 23.98p 50Mbps up to  Approx. 120 min.\u003cbr\u003e\n  \u003cstrong\u003eFilm Simulation Mode\u003c\/strong\u003e\u003cbr\u003e\n  19 modes: PROVIA\/ Standard, Velvia\/ Vivid, ASTIA\/ Soft,  Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA\/  Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS  + G Filter, Black \u0026amp; White, Black \u0026amp; White + Ye Filter, Black \u0026amp; White  + R Filter, Black \u0026amp; White + G Filter, Sepia\u003cbr\u003e\n  \u003cstrong\u003eClarity setting\u003c\/strong\u003e\u003cbr\u003e\n  5 steps\u003cbr\u003e\n  \u003cstrong\u003eMonochromatic Color\u003c\/strong\u003e\u003cbr\u003e\n  Yes\u003cbr\u003e\n  \u003cstrong\u003eGrain Effect\u003c\/strong\u003e\u003cbr\u003e\n  Roughness: STRONG\/ WEAK\/ OFF, Size: LARGE\/ SMALL\u003cbr\u003e\n  \u003cstrong\u003eColor Chrome Effect\u003c\/strong\u003e\u003cbr\u003e\n  STRONG\/ WEAK\/ OFF\u003cbr\u003e\n  \u003cstrong\u003eColor chrome Blue\u003c\/strong\u003e\u003cbr\u003e\n  STRONG\/ WEAK\/ OFF\u003cbr\u003e\n  \u003cstrong\u003eSmooth Skin Effect\u003c\/strong\u003e\u003cbr\u003e\n  STRONG\/ WEAK\/ OFF\u003cbr\u003e\n  \u003cstrong\u003eDynamic Range Setting\u003c\/strong\u003e\u003cbr\u003e\n  AUTO \/ 100 \/ 200 \/ 400\u003cbr\u003e\n  *ISO RESTRICTION: DR100%: No limit\/ DR200%: ISO200 or more\/  DR400%: ISO400 or more\u003cbr\u003e\n  \u003cstrong\u003eDynamic Range Setting (Movie)\u003c\/strong\u003e\u003cbr\u003e\n  100 \/ 200 \/ 400\u003cbr\u003e\n  *DR100%: No limit\/ DR200%: ISO400 or more\/ DR400%: ISO800 or  more\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Standard\u003c\/strong\u003e\u003cbr\u003e\n  IEEE 802.11b\/g\/n (standard wireless protocol)\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Encryption\u003c\/strong\u003e\u003cbr\u003e\n  WEP\/ WPA\/ WPA2 mixed mode\u003cbr\u003e\n  \u003cstrong\u003eWireless Transmitter Access Mode\u003c\/strong\u003e\u003cbr\u003e\n  Infrastructure\u003cbr\u003e\n  \u003cstrong\u003eTerminal - Digital Interface\u003c\/strong\u003e\u003cbr\u003e\n  USB Type-C (USB3.2 Gen1x1)\u003cbr\u003e\n  \u003cstrong\u003eTerminal - HDMI Output\u003c\/strong\u003e\u003cbr\u003e\n  HDMI Micro connector (Type D)\u003cbr\u003e\n  \u003cstrong\u003eTerminal - Others\u003c\/strong\u003e\u003cbr\u003e\n  3.5mm, stereo mini connector (Microphone)\u003cbr\u003e\n  3.5mm, stereo mini connector (Headphone)\u003cbr\u003e\n  2.5mm, Remote Release Connector\u003cbr\u003e\n  Hot shoe\u003cbr\u003e\n  Synchronized terminal\u003cbr\u003e\n  \u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003cbr\u003e\n  NP-W235 Li-ion battery (included)\u003cbr\u003e\n  \u003cstrong\u003eBattery Life for Still Images\u003c\/strong\u003e\u003cbr\u003e\n  Approx. 455 frames When GF63mmF2.8 R WR is set. (Auto power  save ON)\u003cbr\u003e\n  \u003cstrong\u003eActual Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n  \u003cfull hd\u003e Approx. 80min. Face detection is OFF\u003cbr\u003e\n  \u003cstrong\u003eContinuance Battery Life for Movie Capture\u003c\/strong\u003e\u003cbr\u003e\n  \u003cfull hd\u003e Approx. 140min @ 29.97p. Face detection set to OFF\u003cbr\u003e\n  \u003cstrong\u003eApproximate External Camera Dimensions\u003c\/strong\u003e\u003cbr\u003e\n  (W) 150.0mm x (H) 104.2mm x (D) 87.2mm, (W) 5.91in. x (H)  4.1in. x (D) 3.43in., Minimum Depth: 44.0mm \/ 1.73in.\u003cbr\u003e\n  \u003cstrong\u003eCamera Width (mm)\u003c\/strong\u003e\u003cbr\u003e\n  150\u003cbr\u003e\n  \u003cstrong\u003eCamera Height (mm)\u003c\/strong\u003e\u003cbr\u003e\n  104.2\u003cbr\u003e\n  \u003cstrong\u003eCamera Depth (mm)\u003c\/strong\u003e\u003cbr\u003e\n  87.2\u003cbr\u003e\n  \u003cstrong\u003eCamera Minimum Depth (mm)\u003c\/strong\u003e\u003cbr\u003e\n  44\u003cbr\u003e\n  \u003cstrong\u003eCamera Width (in)\u003c\/strong\u003e\u003cbr\u003e\n  5.91\u003cbr\u003e\n  \u003cstrong\u003eCamera Height (in)\u003c\/strong\u003e\u003cbr\u003e\n  4.1\u003cbr\u003e\n  \u003cstrong\u003eCamera Depth (in)\u003c\/strong\u003e\u003cbr\u003e\n  3.43\u003cbr\u003e\n  \u003cstrong\u003eCamera Minimum Depth (in)\u003c\/strong\u003e\u003cbr\u003e\n  1.73\u003cbr\u003e\n  \u003cstrong\u003eCamera Body Weight\u003c\/strong\u003e\u003cbr\u003e\n  Approx. 900g including battery and memory card, Approx. 821g  excluding battery and memory card\u003cbr\u003e\n  \u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003cbr\u003e\n  -10C-40C\/ 14F-104F\u003cbr\u003e\n  \u003cstrong\u003eOperating Humidity\u003c\/strong\u003e\u003cbr\u003e\n  10% - 80% (no condensation)\u003cbr\u003e\n  \u003cstrong\u003eStart Up Period\u003c\/strong\u003e\u003cbr\u003e\n  Approx. 0.4sec.\u003cbr\u003e\n  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e\n  Li-ion battery NP-W235\u003cbr\u003e\n  AC power adapter AC-5VJ\u003cbr\u003e\n  Plug adapter\u003cbr\u003e\n  USB cable\u003cbr\u003e\n  Shoulder strap\u003cbr\u003e\n  BCP-002 Body cap\u003cbr\u003e\n  Hot shoe cover\u003cbr\u003e\n  Cable protector\u003c\/full\u003e\u003c\/full\u003e\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517566652613,"sku":"FUJI-FUJIFILM600022316","price":3999.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/fe984006-b50f-4e84-a3b1-c7c5e0edc778.jpg?v=1737083452"},{"product_id":"fujifilm-xf70-300mmf4-5-6-r-lm-ois-wr-lens","title":"Fujifilm XF70-300mmF4-5.6 R LM OIS WR Lens","description":"\u003cp\u003e\u003cstrong\u003eFujifilm XF70-300mmF4-5.6 R LM OIS WR Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eXF70-300mmF4-5.6 R LM OIS WR makes it easy to take super  telephoto photography with you on your greatest adventures and create images  that convey the true excitement and awe of the experience. This remarkably  versatile X Series zoom lens offers an equivalent focal range of 107-457mm and  a minimum close focusing distance of 32.7in (0.83m) throughout, achieving 0.33x  maximum tele macro magnification. It is also possible to pair the lens with  XF1.4X TC WR and XF2X TC WR teleconverters to achieve a huge equivalent focal  length of up to 914mm in exchange for only 2 stops of stop-loss. Autofocus is  driven by a linear motor for fast, near-silent autofocus precision, while the  built-in Optical Image Stabilization (OIS) provides up to 5.5 stops of  vibration reduction. All this ensures you’re always ready to make images,  whether it’s the undergrowth beneath your feet, or a tree on a distant horizon.  This much ability often requires a trade-off in size, but XF70-300mmF4-5.6 R LM  OIS WRs 17 elements in 12 groups, including two ED elements, are housed within  a highly portable body that measures just 5.2in (132.5mm) in length and weighs  1.3lb (580g). With a dust- and moisture-resistant construction and the ability  to operate in temperatures as low as 14F (-10C), this lens makes the perfect  companion, wherever your next adventure takes you.\u003c\/p\u003e\n\u003cp\u003eXF70-300mmF4-5.6 R LM OIS WR is a versatile lens, designed  for the true outdoor adventurer to document their exploration and appreciation  of the world around them. This super telephoto zoom lens consists of 17  elements in 12 groups and boasts two ED elements, offering an equivalent focal  range of 107-457mm, with a close focusing distance of 32.7in (0.83m). With all  this packed into one lens, XF70-300mmF4-5.6 R LM OIS WR makes it possible to  frame everything, from the tiniest leaf and the mightiest mountain to the most  distant glimpses of wildlife, all made in spectacular FUJIFILM color, with  stunning image quality.\u003c\/p\u003e\n\u003cp\u003eUnpredictability is the thing that makes an adventure so  exciting, so in order to keep a compelling visual record, you need to be ready  for the unexpected. At just 5.2in (132.5mm) long and weighing 1.3lb (580g),  XF70-300mmF4-5.6 R LM OIS WR is extremely compact and lightweight for a  telephoto zoom and its state-of-the-art autofocus uses a linear motor for near  silent operation and absolute focusing precision. 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With XF30mmF2.8, it only gets better. Typical applications are met by  expansive close-up potential, thanks to full 1:1 macro magnification. Near or  far, superb high-resolution images are guaranteed thanks to construction of 11  elements in nine groups, including three aspherical and two ED elements. A  circular, 9-bladed aperture also leaves defocused bokeh areas looking gorgeous.  The optic is an ideal match for the latest X Series sensors. Considered design  only maximizes this lens’s appeal. It also features weather-resistance, a rapid  linear motor Inner Focus system, lockable aperture ring, and more. Wrapped up  in a compact 195g (0.43 lb), 69.5mm (2.736 in) package, XF30mmF2.8 is an  incredible daily carry choice.