Prism Sound Titan Ultimate Collection Multichannel Audio Interface with UC Software

Titan and Atlas are world class multi-track interfaces offering flexible expansion and unsurpassable sonic clarity. Using the latest generation of Prism Sounds trusted conversion, Titan is ideal for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.

Software included: Tracktion's Waveform Pro, F.'em, Biotek 2, Waverazor, Abyss, Hyperion, Spacecraft, RetroMod Complete Collection, DAW Essentials Collection, and SADiE 6 Software.

F.’EM
11-Operator FM Synthesizer

F.’em is one of the most powerful FM Synthesizers ever made, taking advantage of modern CPU resources to process its freely configurable 11 operator matrix. It’s a hybrid quad-timbral synthesizer that can function as an FM, VA and Sample-based instrument, with the added bonus of a dual multimode filter, a complex effect section and an incredibly flexible modulation matrix.

BIOTEK 2
A powerhouse sampling and synthesis workstation

BioTek 2 offers boundless sound design in a unique and inspirational environment. Not only is its engine more capable than existing offerings, but the choice to use natural and environmental samples gives the instrument its unique character. Extensive modulation and modifier routes are intuitively assigned and all parameters are available for DAW automation. Dive into the weird and wonderful immersive world of BioTek.

WAVERAZOR
Futuristic Virtual Synth

A futuristic synth that gives you the power to splice waveforms into aggressive new sounds. The patented oscillator design utilizes a new form of synthesis to produce biting leads, glitched-out basses, cinematic pads and everything in between.

ABYSS
A visual synthesiser with character and a bit of fairy dust

Based on spectral synthesis, Abyss adopts a unique approach by representing sounds with colours making it intuitive and instantly inspiring. It brings to you dark, vibrating drones, vivid cinematic pads and rich evolving textures. With Abyss you find instant inspiration for your music and sound design projects.

HYPERION
Multi-layer, Modular Synth

Hyperion synth has been designed from the outset with sonic flexibility in mind whilst keeping modular patching approachable and easy to follow. Efficient processing enables up to 10 layers of complex sound patches providing An unlimited sound design playground inspired by 80’s legends such as Vangelis, Jean-Michel Jarre and Brian Eno. Hyperion is a contemporary digital modular masterpiece.

SPACECRAFT
Deep granular synthesis

SpaceCraft is one of the most creative and inspiring granular synths ever made. Based on the hugely popular iOS app it’s well known for providing instant gratification and stunning, unique sounds. Two parallel granular engines provide grain frequency/length control, sample position LFO, stereo reverb/filter and pitch/ring-modulation. The innovative grain pitch sequencer, MIDI / MPE and live sampling capability open up further depths of performance and expression.

RETROMOD INSTRUMENTS
Classic Hardware Synths

The RetroMod series of instruments puts the worlds most revered hardware synthesisers at your fingertips. And as the name suggests, this is more than just a collection of sample-based imitations – the goal of this series is to capture the soul of classic hardware synthesizers and push them in new directions, creating sounds simply unachievable from the source hardware.

DAW ESSENTIALS COLLECTION
16 inspiring, contemporary DSP effects

A collection of 16 contemporary FX plugins for use with any DAW. Utilizing the very latest algorithms and coding techniques, the plugins feature extraordinary sound quality in an extremely efficient package, allowing the plugins to be used liberally across a wide range of native computer systems. Empower your creativity with the DAW Essentials Collection.

Technical Specifications

FRONT PANEL
Instrument Inputs
2 x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged
Headphone Outputs
2 x 6.3mm stereo TRS Jacks, each with illuminated volume control
Master volume
Assignable encoder / push switch with halo indication
Standby button
with standby indicator (also flashes when unit is in ‘identify’ mode)
Level Meters
10 x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs
Input selection
Indicate mode of analogue inputs 1-4 as Mic / line / inst & plus phantom power indicator for mic mode
Overkiller
For every analogue input, lit when Overkiller limiters are acting
Digital Input
indicators for digital input unlocked and SRC (sample-rate converter) selected
Digital Output
indicator for SRC (sample-rate converter) selected
Sync
Master indicator, lit when interface is providing system sync

REAR PANEL
Mic / Line inputs 1-4
4 x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced)
Line inputs 5-8
4 x 6.3mm TRS jack sockets (balanced or unbalanced)
Line outputs 1-8
8 x 6.3mm TRS jack sockets (balanced or unbalanced)
Digital inputs
1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied)
Digital output
1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied)
Wordclock
2 x BNC sockets, output and input (75R)
USB port
1 x USB 2 port
Mains power
3-pin 6A IEC inlet

SOFTWARE SUPPORT
Mac OS Support
OS X 10.5 or later on Intel and Apple M1 silicon
Windows OS Support
Windows Vista, 7 or 8, 32 or 64 bit
Mac audio driver
Core Audio device
Windows audio driver
ASIO and WDM
Control Panel applet
Graphical user interface for control of single or multiple Titan units under Mac OS X or Windows.

