{"product_id":"yamaha-mgp24xa-24-channel-analog-mixing-console-with-dsp-effects","title":"Yamaha MGP24XA 24-Channel Analog Mixing Console with DSP Effects","description":"\u003ch2\u003eYamaha MGP24XA 24-Channel Analog Mixing Console with DSP Effects\u003c\/h2\u003e\n\n\u003cp\u003eThe Yamaha MGP24X 24-input analog mixing console provides 16 microphone inputs, flexible stereo channels, six auxiliary sends, four group outputs, and dedicated matrix routing for live sound production. Its extensive analog connectivity supports microphones, line-level equipment, outboard processors, stage monitors, recording feeds, and front-of-house speaker systems.\u003c\/p\u003e\n\n\u003cp\u003eDesigned for venues, houses of worship, schools, touring systems, and event production, the MGP24X accommodates large input counts without requiring a digital workflow. Sixteen channel inserts support external dynamics or equalization, while stereo, mono, group, auxiliary, matrix, and monitor outputs simplify complex signal distribution. This configuration suits buyers seeking a 24-input live sound mixer with professional XLR outputs and flexible monitor routing.\u003c\/p\u003e\n\n\u003cp\u003eThe console delivers a 20 Hz to 20 kHz frequency response, 0.02% total harmonic distortion, and -74 dB crosstalk at 1 kHz. Its universal 100 to 240 V power supply supports professional deployment across different electrical regions. This version does not include iPod connectivity or the Blend function previously associated with the stereo channels.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e24-Input Mixing Architecture:\u003c\/strong\u003e Handles microphones, instruments, playback sources, and stereo equipment in one live sound console.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSixteen Microphone Channels:\u003c\/strong\u003e Provides dedicated XLR microphone inputs for vocals, instruments, presenters, and stage sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Line Connectivity:\u003c\/strong\u003e Includes sixteen mono line inputs and four stereo line input pairs for external audio equipment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix Auxiliary Sends:\u003c\/strong\u003e Routes independent monitor mixes, effects sends, or additional production feeds through XLR outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Group Outputs:\u003c\/strong\u003e Combines related channels for subgroup processing and simplified level control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual Matrix Outputs:\u003c\/strong\u003e Creates additional mixes for lobby speakers, recording systems, broadcast feeds, or delayed zones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComprehensive Insert Routing:\u003c\/strong\u003e Supports external processors through sixteen mono channel inserts and one stereo insert pair.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal Power Compatibility:\u003c\/strong\u003e Operates from 100 to 240 V AC at 50 or 60 Hz for flexible installation and touring use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Inputs:\u003c\/strong\u003e 16 x XLR mic-level inputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Line Inputs:\u003c\/strong\u003e 16 x 1\/4\" TRS line-level inputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Line Inputs:\u003c\/strong\u003e 4 x stereo 1\/4\" TRS line-level input pairs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Channel Inserts:\u003c\/strong\u003e 16 x 1\/4\" TRS inserts\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Return:\u003c\/strong\u003e 1 x 1\/4\" stereo return\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Input Source Impedance:\u003c\/strong\u003e 3 kilohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Mic Input Sensitivity at -60 dB:\u003c\/strong\u003e -80 dBu, 0.078 mV, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Mic Input Sensitivity at -16 dB:\u003c\/strong\u003e -36 dBu, 12.3 mV, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Line Input Sensitivity at -34 dB:\u003c\/strong\u003e -54 dBu, 1.55 mV, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Line Input Sensitivity at +10 dB:\u003c\/strong\u003e -10 dBu, 245 mV, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Channel Source Impedance:\u003c\/strong\u003e 10 kilohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Line Input Sensitivity at -34 dB:\u003c\/strong\u003e -54 dBu, 1.55 mV, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Line Input Sensitivity at +10 dB:\u003c\/strong\u003e -10 dBu, 245 mV, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Channel Insert Input Sensitivity:\u003c\/strong\u003e -20 dBu, 77.5 mV, 10-kilohm source impedance, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Channel Insert Input Sensitivity:\u003c\/strong\u003e -20 dBu, 77.5 mV, 10-kilohm source impedance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTalkback Input Sensitivity:\u003c\/strong\u003e -66 dBu, 0.389 mV, 10-kilohm source impedance, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Mono Mic Input Level at -60 dB:\u003c\/strong\u003e -60 dBu, 0.775 mV, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Mono Mic Input Level at -16 dB:\u003c\/strong\u003e +16 dBu, 123 mV, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Mono Line Input Level at -34 dB:\u003c\/strong\u003e -34 dBu, 15.5 mV, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Mono Line Input Level at +10 dB:\u003c\/strong\u003e +10 dBu, 2.45 V, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Stereo Line Input Level at -34 dB:\u003c\/strong\u003e -34 dBu, 15.5 mV, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Stereo Line Input Level at +10 dB:\u003c\/strong\u003e +10 dBu, 2.45 V, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Mono Channel Insert Input Level:\u003c\/strong\u003e 0 dBu, 0.775 V, 10-kilohm