\u003c\/p\u003e\n\u003cp\u003eWith an equivalent 35mm focal length of 46mm, XF30mmF2.8  brings a new perspective to standard focal length lenses. Unlike most lenses of  its class, the optics minimum focusing distance is just 10cm (3.94in) from the  sensor, for a 1:1 macro magnification ratio. In addition to traditional uses,  creatives can enjoy tabletop photography, close-up commercial detail,  microscopic wildlife, and more. Get up and close and personal photographic  experience with XF30mmF2.8.\u003c\/p\u003e\n\u003cp\u003eDesigned around decades of optical refinement, XF30mmF2.8  resolves pristine imagery, edge to edge, at any distance within its broad  working range. Comprising 11 elements in nine groups, including three  aspherical and two ED elements, it’s an ideal match for X Series latest  high-resolution camera sensors. Spherical aberration and field curvature are  effectively suppressed to deliver advanced image-resolving performance,  maximizing image quality on every frame across portraiture, wedding  photography, and other genres where image quality is paramount, this optic can  be relied upon every day.\u003c\/p\u003e\n\u003cp\u003eCompelling photographs aren’t just about what’s held in  perfect clarity, the way defocused areas complement the composition is equally  as important when making images. With 9 rounded aperture blades, XF30mmF2.8 creates  gorgeous bokeh. On top of a fast F2.8 aperture, an artful, shallow  depth-of-field is easily achieved, thanks to the optics ability to maintain  extremely close focus. 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It’s at home making portraits or creating landscapes  and its fast, near-silent autofocusing also makes it great for video. Its  durable, weather-sealed body also houses a powerful Optical Image Stabilization  (OIS) system that reduces blur caused by camera shake and weighing in at just  .97lb (440g), it’s a great lens to leave on your camera when you’re out and  about for the day.\u003c\/p\u003e\n\u003cp\u003eX-Trans CMOS Sensors are designed to provide maximum image  quality, especially when paired with the stunning design and sharpness of  FUJINON lenses. Consisting of 16 elements in 12 groups, FUJINON XF16-80mmF4 R  OIS WR also features one aspherical element that is specially designed to  minimize field curvature and spherical aberration. This results in stunning  levels of image sharpness from the center of the frame to the edges, even at  the wider end of the lens focal range. Add in the fact that this lens has very  little focus breathing, has an ability to focus up to 14in (35cm) from a  subject, and features a broad range of focal lengths, its clearly an ideal pick  for photographers and filmmakers needing versatility, but not wanting to  sacrifice image quality.\u003c\/p\u003e\n\u003cp\u003eCovering an effective focal range from 24mm to 122mm,  FUJINON XF16-80mmF4 R OIS WR weighs just 15.5 oz (440 g) and is only 3.5in  (88.9mm) long. This makes it approximately 40% lighter than similar, 35mm  system lenses, which means it won’t weigh you down when spending an entire day  looking to find that perfect moment.\u003c\/p\u003e\n\u003cp\u003eAs if extending the possibilities of hand-held photography  with 6.0 stops of CIPA-Rated Optical Image Stabilization wasn’t enough,  XF16-80mmF4 R OIS WR lens can absorb any vibration from a mechanical shutter.  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Giving a natural view, with a large maximum aperture of F1.4, this  lens is ideal for candid photography, events, general portraiture, travel, low-light  situations, and plenty more. In fact, its precision optics and refined handling  mean it’ll excel anywhere its used.\u003c\/p\u003e\n\u003cp\u003eWith an angle of view equivalent to 52mm in 35mm format,  this lens might be a standard focal length but it produces outstanding results.\u003c\/p\u003e\n\u003cp\u003eThis lens is designed to offer enhanced levels of refinement  by adding more texture and depth to images. Despite all the constraints of  optics, this lens has succeeded in harmonizing the resolution, the blur, and  the aberration, and is known for its unique 'look'.\u003c\/p\u003e\n\u003cp\u003eTAKE CONTROL OF YOUR IMAGES - Change the camera settings and  press the shutter button using your right hand and adjust the aperture ring and  the focus ring with your left hand. 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Weighing just 4.59 ounces (130g) and measuring 1.83 inches (46.5mm) in length,  this new prime lens has nine elements including two aspherical lens elements in  six groups that produce sharp and crisp images with creamy, beautiful bokeh. AF  operation is quick and near silent thanks to the use of an internal focus  system and a stepping motor, which is used to drive the focusing elements  quickly and accurately.\u003c\/p\u003e\n\u003cp\u003eEdge-to-edge sharpness from the center to the corners of the  frame is achieved by the precise arrangement of nine lens elements in six  groups. 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Weighing just 360g (0.79lb) and measuring  only 73.5mm (2.89in) in length, XF33mmF1.4 R LM WR blends advanced design with  a history of optical excellence to give any image maker a perfect, all-around  lens that combines incredible performance with lightning fast autofocus to draw  the most out of any image, regardless of whether it is being made today, or far  off into the future.\u003c\/p\u003e\n\u003cp\u003ePassionate image makers are constantly looking for ways to  make the most of the best light and the perfect subject. With its unmatched  optical quality and ability to resolve details up to 40 megapixels, XF33mmF1.4  R LM WR is poised to deliver vibrant, true-to-life colors, minimal optical  aberrations, and outstanding detail in those rare moments where passion meets  perfection.\u003c\/p\u003e\n\u003cp\u003eXF33mmF1.4 R LM WR may be the first X Mount lens to have  exactly the same equivalent field of view as a 50mm lens, but it certainly won’t  be the last one to perfectly blend optical engineering with cutting edge  technology. Ready to document events and scenes as they unfold, XF33mmF1.4 R LM  WR is equipped with a powerfully accurate linear motor to ensure that images  are always in focus and creativity is never suppressed. Fast, near silent, and  unerringly accurate, this lens effortlessly performs to keep any image maker in  the moment, no matter how brief it is.\u003c\/p\u003e\n\u003cp\u003eMinimal focus breathing, precise manual focus, and  wonderfully blurred backgrounds make XF33mmF1.4 R LM WR a perfect choice for  videographers who need wide apertures for low-light situations or to create  separation between subject and background. Manual focusing is easily  controlled, thanks to a mechanism that delivers near-perfect precision down to  a minimum object distance of 30cm (11.81in).\u003c\/p\u003e\n\u003cp\u003eFeaturing 15 elements in 10 groups including two aspherical  and three ED elements XF33mmF1.4 R LM WR is engineered to provide optimum  quality and unparalleled color accuracy, with minimal coma and chromatic  aberration. This ensures unmatched resolution and fresh, vibrant color.\u003c\/p\u003e\n\u003cp\u003eWeighing just 360g (0.79lb) and measuring 73.5mm (2.89in) in  length, XF33mmF1.4 R LM WR is easy to handle, simple to use, and beautifully  balanced for any X Series camera. Its gorgeously constructed from its aperture  and manual focusing rings to its all-metal construction and is built to  withstand dust, moisture, and temperatures as low as 14F (-10C) when used with  a weather-resistant X Series camera, to keep creative doors open when nature  tries to keep them closed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm Equivalent Focal Length: 50mm    \u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: F1.4    \u003c\/li\u003e\n\u003cli\u003e15 elements in 10 groups with 2 aspherical and 3 ED elements    \u003c\/li\u003e\n\u003cli\u003eWeight: 360g (0.8lb)    \u003c\/li\u003e\n\u003cli\u003eFilter Size: 58mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e  15 elements in 10 groups with 2 aspherical and 3 ED elements\u003cbr\u003e  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e  33mm\u003cbr\u003e  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e  50mm\u003cbr\u003e  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e  46.9\u003cbr\u003e  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e  F1.4\u003cbr\u003e  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e  F16\u003cbr\u003e  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e  9 (rounded diaphragm opening)\u003cbr\u003e  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e  13EV (22 steps)\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e  30\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e  11.81\u003cbr\u003e  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e  0.15x\u003cbr\u003e  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e  67\u003cbr\u003e  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e  73.5\u003cbr\u003e  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e  2.9\u003cbr\u003e  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e  360\u003cbr\u003e  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e  0.8\u003cbr\u003e  \u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003cbr\u003e  58mm\u003cbr\u003e  \u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003e  FUJIFILM X mount\u003cbr\u003e  \u003cstrong\u003eApproximate External Lens Dimensions\u003c\/strong\u003e\u003cbr\u003e  67mm x 73.5mm\u003cbr\u003e  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e  FLCP-67 Lens cap\u003cbr\u003e  RLCP-001 Rear lens cap\u003cbr\u003e  Lens hood\u003cbr\u003e  Wrapping cloth\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517570846917,"sku":"FUJI-FUJIFILM16719201","price":949.