ANALOG LINE INPUTS
Configuration
Electronically balanced, with fully-balanced analogue signal path
Input Sensitivity
Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV’ (0dBFS = +6dBu)
Input Impedance
14.5k OHM
Unbalanced Mode
Automatic
Total harmonic distortion
-117dB (0.00014%, -0.1dBFS)
THD+N
-111dB (0.00028%, -0.1dBFS)
Dynamic Range
116dB (-60dBFS)
Gain Accuracy
+/-0.05dB
LF roll-off
-0.05dB at 8Hz; -3dB at <1Hz
HF roll-off
fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz
CMRR
20Hz..20kHz: >70dB
Inter-channel cross-talk
1kHz: <140dB; 20Hz..20kHz: <-120dB
Inter-channel phase
10Hz..5kHz: +/-0.25°,
5kHz..20kHz: +/-1.0°,
20kHz..50kHz: +/-2.0°,
Overkiller
Progessive limiter, auto-aligning, selectable per channel
Impact Filter
High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode)
RIAA de-emphasis filter
Response accuracy:
+/-0.22dB at fs=44.1kHz;
+/-0.14dB at fs=48kHz;
+/-0.015dB at other sample rates
M-S matrix
Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode)

MICROPHONE PREAMPLIFIERS
Configuration
Electronically balanced, with fully balanced analogue signal path
Gain
10dB to 65dB in 1dB steps (0dBFS = -56dBu to -1dBu) plus switchable -20dB pad
Gain accuracy
+/-0.05dB
Input impedance
5.5k OHM
THD
+10dB gain: -116dB at -0.1dBFS (0.00016%)
+40dB gain: -110dB at -0.1dBFS (0.00032%)
THD+N
+10dB gain: -108dB at -0.1dBFS (0.00040%)
Equivalent input noise (EIN)
+30dB gain: -128.5dBu (0 OHM source); -126.3dBu (150 OHM source)
+40dB gain: -130.9dBu (0 OHM source); -127.6dBu (150 OHM source)
+50dB gain: -131.2dBu (0 OHM source); -127.7dBu (150 OHM source)
+60dB gain: -131.4dBu (0 OHM source); -127.8dBu (150 OHM source)
LF roll-off
-0.05dB at 20Hz, -3dB at 5Hz
HF roll-off
As per analogue line input data (dependent on fs)
CMRR
50Hz/60Hz: >110dB at all gains
1kHz: >100dB at all gains
20kHz: >90dB at all gains
Phantom power
+48V, switchable per channel
Pad
-20dB, switchable per channel

INSTRUMENT PREAMPLIFIERS
Configuration
Unbalanced, high impedance buffer
Gain
10dB to 65dB in 1dB steps, 18dB pad (0dBFS = -38dBu to 17dBu)
Gain accuracy
+/-0.05dB
Input impedance
1M OHM

ANALOG OUTPUTS
Configuration
Electronically balanced, with fully-balanced analogue signal path
Output amplitude
Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV (0dBFS = +6dBu)
Output impedance
100 OHM balanced, 50 OHM unbalanced
Unbalanced mode
Automatic, with bootstrapping level compensation
Total harmonic distortion
-107dB (0.00045%, -1dBFS)
THD+N
-106dB (0.00050%, -0.1dBFS)
Dynamic range
115dB (-60dBFS)
Gain accuracy
+/-0.05dB
LF roll-off
-0.05dB at 8Hz, -3dB at <1Hz
HF roll-off
fs = 44.1kHz: -0.05dB at 21.4kHz; -3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.2kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.8kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 76kHz
Output balance
>50dB
Inter-channel cross-talk
1kHz: <-135dB; 20Hz..20kHz: <-120dB
Inter-channel phase
10Hz..5kHz: +/-0.4°,
5kHz..20kHz: +/-0.25°,
20kHz..50kHz: +/-0.5°,

DIGITAL INPUTS
Formats supported
S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
Sample rates supported
S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT (8 channel) 44.1 and 48kHz
ADAT S/MUX (4 channel): 88.2 and 96kHz
Channel Status
ignored
Word-length
24 bit
AES3 operation
via S/PDIF RCA, using RCA-XLR adaptor (supplied)
Sample-rate converter (SRC)
Selectable at S/PDIF input; allowing input at any sample rate
Bit transparency
Maintained (allows recording of Dolby or DTS streams)

DIGITAL OUTPUTS
Formats supported
S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
Sample rates supported
S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT (8 channel) 44.1 and 48kHz
ADAT S/MUX (4 channel): 88.2 and 96kHz
Channel Status
Full implementation, Consumer (S/PDIF) or professional (AES3)
Word-length
24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping – four alternative shapes available)
AES3 operation
via S/PDIF RCA, using RCA-XLR adaptor (supplied)
Sample-rate converter (SRC)
Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz
Bit transparency
Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder)

SYNCHRONIZATION
System sample rates
44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
Master
local, Wordclock, DI (S/PDIF input) or ADAT
Slave
bus master (another interface or Host computer)
Local clock accuracy
+/-50ppm
Jitter rejection
>60dB / decade above 100Hz
Internal mixer delay
(total analogue in to out)
fs = 44.1kHz: 0.56ms;
fs = 48kHz: 0.52ms;
fs = 88.2kHz: 0.2ms;
fs = 96kHz: 0.18ms;
fs = 176.4kHz: 0.09ms;
fs = 192kHz: 0.08ms;

PHYSICAL
Form factor
1U 19inch rack mountable
(rubber feet and rack ears supplied)
Dimensions
Table top (inc feet):
W: 440mm D: 290mm H: 50mm

Rack-mount (inc ears):
W: 483mm D: 290mm H: 44.5mm
Power
90-250VAC, 50/60Hz
internal power supply
IEC 6A connector
Power consumption
35W
Fuse rating
0.5A(T), 20mm, ceramic
Weight
3.7kg
Operation ambient conditions
0 to 35°C, 85% maximum relative humidity

Supplied Accessories
Printed manual x 1
Software CD x 1
IEC mains lead x 1
19” Rackmount ears x 2 (pair)
Allen key (for rack ears) x 1
USB lead x 1
USB B to USB C convertor x 1
XLR-F to RCA-M adaptor (S/PDIF/AES3) x 1
XLR-M to RCA-M adaptor (S/PDIF/AES3) x 1