source impedance, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Stereo Channel Insert Input Level:\u003c\/strong\u003e 0 dBu, 0.775 V, 10-kilohm source impedance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Talkback Input Level:\u003c\/strong\u003e -50 dBu, 2.45 mV, 10-kilohm source impedance, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Mono Mic Input Level at -60 dB:\u003c\/strong\u003e -40 dBu, 7.75 mV, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Mono Mic Input Level at -16 dB:\u003c\/strong\u003e +4 dBu, 1.23 V, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Mono Line Input Level at -34 dB:\u003c\/strong\u003e -14 dBu, 155 mV, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Mono Line Input Level at +10 dB:\u003c\/strong\u003e +30 dBu, 24.5 V, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Stereo Line Input Level at -34 dB:\u003c\/strong\u003e -14 dBu, 155 mV, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Stereo Line Input Level at +10 dB:\u003c\/strong\u003e +30 dBu, 24.5 V, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Mono Channel Insert Input Level:\u003c\/strong\u003e +20 dBu, 7.75 V, 10-kilohm source impedance, for 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Stereo Channel Insert Input Level:\u003c\/strong\u003e +20 dBu, 7.75 V, 10-kilohm source impedance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Talkback Input Level:\u003c\/strong\u003e -30 dBu, 24.5 mV, 10-kilohm source impedance, for 50 to 600-ohm microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Output:\u003c\/strong\u003e 1 x XLR stereo output pair, left and right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuxiliary Sends:\u003c\/strong\u003e 6 x XLR outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Insert Outputs:\u003c\/strong\u003e 16 x 1\/4\" outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitor Output:\u003c\/strong\u003e 1 x 1\/4\" output pair, left and right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGroup Outputs:\u003c\/strong\u003e 4 x 1\/4\" outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone Output:\u003c\/strong\u003e 1 x 1\/8\" output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Insert:\u003c\/strong\u003e 1 x 1\/4\" insert pair, left and right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatrix Outputs:\u003c\/strong\u003e 2 x 1\/4\" outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMono Output:\u003c\/strong\u003e 1 x XLR output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Stereo Output Level:\u003c\/strong\u003e +4 dBu, 1.23 V at 75 ohms, for nominal 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Mono Output Level:\u003c\/strong\u003e +4 dBu, 1.23 V at 75 ohms, for nominal 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Group Output Level:\u003c\/strong\u003e +4 dBu, 1.23 V at 150 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Auxiliary Send Level:\u003c\/strong\u003e +4 dBu, 1.23 V at 75 ohms, for nominal 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Matrix Output Level:\u003c\/strong\u003e +4 dBu, 1.23 V at 150 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Mono Channel Insert Output Level:\u003c\/strong\u003e 0 dBu, 0.775 V at 75 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Stereo Channel Insert Output Level:\u003c\/strong\u003e 0 dBu, 0.775 V at 75 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Monitor Output Level:\u003c\/strong\u003e +4 dBu, 1.23 V at 150 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal Headphone Output Level:\u003c\/strong\u003e 3 mW at 150 ohms, for nominal 40-ohm headphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Stereo Output Level:\u003c\/strong\u003e +24 dBu, 12.3 V at 75 ohms, for nominal 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Mono Output Level:\u003c\/strong\u003e +24 dBu, 12.3 V at 75 ohms, for nominal 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Group Output Level:\u003c\/strong\u003e +20 dBu, 7.75 V at 150 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Auxiliary Send Level:\u003c\/strong\u003e +24 dBu, 12.3 V at 75 ohms, for nominal 600-ohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Matrix Output Level:\u003c\/strong\u003e +20 dBu, 7.75 V at 150 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Mono Channel Insert Output Level:\u003c\/strong\u003e +20 dBu, 7.75 V at 75 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Stereo Channel Insert Output Level:\u003c\/strong\u003e +20 dBu, 7.75 V at 75 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Monitor Output Level:\u003c\/strong\u003e +20 dBu, 7.75 V at 150 ohms, for nominal 10-kilohm lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Headphone Output Level:\u003c\/strong\u003e 75 mW at 150 ohms, for nominal 40-ohm headphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Harmonic Distortion:\u003c\/strong\u003e 0.02% from 20 Hz to 20 kHz at +14 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e 20 Hz to 20 kHz, +0.5\/-1 dB, referenced to nominal output level at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk:\u003c\/strong\u003e -74 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply:\u003c\/strong\u003e 100 to 240 V AC, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Power Consumption:\u003c\/strong\u003e 76 W\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 32.2 x 6.7 x 22.2\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 34.2 lb\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":46636801360069,"sku":"YMHA-MGP24XA","price":2069.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3085\/3829\/files\/1-yamaha-mgp24xa_8b546aaf-0680-487e-8af4-dc6a4e4aa756.jpg?v=1785437493","url":"https:\/\/avlgear.com\/products\/yamaha-mgp24xa-24-channel-analog-mixing-console-with-dsp-effects","provider":"AVLGEAR","version":"1.0","type":"link"}