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/502abe0c-7bd3-4d71-9a00-065b8a22cd91.jpg?v=1737083166"},{"product_id":"fujifilm-xf55-200mmf3-5-4-8-r-lm-ois-lens","title":"Fujifilm XF55-200mmF3.5-4.8 R LM OIS Lens","description":"\u003cp\u003e\u003cstrong\u003eFujifilm XF55-200mmF3.5-4.8 R LM OIS Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFUJINON XF55-200mmF3.5-4.8 R LM OIS delivers high-quality  images from a relatively small package and is great for those moments when you  need the reach of a telephoto, but don’t want to carry a huge lens to get it.  It's also equipped with built-in Optical Image Stabilization (OIS), so it's  sure to deliver shake-free images of everything from your family to your  favorite wildlife subject.\u003c\/p\u003e\n\u003cp\u003eThis lens is ideally suited for X Series users who like to  tackle subjects both near and far. With an equivalent 35mm format zoom range of  84-305mm, you’ll be able to make stunning portraits or grab distant details,  all from one lens!\u003c\/p\u003e\n\u003cp\u003eXF55-200mmF3.5-4.8 R LM OIS delivers sharp images across its  entire zoom range and maintains its crispness throughout the frame. This is due  to the super-extra low dispersion and extra low dispersion elements used in the  lens’s optical design, which help to deliver the kind of quality you would  expect from a lens that is more expensive and considerably larger in size.\u003c\/p\u003e\n\u003cp\u003eXF55-200mmF3.5-4.8 R LM OIS features an all-metal  construction with large zoom and manual focusing rings that turn extremely  smoothly. The lens aperture ring is also precisely engineered to accurately  adjust the lens aperture in one-third stops, ensuring accurate exposures and  complete creative control.\u003c\/p\u003e\n\u003cp\u003eFocusing in as little as 0.28 sec, XF55-200mmF3.5-4.8 R LM  OIS uses two linear motors to offer a dazzling autofocus performance. 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It also features a powerful built-in image  stabilization system to help reduce camera shake when you’re shooting in low-light  conditions without a tripod.\u003c\/p\u003e\n\u003cp\u003eCovering 35mm equivalent focal length range of 27-206mm,  XF18-135mmF3.5-5.6 R LM OIS WR offers incredible framing versatility for a wide  range of subjects.\u003c\/p\u003e\n\u003cp\u003eA linear motor delivers an autofocus performance that is  both fast and quiet, ensuring users are less likely to miss the crucial moment.  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Its versatile, 35mm equivalent focal range of 27-183mm  and 60cm (23.6in) close focusing distance make it ideally suited to a wide  range of applications from documentary to narrative projects. Its internal  zooming mechanism also makes it the perfect choice for gimbal stabilization  devices as the lens physical length and center of gravity does not shift when  changing focal lengths. Automated controls provide precise control over zooming  speed and stepless aperture adjustments, with seamless switching between  continuous AF and manual focusing giving filmmakers complete creative control  over where and when to draw a viewer’s attention*1. *1 Referenced focus  functionality requires compatible camera firmware upgrade.\u003c\/p\u003e\n\u003cp\u003eXF18-120mmF4 LM PZ WR is the first X Series XF lens  engineered in collaboration with the design team responsible for bringing  FUJINON lenses to the high-end worlds of cinema and broadcast. Compact,  lightweight, and versatile, this lens is tailor-made for motion production  professionals and enthusiasts alike. Inspired by its motion production roots,  XF18-120 features a variable power zoom, smooth manual focus, and stepless  aperture adjustments to ensure a seamless recording experience. A conventional  focus ring provides manual focus control, while a new innovative zoom lever  offers variable zoom speed. Two custom function buttons, meanwhile, allow for  the ability to preset a constant zoom speed, focal length, or focus point.  Stepless aperture adjustments underscore the engineering subtleties of  XF18-120mm that provide any storyteller with absolute control over every part  of their image.\u003c\/p\u003e\n\u003cp\u003eSerious moviemakers demand full control over the creative  process. And with XF18-120mmF4 LM PZ WR, that’s possible for zoom, aperture  setting, and crucially focusing. The lens offers seamless switching between  continuous autofocus and manual focus* during recording, so perfect results are  always within reach. This advanced functionality maximizes versatility for  focus transitions, allowing the user to step in and take control whenever  required. *Focus functionality requires compatible camera firmware upgrade.\u003c\/p\u003e\n\u003cp\u003eZoom lenses are rarely used with gimbal stabilization  devices because changing the lens focal length can affect its center of  gravity. This, in turn, impacts how the lens is balanced on the stabilization  device. However, thanks to its compact dimensions and internal zooming  mechanism, XF18-120mmF4 LM PZ WR is an ideal solution for use with a gimbal  because its physical length does not change when the zoom setting is changed.  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Discover the  wonders of a whole new miniature world through the unique perspective of  FUJINON XF80mmF2.8 R LM OIS WR Macro.\u003c\/p\u003e\n\u003cp\u003eCreating stunning macro images requires a deep understanding  of the delicate balance between being too close and too far away. With an  equivalent 35mm focal length of 122mm, XF80mmF2.8 makes it easier to frame the  perfect composition without affecting the scene in front of you. You can also  attach XF1.4X TC WR or XF2X TC WR Teleconverter for even more reach. This means  resting butterflies can lay undisturbed and delicate frost can remain untouched  while you focus on creating something beautiful.\u003c\/p\u003e\n\u003cp\u003eMacro images allow us to tell wonderfully intricate stories  of an extraordinary world that would otherwise go unseen. With its 16 optical  elements set in 12 groups, including one Super ED lens, three ED lenses, and  one aspherical element, XF80mmF2.8 lets you write the next chapters of your  image-making story in exceptional detail for truly remarkable results.\u003c\/p\u003e\n\u003cp\u003eAs a subject moves closer to the lens and depth-of-field  becomes more shallow, precise focus becomes increasingly important. XF80mmF2.8s  inner-focusing system separates the lens groups into front and rear focusing  elements and uses linear motors to drive them quickly into position. The result  is fast and precise autofocus, near or far. With all movement internal, the  front element stays in place so there is minimum disturbance.\u003c\/p\u003e\n\u003cp\u003eMacro photography is all about fine details, so even the  slightest blur can ruin a great image. 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With its  bright maximum aperture of F1.4 and the ability to focus as close as 5.9in  (15cm), photographers can combine beautiful bokeh with a uniquely wider  perspective, or stop down to create sweeping scenic landscapes with stunning  depth of field and detail.\u003c\/p\u003e\n\u003cp\u003eWith its 83.2 angle of view slightly wider than what the  human eye can see, XF16mmF1.4 lets visual storytellers record every detail in  expansive scenes, intricately decorated interiors, or bustling city streets.  Its ultra-wide view also lends a more dramatic point of view, letting you get  up close to create pictures bursting with impact, while its compact dimensions  and 12.35oz (350g) weight, you can keep it on you for all spontaneous  opportunities.\u003c\/p\u003e\n\u003cp\u003eWith a minimum focusing distance of 5.9in (15cm), there’s  immense potential to add a more dynamic look to your images through simply  moving your camera closer and further away from your subject. This lets you  take full control over the foregrounds and backgrounds within a frame,  resulting in pictures with incredible detail that are rich in depth.\u003c\/p\u003e\n\u003cp\u003eUsing a powerful DC coreless motor, the internal focus  element within XF16mmF1.4 moves quickly and accurately, so its an active  partner in your creative process. There’s also a high-speed clutch, along with  engraved depth-of-field markings, that allow you to instantly switch to manual  focus and ensure absolute precision, minimizing worry about missing a decisive  moment.\u003c\/p\u003e\n\u003cp\u003eWhether it’s a city downpour that leaves commuters running  for cover, the freezing chill of an arctic wind, or the dusty trails of a  desert canyon, challenging conditions aren’t there to be avoided they present  huge opportunities for creative photographers. 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Weighing less than 12  ounces, this lens may be as, light as a feather, but it is certainly built for  unpredictable weather, rugged environments, and cold temperatures. Whether  you’re getting lost in a metropolitan city, or hiking mountain trails to make  the perfect image, make sure you bring this lens along with you. It won’t take  up much space in a camera bag and will always be a tool worth bringing along.\u003c\/p\u003e\n\u003cp\u003eGFX System Cameras produce images with incredibly high  resolution. This requires lenses to be precisely engineered so that they can properly  resolve any image with clarity and detail. GF50mmF3.5 R LM WR consists of 9  elements in 6 groups and includes one aspherical lens element to minimize  spherical aberration and barrel distortion. Crafted to produce sharp images,  rich tones, and very little focus breathing, this lens is great for either  still or motion capture.\u003c\/p\u003e\n\u003cp\u003eWeighing in at just 11.82oz, GF50mmF3.5 R LM WR weighs less  than a can of your favorite soft drink. This makes it the perfect companion to  bring along with you for your next street photography expedition. Actually, you  might just want to bring that beverage along with you since this lens is so  portable.\u003c\/p\u003e\n\u003cp\u003eHaving fast and quiet autofocus is critical when you’re  roaming the streets looking for that perfect image. That’s why we made sure  this lens also has a linear motor to move the focusing element quickly into  place with precision. After all, what’s the point of having a lens if it can’t  be ready to focus when you need it to?\u003c\/p\u003e\n\u003cp\u003eWorking in dusty or damp conditions is easy with this lens  since it’s weather-sealed in ten places along the barrel. 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Therefore, we challenge ourselves to  find the right perspective to encapsulate the scene and connect with these  architectural marvels, so we can channel the exhilaration of being in their  presence into new creative visions. FUJINON XF10-24mmF4 R OIS WR can assist you  in creating images that not only communicate the excitement of being in the  moment, but also help you tell stories that fully convey the expansiveness of  the scene around you. Make your photos feel like they have never felt before.\u003c\/p\u003e\n\u003cp\u003eWith a 35mm equivalent focal range of 15-36mm, XF10-24mmF4 R  OIS WR is a compact wide-angle zoom that gives you access to all the classic  35mm wide-angle focal lengths in one lens. Regardless of which one you choose,  this lens is sure to help you tap into what makes wide-angle photography truly  joyful and enjoyable.\u003c\/p\u003e\n\u003cp\u003eEngineered to have precise, responsive autofocus, creating  images with XF10-24mmF4 R OIS WR becomes instinctive, near-silent, and  accurate. Lightweight focusing elements snap into place with the help of a  high-precision motor, easily keeping subjects pin-sharp and reliably holding  focus on them, even if they are moving within the frame. Simply create images  as you see them and have the freedom to find the story in any moment.\u003c\/p\u003e\n\u003cp\u003eIMAGES THAT TAKE YOUR BREATH AWAY - Lens breathing is a  distracting phenomenon that can alter the composition of your images and videos  while the lens is being focused. To minimize this effect, the focusing lens  inside XF10-24mmF4 R OIS WR has been positioned close to the image sensor, away  from the aperture, and paired with an ED aspherical lens. This results in  uniform image quality from the minimum focusing distance to infinity, further  removing distractions from your creative process.\u003c\/p\u003e\n\u003cp\u003eMORE FREEDOM TO CREATE - Explore new places and feel free to  forget your tripod, creating from new angles and framing exciting compositions,  even after the sun goes down. Added stability comes to XF10-24mmF4 R OIS WR in  the form of a new, sophisticated gyro sensor that improves Optical Image  Stabilization (OIS) from its previous iteration by one whole stop. This brings  vibration reduction performance up to 3.5 stops, which can be further extended  to 6.5 stops when it is paired with a current X Series camera equipped with  in-body image stabilization (IBIS), like FUJIFILM X-T4. 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Combining speed, toughness, and adaptability, the FUJINON XF50-140mmF2.8 R LM  OIS WR has everything that’s required. This lens is a professional workhorse,  bred for unrivaled optical quality, aggressive AF, massive versatility, and  rugged durability. When you need to capture the moment, it’s a lens that leaves  no room for uncertainty.\u003c\/p\u003e\n\u003cp\u003eWith focal lengths spanning 50-140mm, this lens covers a  multitude of subjects with ease. At 50mm, you can frame classic portraits and  close-ups, but zoom through to the maximum 140mm and you'll have a highly  magnified view for sports, wildlife, and action subjects. Of course, there’s  all the versatility in-between, too, so moving subjects can be captured with  ease. Twinned with its natural partner, the XF16-55mmF2.8 R LM WR, it provides  all of the focal length’s professionals need.\u003c\/p\u003e\n\u003cp\u003eBlending the best in optical design with leading-edge lens  coatings, the XF50-140mmF2.8 R LM OIS WR delivers true-to-life clarity,  contrast, and detail in every scene. Fujifilm’s Nano GI coating reduces  ghosting and flare when shooting into strong light, while six ED lens elements,  including one Super ED (extra-low dispersion) element, minimize aberrations and  increase resolving power.\u003c\/p\u003e\n\u003cp\u003eWith its constant F2.8 aperture at all focal lengths, the  XF50-140mmF2.8 R LM OIS WR guarantees great subject separation, faster shutter  speeds, and high-speed AF. The large maximum aperture allows rich and smooth  bokeh, letting you achieve shallow focus effects with ease.\u003c\/p\u003e\n\u003cp\u003eAs a lens that’s primed for sports and action subjects,  fast, quiet, and reliable autofocus is a must. 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This lens is built  to offer the versatility of a zoom lens with the ultimate image quality of a  prime and is a fast, standard zoom providing a constant F2.8 aperture  throughout. This makes it incredibly useful across a broad range of subjects,  even in challenging lighting conditions.\u003c\/p\u003e\n\u003cp\u003eThe zoom uses leading-edge optical technology and lens  coatings that draw on Fujifilm’s esteemed heritage in optical design. It has a  construction of 17 elements in 12 groups, which includes three aspherical  elements to reduce distortions and spherical aberrations, while three extra-low  dispersion elements are also used to control chromatic aberrations and increase  clarity.\u003c\/p\u003e\n\u003cp\u003eFujifilm's proprietary High Transmittance Electron Beam  Coating (HT-EBC) is used to eliminate reflections and Nano GI coating is  applied to control ghosting and flare caused by light bouncing around inside  the lens. In doing so, this cutting-edge technology improves the quality of  light hitting the sensor, which increases overall image quality. The  XF16-55mmF2.8 R LM WR also uses a rounded, nine-bladed aperture design to  provide smooth and circular bokeh for outstanding subject separation.\u003c\/p\u003e\n\u003cp\u003eA standard zoom like the XF16-55mmF2.8 R LM WR is anything  but standard in terms of the subjects it lets you cover without changing  lenses. From wide angle to short telephoto, this is a small lens with huge  scope. At 16mm, you can record every detail in big landscape scenes, towering  architecture, or cramped interiors. Zoom in to 24mm or 35mm and you've got a  perfect lens for groups, street, or documentary photos. And up around 50mm, you’re  perfectly placed for portraits and close-ups. 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Engineered for  discerning stills and video users, this weather-resistant optic is the latest  in a long line of lenses renowned for optical excellence; ready for anything,  whatever the conditions. Incredibly lightweight, this high-performing standard  zoom offers a versatile 28-55mm equivalent focal length, yet weighs just 440g  (0.97lb) and measures 73.9mm (2.91in) so it’s never a burden, on or off the  camera. It delivers fast and responsive autofocus in as little as 0.17 seconds  (when attached to a GFX100 or GFX100S camera), focuses down to just 35cm  (13.78in) for frame-filling, close-up potential, and offers intuitive handling  so you’ll never miss a creative opportunity.\u003c\/p\u003e\n\u003cp\u003eGF35-70mmF4.5-5.6 WR opens the window to an exciting new  world of large format photography. Compact and lightweight, it offers the  perfect entry point to the GFX System and gives image-makers an opportunity to  create with new levels of depth and detail. A featherweight 440g (0.97lb) zoom  lens, with 35mm equivalent focal range of 28-55mm and close focusing distance  of 35cm (13.78in), its engineered, like any GFX System lens, to produce images  or video with incredible detail and minimal focus breathing.\u003c\/p\u003e\n\u003cp\u003eGFX System cameras take the experience of creating images on  large format out of the studio and into the world, giving globetrotters and  studio professionals alike a chance to keep expanding their creative horizons.  Attached to GFX100 and GFX100S cameras, GF35-70mm can autofocus in as little as  0.17 seconds, bringing even the briefest of moments within reach, so they last  a lifetime.\u003c\/p\u003e\n\u003cp\u003eZoom lenses for large format sensors don’t come any more  compact and lightweight than GF35-70mmF4.5-5.6 WR its minimal measurements are  impressive, even for the GFX System! With a closed length of just 73.9mm  (2.91in), it’s a perfect fit for almost any camera bag and is so lightweight  that you’ll never want to leave it at home.\u003c\/p\u003e\n\u003cp\u003eGFX System lenses are defined by the decades of optical  excellence that FUJINON lenses have brought to filmmaking and photography.  Representing a history of being the gold standard in image quality, GF35-70mmF4.5-5.6  WR delivers detail, clarity, and outstanding results for any story. Expansive  landscapes, delicate portraits, and gritty documentaries are all within reach  in the hands of the right storyteller.\u003c\/p\u003e\n\u003cp\u003eGF35-70mmF4.5-5.6 WR features a weather-resistant design  that, when used with a weather-resistant GFX System camera, can tackle most  conditions, allowing image-makers to continue creating when others can’t.  Thanks to a series of seals across the lens body, this versatile zoom  confidently repels dust and moisture, operating effortlessly in temperatures as  low as 14F (-10C). 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In addition to its wide F2.8 aperture, the lens's  optical design incorporates one aspherical element and two extra-low dispersion  elements to reduce both spherical and chromatic aberrations for improved  sharpness and clarity. A Nano GI coating has also been applied to individual  elements to suppress lens flare and ghosting for enhanced contrast and color  accuracy. The lens also features a dust-, freeze-, and weather-resistant construction  to better withstand the elements.\u003c\/p\u003e\n\u003cp\u003eDelivering the 35mm equivalent focal length of a 36mm lens,  GF45mmF2.8 R WR offers the perfect perspective on your creative world. Its  ideal for so many image-making ideas, you’ll be compelled share the outstanding  results far and wide.\u003c\/p\u003e\n\u003cp\u003eGF45mmF2.8 R WR offers naturally brilliant results, thanks  to a field of view similar to the human eye and optics which harness stunning  detail from the GFX System sensor. It's the perfect partner, whether creating  compelling documentary stories, framing breathtaking vistas, or preserving  lasting wedding memories.\u003c\/p\u003e\n\u003cp\u003eThe precise optical design of GF45mmF2.8 R WR brings out the  very best in the G Format sensor. Colors are vibrant and detailed, with the  Nano GI coating reducing ghosting and flare, even when creating images in  high-contrast and glare-inducing environments. It may be small physically, but  this lens delivers a mighty performance.\u003c\/p\u003e\n\u003cp\u003eWeighing just 490g (1.08 lb), GF45mmF2.8 R WR is both  lightweight and compact, making it the ideal lens to keep on your GFX System  camera at all times. Effortless creativity comes as standard.\u003c\/p\u003e\n\u003cp\u003eWind, rain, and cold weather make the world a more  photogenic place. Thanks to GF45mmF2.8 R WR's weather-resistant design, you can  make the most of these conditions, confident that the lens repels dust,  moisture, and temperatures down to -10C (14F).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm Equivalent Focal Length: 36mm    \u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: F2.8    \u003c\/li\u003e\n\u003cli\u003e11 elements in 8 groups with 1 aspherical and 2 ED elements    \u003c\/li\u003e\n\u003cli\u003eWeight: 490g (1.08lb)    \u003c\/li\u003e\n\u003cli\u003eFilter Size: 62mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e  11 elements in 8 groups\u003cbr\u003e  (Includes 1 aspherical and 2 ED elements)\u003cbr\u003e  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e  45mm\u003cbr\u003e  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e  36mm\u003cbr\u003e  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e  62.6\u003cbr\u003e  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e  F2.8\u003cbr\u003e  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e  F32\u003cbr\u003e  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e  9 (rounded diaphragm opening)\u003cbr\u003e  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e  1\/3EV (22 steps)\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e  45\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e  17.72\u003cbr\u003e  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e  0.14x\u003cbr\u003e  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e  84\u003cbr\u003e  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e  88\u003cbr\u003e  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e  3.46\u003cbr\u003e  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e  490\u003cbr\u003e  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e  1.08\u003cbr\u003e  \u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003cbr\u003e  62mm\u003cbr\u003e  \u003cstrong\u003eApproximate External Lens Dimensions\u003c\/strong\u003e\u003cbr\u003e  84mm x 88mm\u003cbr\u003e  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e  FLCP-62 Lens cap\u003cbr\u003e  RLCP-002 Rear lens cap\u003cbr\u003e  Lens hood\u003cbr\u003e  Lens pouch\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517576417477,"sku":"FUJI-FUJIFILM600019086","price":1949.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/6a277ade-e011-4045-ae0f-fb72951e0052.jpg?v=1737083414"},{"product_id":"fujifilm-xf56mmf1-2-r-wr-lens","title":"Fujifilm XF56mmF1.2 R WR Lens","description":"\u003cp\u003e\u003cstrong\u003eFujifilm XF56mmF1.2 R WR Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery aspect of XF56mmF1.2 R WR has been precisely  engineered to deliver images with clarity and detail. The optical design, which  incorporates a focusing group comprised of aspherical and ED elements,  minimizes chromatic and comatic aberrations. It also reduces the curvature of  the image plane at close range, which means the reduction in close focusing  distance from 70cm (27.56in) to 50cm (19.69in) will have little to no effect on  overall image quality, despite the shorter distance from the lens to the  subject. Offering an equivalent 35mm focal length of an 85mm lens, its fast  maximum aperture delivers both precise control over depth-of-field as well as  beautiful bokeh effects, while its optical construction produces high  resolution, aberration-free results packed with detail and color. Harness the  versatility of Fujifilm’s latest X-Trans sensor in this new lens and unleash  your creativity.\u003c\/p\u003e\n\u003cp\u003eThe high-resolution stage is set and XF56mmF1.2 R WR is  ready to perform. Its fast maximum aperture delivers precise control over  depth-of-field and ensures beautiful bokeh effects, while its optical  construction produces high resolution, aberration-free results packed with  detail and color. Perfect for portraits, weddings and any other creative  applications demanding precise control over depth-of-field, XF56mmF1.2 R WR  delivers incredible image-resolving performance down to its minimum focusing  distance of 50cm (19.69in), making it an ideal portrait lens, but also great  for other applications within table-top, product and commercial photography.\u003c\/p\u003e\n\u003cp\u003eEvery aspect of XF56mmF1.2 R WR has been precisely  engineered to deliver images with clarity and detail. Its optical construction  comprises 13 elements in eight groups, including one ED and two aspherical  elements. The eight elements used in the focusing group take high-refractive  technology from FUJINON Cinema Lenses to minimize chromatic, spherical, and  comatic aberrations. This helps minimize light bleed within highlights,  boosting image quality and subject detail in the process.\u003c\/p\u003e\n\u003cp\u003eXF56mmF1.2 R WR is the first X Mount lens to feature 11  diaphragm blades, which results in a clean, almost perfectly circular aperture,  even at F4 or F5.6. The result is a clean edge along a highlight, with minimal  aberrations and distractions, that is especially pleasing when it is out of  focus. This means there is no comparison to the results of XF56mmF1.2 R WR when  it is used wide open. Images have a level of clarity and detail that is only  matched by the wonderfully smooth bokeh found in areas with shallow depth of  field. Busy backgrounds melt away from their subjects and create a unique  isolating effect not easily achieved with any other lens.\u003c\/p\u003e\n\u003cp\u003eThe aperture ring on XF56mmF1.2 R WR features an A position  lock to prevent unwanted movement of the aperture ring, while also enabling  control of the lens aperture setting through using a command dial on an X  Series camera body. Manual focus control has also been optimized to make  achieving accurate focus simple and easy. This is particularly useful when  making images with minimal depth-of-field. Lastly, the DC autofocus motor  minimizes friction, resulting in focus being achieved quickly and accurately.\u003c\/p\u003e\n\u003cp\u003eCreativity never stops, and neither does XF56mmF1.2 R WR. It  uses nine rubber seals to keep it protected from dust and moisture, while also  maintaining full functionality in temperatures as low as -10C (14F). 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Featuring powerful 5-axis image  stabilization, one super ED lens element, and a near-silent, high-speed  autofocus motor, this lens is sure to excel in challenging and unpredictable  situations. Its dust- and weather-resistant construction allows the lens to  operate in temperatures down to 14F (-10C) and its high-resolution performance  and wonderfully smooth bokeh will meet the mood of any scene or subject.\u003c\/p\u003e\n\u003cp\u003eGF45-100mmF4 R LM OIS WR consists of 16 elements in 12  groups, including three aspherical elements, one Super ED element and one ED  element to effectively control spherical aberration, field curvature and  chromatic aberration to deliver astonishing image sharpness.\u003c\/p\u003e\n\u003cp\u003eWeighing 2.2lb (1,005g), measuring 5.69in (144.5mm) long,  and having a diameter of 3.66in (93mm), the lens is extremely portable and  compact despite being a 2.2x zoom for a Large Format camera system.\u003c\/p\u003e\n\u003cp\u003eThe use of an Internal Focusing system has reduced the size  and weight of the focusing group, which is driven by a linear motor to achieve  fast, quiet and highly accurate AF.\u003c\/p\u003e\n\u003cp\u003eThe lens is equipped with five stop image stabilization  (CIPA guidelines), allowing photographers to make the most of the  high-resolution sensors found in GFX System Cameras, especially when making  images hand-held.\u003c\/p\u003e\n\u003cp\u003eThe lens is sealed in 11 different places to provide dust  and weather resistance and allow for peace of mind in tough environments, even  at temperatures down to 14F (-10C).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm Equivalent Focal Length: 36-79mm\n    \u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: F4\n    \u003c\/li\u003e\n\u003cli\u003e16 elements in 12 groups with 3 aspherical, 1 ED and 1 super  ED elements\n    \u003c\/li\u003e\n\u003cli\u003eWeight: 1005g (2.22lb)\n    \u003c\/li\u003e\n\u003cli\u003eFilter Size: 82mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e\n  16 elements in 12 groups\u003cbr\u003e\n  (Includes 3 aspherical, 1 ED and 1 superED elements)\u003cbr\u003e\n  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e\n  45-100mm\u003cbr\u003e\n  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e\n  36-79mm\u003cbr\u003e\n  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e\n  62.6-30.6\u003cbr\u003e\n  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e\n  F4\u003cbr\u003e\n  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e\n  F32\u003cbr\u003e\n  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e\n  9 (rounded diaphragm opening)\u003cbr\u003e\n  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e\n  1\/3EV (19 steps)\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e\n  65\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e\n  25.59\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance - 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The updated construction can resolve sensors up to 40  megapixels, ensuring superb results both now and in the future plus the  all-metal construction is primed for years of daily use, thanks to its robust,  weather-resistant construction. Precise manual focusing and the F1.4 maximum  aperture provide total control when needed, with razor-sharp autofocus, and an  inner focusing mechanism driven by a powerful linear motor. Technology-laden,  perhaps, but this essential wide-angle lens still weighs a very portable 380g  (0.84lb) and measures 77.8mm (3.06in). XF23mmF1.4 R LM WR is set to become your  new daily companion.\u003c\/p\u003e\n\u003cp\u003eWhen making images is a passion, image quality can be  all-consuming, especially as technology evolves and image resolutions increase.  Capable of resolving up to 40 megapixels, XF23mmF1.4 R LM WR is an incredible  combination of portability and performance that will continue to provide  stunning detail and vibrant colors with minimal imperfections long into the  future.\u003c\/p\u003e\n\u003cp\u003eThe best images happen when we least expect them to, which  is why XF23mmF1.4 R LM WR features a redesigned internal focusing mechanism,  driven by a fast, near-silent linear motor, for immediate response and precise  results. With good timing, fast reflexes, and a little help from XF23mmF1.4 R  LM WR, those unpredictable moments will turn into a lifetime of memories.\u003c\/p\u003e\n\u003cp\u003eXF23mmF1.4 R LM WR provides incredible optical performance.  This is thanks to two aspherical and three ED elements used in its  construction, plus its F1.4 maximum aperture - created by nine rounded iris  blades - that allow for pinpoint focus and smooth background bokeh. A large  manual focusing ring provides further assurance that every element of the  image-making process is under complete and total control.\u003c\/p\u003e\n\u003cp\u003eAt a weight of 380g (0.84lb) and length of 77.8mm (3.06in),  XF23mmF1.4 R LM WR underscores Fujifilm’s continuing mission to create compact  and lightweight X Series cameras and lenses. Beautifully engineered to  withstand the demands of day-to-day use, XF23mmF1.4 R LM WR blends a durable,  all-metal construction with practical touches, like a 58mm filter and a close  focusing distance of 19cm (7.48in), to bring a versatile solution for street,  documentary, and wedding photographers alike.\u003c\/p\u003e\n\u003cp\u003eMaking the most of moments is the hallmark of any great  image maker. Regardless of whether the sun is shining, or whether the heavens  are starting to open up, when used with our weather-resistant X Series cameras,  XF23mmF1.4 R LM WR is ready to turn any inclement situation into a potential  masterpiece. Weather-resistant seals throughout the lens construction repel  dust and moisture, allowing it to perform effortlessly down to -10C (14F).  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With its huge maximum aperture of F1.0, this super-fast prime lens  opens up a world of beautiful shallow-focus effects and low-light creativity.  Experiment with depth-of-field like never before, and make brilliant portrait,  lifestyle, documentary, and still-life images in even the most challenging  lighting conditions. With XF50mmF1.0 R WRs unique, impressive optical  engineering, you can expect crystal-clear detail even at the maximum apertures  and, as a weather-resistant lens, it’s tough, weather-sealed build quality  means that when paired with one of our weather-resistant, X Series digital  cameras, you can tackle your favorite subjects in dust, rain, and even freezing  conditions.\u003c\/p\u003e\n\u003cp\u003eUsed at or near to its maximum F1.0 aperture, XF50mmF1.0 R  WR can produce an astonishingly narrow depth-of-field. Its precision-engineered,  rounded diaphragm produces large, smooth bokeh for a professional look,  allowing you to create portraits with a striking simplicity and an almost  three-dimensional quality. You can use this new power in selective focus to  keep only the subjects’ eyes in focus and make captivating close-up character  studies. But it’s not just for portraits. Take this lens out onto the street or  into a lifestyle session and you’ll turn cluttered locations into clean  backdrops with unrivaled subject separation.\u003c\/p\u003e\n\u003cp\u003eThe very wide maximum aperture on XF50mmF1.0 R WR means you  have more options when it comes to making images in low-light conditions. At  night, or in darkened interiors, XF50mmF1.0 R WR offers the widest apertures  yet seen on an XF Lens, allowing you to draw in more light. XF50mmF1.0 R WR  lens also easily achieves fast shutter speeds that freeze movement and keep ISO  settings lower for detail-rich results. Alternatively, combine high ISO  settings with the F1.0 aperture for incredible versatility and use in other  low-light applications like astrophotography.\u003c\/p\u003e\n\u003cp\u003eUnprecedented depth-of-field is nothing without first-class  optical quality to keep the subject sharp and clear. Too many ultrafast lenses can’t  cope at the extremes of wider apertures, and often when used wide open can only  provide images weakened by flare and a lack of sharpness. XF50mmF1.0 R WR aces  image quality with premium glass elements all the way through its exceptional  light path, furthering the optical excellence of Fujifilm’s FUJINON brand and  bringing it to a modern-day zenith of edge-to-edge sharpness at any aperture.\u003c\/p\u003e\n\u003cp\u003eTo make the most of its super-shallow depth-of-field,  focusing must be precise. For this, XF50mmF1.0 R WR uses 120 of rotation in its  focusing ring to let you focus manually without error and achieve accurate  focus when using your X Series cameras Focus Peaking and Focus Assist modes.  The 120 of rotation also makes autofocus movements notably precise and  deliberate, while the lens engineering is designed to minimize focus shift  effects when making images.\u003c\/p\u003e\n\u003cp\u003eXF50mmF1.0 R WR is a lens you can use to make amazing  pictures almost anywhere. Like all other weather-resistant XF Lenses, it is  protected against moisture and dust, as well as being capable of use in  temperatures down to 14F (-10C). When allied to a similarly specified,  weather-resistant X Series mirrorless digital camera body, XF50mmF1.0 R WR lets  you make unique images in the toughest environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm Equivalent Focal Length: 76mm    \u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: F1.0    \u003c\/li\u003e\n\u003cli\u003e12 elements in 9 groups with 1 aspherical and 2 ED elements    \u003c\/li\u003e\n\u003cli\u003eWeight: 845g (1.86lb)    \u003c\/li\u003e\n\u003cli\u003eFilter Size: 77mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e  12 elements in 9 groups\u003cbr\u003e  (Includes 1 aspherical element and 2 ED elements)\u003cbr\u003e  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e  50mm\u003cbr\u003e  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e  76mm\u003cbr\u003e  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e  31.7\u003cbr\u003e  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e  F1.0\u003cbr\u003e  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e  F16\u003cbr\u003e  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e  9 (rounded diaphragm opening)\u003cbr\u003e  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e  1\/3EV (25 steps)\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e  70\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e  27.56\u003cbr\u003e  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e  0.08x\u003cbr\u003e  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e  87\u003cbr\u003e  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e  103.5\u003cbr\u003e  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e  4.07\u003cbr\u003e  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e  845\u003cbr\u003e  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e  1.86\u003cbr\u003e  \u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003cbr\u003e  77mm\u003cbr\u003e  \u003cstrong\u003eApproximate External Lens Dimensions\u003c\/strong\u003e\u003cbr\u003e  87mm x 103.5mm\u003cbr\u003e  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e  FLCP-77 Lens cap\u003cbr\u003e  RLCP-001 Rear lens cap\u003cbr\u003e  Lens hood\u003cbr\u003e  Wrapping cloth\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517577040069,"sku":"FUJI-FUJIFILM16664339","price":1799.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/b590dc55-f955-4900-b7d3-66c8519a2944.jpg?v=1737083147"},{"product_id":"fujifilm-xf90mmf2-r-lm-wr-lens","title":"Fujifilm XF90mmF2 R LM WR Lens","description":"\u003cp\u003e\u003cstrong\u003eFujifilm XF90mmF2 R LM WR Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFUJINON XF90mmF2 R LM WR offers spectacular image quality in  a weather-resistant body, while four linear motors provide a fast, quiet  autofocus performance. Capable of creating beautiful background blur, the  combination of this lens 135mm equivalent focal length and F2 maximum aperture  make it a great choice for portraits or for framing some of life’s best moments  from a distance.\u003c\/p\u003e\n\u003cp\u003eXF90mmF2 R LM WR uses a Quad Linear Motor to autofocus in as  little as 0.14sec. The system uses four magnets for higher torque to make what  is already a fast, quiet and accurate autofocusing motor even faster! A large,  manual focusing ring is also available, plus the lens has a close focusing  distance of 0.6m and a magnification ratio of 1:3 so it is possible to fill the  frame with smaller objects.\u003c\/p\u003e\n\u003cp\u003eXF90mmF2 R LM WR offers the same weather-resistant  capabilities as all the other weather resistant XF lenses. In this particular  case, there are seven seals positioned at various points along the lens barrel,  which keep the internals protected from water and dust. The lens is also  guaranteed to keep working in temperatures as low as 14F (-10C)\u003c\/p\u003e\n\u003cp\u003eThe combination of the mid-telephoto focal length with a  wide maximum aperture ensures that XF90mmF2 R LM WR is perfect for creating  beautiful results with super-smooth bokeh. The blades that make the aperture  diaphragm are rounded at the edges for extra smooth results. This really makes  your subject stand out from its background.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm Equivalent Focal Length: 137mm    \u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: F2    \u003c\/li\u003e\n\u003cli\u003e11 elements in 8 groups with 3 ED elements    \u003c\/li\u003e\n\u003cli\u003eWeight: 540g (1.19lb)    \u003c\/li\u003e\n\u003cli\u003eFilter Size: 62mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e  11 elements in 8 groups\u003cbr\u003e  (Includes 3 ED elements)\u003cbr\u003e  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e  90mm\u003cbr\u003e  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e  137mm\u003cbr\u003e  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e  17.9\u003cbr\u003e  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e  F2\u003cbr\u003e  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e  F16\u003cbr\u003e  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e  7 (rounded diaphragm opening)\u003cbr\u003e  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e  1\/3EV (19 steps)\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e  60\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e  23.62\u003cbr\u003e  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e  0.2x\u003cbr\u003e  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e  75\u003cbr\u003e  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e  105\u003cbr\u003e  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e  4.13\u003cbr\u003e  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e  540\u003cbr\u003e  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e  1.19\u003cbr\u003e  \u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003cbr\u003e  62mm\u003cbr\u003e  \u003cstrong\u003eApproximate External Lens Dimensions\u003c\/strong\u003e\u003cbr\u003e  75mm x 105mm\u003cbr\u003e  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e  FLCP-62 II Lens cap\u003cbr\u003e  RLCP-001 Rear lens cap\u003cbr\u003e  Lens hood\u003cbr\u003e  Wrapping cloth\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517577302213,"sku":"FUJI-FUJIFILM16463668","price":1149.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/faa300e0-5b1b-4924-8d51-73294a6b45c6.jpg?v=1737083024"},{"product_id":"fujifilm-gf63mmf2-8-r-wr-lens","title":"Fujifilm GF63mmF2.8 R WR Lens","description":"\u003cp\u003e\u003cstrong\u003eFujifilm GF63mmF2.8 R WR Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFUJINON GF63mmF2.8 R WR is a 50mm equivalent lens that  provides a natural view of the world to GFX System users. Its 10 elements,  eight groups optical design incorporates one extra-low dispersion element to  reduce chromatic aberrations and color fringing, which enhances clarity and  color accuracy throughout the lens's aperture range. A fluorine coating has  also been added to the front element to repel moisture and the lens also  features a dust-, freeze-, and weather-resistant construction for use in  inclement conditions.\u003c\/p\u003e\n\u003cp\u003eFor many of us, a standard prime lens is where our  photographic journey started and GF63mmF2.8 R WR helps you relive the  excitement of picking up a camera for the first time. Offering a broad field of  view and delivering pin-sharp results, this original GF Lens takes image making  back to the basics, so you can focus on being creative.\u003c\/p\u003e\n\u003cp\u003eGF63mmF2.8 R WR offers the 35mm equivalent to a 50mm lens,  which is closest to the human eye. Yet while this lens offers the same natural  view, it also enhances it, creating clear separation between subject and  background to emphasize a three-dimensional look.\u003c\/p\u003e\n\u003cp\u003eGF prime lenses maximize the potential of the sensor in GFX  System cameras and GF63mmF2.8 R WR is no exception. Its strength is simple lens  construction, featuring ten elements in eight groups (including one ED lens),  delivering color purity so valuable, with an information-rich large format  system.\u003c\/p\u003e\n\u003cp\u003eWith GF63mmF2.8 R WR, you’ll always be ready to create your  next masterpiece. Its small and light enough to be carried wherever you go,  delivering the image quality and versatility you need for almost any scenario.  Keep it with you at all times from short walks to worldwide trips!\u003c\/p\u003e\n\u003cp\u003eThanks to extensive dust- and weather-resistance, as well as  the ability to operate in temperatures as low as -10C (-14F), GF63mmF2.8 R WR  will ensure focus is always on your subject. Create in all conditions and  locations, in complete confidence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm Equivalent Focal Length: 50mm    \u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: F2.8    \u003c\/li\u003e\n\u003cli\u003e10 elements in 8 groups with 1 ED element    \u003c\/li\u003e\n\u003cli\u003eWeight: 405g (0.89lb)    \u003c\/li\u003e\n\u003cli\u003eFilter Size: 62mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e  10 elements in 8 groups\u003cbr\u003e  (Includes 1ED element)\u003cbr\u003e  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e  63mm\u003cbr\u003e  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e  50mm\u003cbr\u003e  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e  46.9\u003cbr\u003e  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e  F2.8\u003cbr\u003e  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e  F32\u003cbr\u003e  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e  9 (rounded diaphragm opening)\u003cbr\u003e  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e  1\/3EV (22 steps)\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e  50\u003cbr\u003e  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e  19.69\u003cbr\u003e  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e  0.17x\u003cbr\u003e  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e  84\u003cbr\u003e  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e  71\u003cbr\u003e  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e  2.8\u003cbr\u003e  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e  405\u003cbr\u003e  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e  0.89\u003cbr\u003e  \u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003cbr\u003e  62mm\u003cbr\u003e  \u003cstrong\u003eApproximate External Lens Dimensions\u003c\/strong\u003e\u003cbr\u003e  84mm x 71mm\u003cbr\u003e  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e  FLCP-62 Lens cap\u003cbr\u003e  RLCP-002 Rear lens cap\u003cbr\u003e  Lens pouch\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517577924805,"sku":"FUJI-FUJIFILM600018250","price":1699.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/8b5696f0-b75e-459f-ab06-795b99acbcf5.jpg?v=1737083402"},{"product_id":"fujifilm-gf110mmf2-r-lm-wr-lens","title":"Fujifilm GF110mmF2 R LM WR Lens","description":"\u003cp\u003e\u003cstrong\u003eFujifilm GF110mmF2 R LM WR Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnly the perfect mix of the right focal length, aperture,  and imaging sensor can create a portrait as beautiful as one made with  GF110mmF2 R LM WR and a GFX system camera. The combination not only provides a  crisp image, it does so with beautiful bokeh that can only be made from using a  wide F2 aperture with an imaging sensor that is 1.7 times larger than ones  found in common full-frame cameras. With any GFX system camera, this lens is so  much more than just a standard portrait lens.\u003c\/p\u003e\n\u003cp\u003eOnly the perfect mix of the right focal length, aperture,  and imaging sensor can create a portrait as beautiful as one made with  GF110mmF2 R LM WR and a GFX system camera. The combination not only provides a  crisp image, it does so with beautiful bokeh that can only be made from using a  wide F2 aperture with an imaging sensor that is 1.7 times larger than ones  found in common full-frame cameras. With any GFX system camera, this lens is so  much more than just a standard portrait lens.\u003c\/p\u003e\n\u003cp\u003eGF110mmF2 R LM WR features four ED lens elements that  control and minimize aberrations. Combined with its precise optical engineering  that ensures light hits the sensor with unparalleled accuracy, the result is an  image with incredible detail that displays beautiful color tones and textures.\u003c\/p\u003e\n\u003cp\u003e14 spherical lens elements in 9 groups help GF110mmF2 R LM  WR deliver an image that has little or no patterns or aberrations in its  highlights or out-of-focus areas. This means it’s easy to achieve a look that’s  perfect for portraits, but distinctively unique to large format images.\u003c\/p\u003e\n\u003cp\u003eWith GFX system cameras, state-of-the-art autofocus is  within grasp with GF110mmF2 R LM WR. This combination produces fast, precise  autofocus capabilities unheard of with other medium format and large format  camera systems. Control the focus point accurately with the camera and let the  lens make an image with stunning, ultra-shallow depth-of-field.\u003c\/p\u003e\n\u003cp\u003eThe weather-resistant construction of GF110mmF2 R LM WR  means you can keep creating whatever the conditions. Rain, snow, and dust are  no longer reasons to pack up and go home, there reasons to get outside and  start getting creative!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e35mm Equivalent Focal Length: 87mm\n    \u003c\/li\u003e\n\u003cli\u003eMaximum Aperture: F2\n    \u003c\/li\u003e\n\u003cli\u003e14 elements in 9 groups with 4 ED elements\n    \u003c\/li\u003e\n\u003cli\u003eWeight: 1010g (2.23lb)\n    \u003c\/li\u003e\n\u003cli\u003eFilter Size: 77mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Configuration\u003c\/strong\u003e\u003cbr\u003e\n  14 elements in 9 groups\u003cbr\u003e\n  (Includes 4 ED elements)\u003cbr\u003e\n  \u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003cbr\u003e\n  110mm\u003cbr\u003e\n  \u003cstrong\u003e35mm Equivalent Focal Length\u003c\/strong\u003e\u003cbr\u003e\n  87mm\u003cbr\u003e\n  \u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003cbr\u003e\n  27.9\u003cbr\u003e\n  \u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003cbr\u003e\n  F2\u003cbr\u003e\n  \u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003cbr\u003e\n  F22\u003cbr\u003e\n  \u003cstrong\u003eNumber of Aperture Blades\u003c\/strong\u003e\u003cbr\u003e\n  9 (rounded diaphragm opening)\u003cbr\u003e\n  \u003cstrong\u003eAperture Step Size\u003c\/strong\u003e\u003cbr\u003e\n  1\/3EV (22 steps)\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance (cm)\u003c\/strong\u003e\u003cbr\u003e\n  90\u003cbr\u003e\n  \u003cstrong\u003eMinimum Focusing Distance (in)\u003c\/strong\u003e\u003cbr\u003e\n  35.43\u003cbr\u003e\n  \u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003cbr\u003e\n  0.16x\u003cbr\u003e\n  \u003cstrong\u003eLens Diameter (mm)\u003c\/strong\u003e\u003cbr\u003e\n  89.5\u003cbr\u003e\n  \u003cstrong\u003eLens Length (mm)\u003c\/strong\u003e\u003cbr\u003e\n  125.5\u003cbr\u003e\n  \u003cstrong\u003eLens Length (in)\u003c\/strong\u003e\u003cbr\u003e\n  4.94\u003cbr\u003e\n  \u003cstrong\u003eLens Weight (g)\u003c\/strong\u003e\u003cbr\u003e\n  1010\u003cbr\u003e\n  \u003cstrong\u003eLens Weight (lb)\u003c\/strong\u003e\u003cbr\u003e\n  2.23\u003cbr\u003e\n  \u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003cbr\u003e\n  77mm\u003cbr\u003e\n  \u003cstrong\u003eApproximate External Lens Dimensions\u003c\/strong\u003e\u003cbr\u003e\n  94.3mm x 125.5mm\u003cbr\u003e\n  \u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003cbr\u003e\n  FLCP-62 II Lens cap\u003cbr\u003e\n  RLCP-002 Rear lens cap\u003cbr\u003e\n  Lens hood\u003cbr\u003e\n  Lens pouch\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42517578285253,"sku":"FUJI-FUJIFILM600018568","price":3199.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/cb438a29-5415-48ec-ad5e-a313834eedbe.jpg?v=1737083410"}],"url":"https:\/\/avlgear.com\/collections\/fujifilm-video-equipment.oembed?page=2","provider":"AVLGEAR","version":"1.0","type":"link"}