Mackie 1402VLZ4 14-Channel Compact Analog Mixer with 6 Onyx preamps

The Mackie 1402VLZ4 14-Channel Compact Mixer features Onyx preamps in a professional compact mixer used for applications that demand flexibility. From every input to every output, the mixer provides the highest headroom and lowest noise for maximum signal integrity.

The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like a dedicated control room section and smooth, accurate fader control, the 1402VLZ4 14-Channel Compact Mixer is a good choice for anybody who demands for professional performance.

Key Features

• 14-Channel mixer featuring signature high-headroom, low-noise design
• 6 Boutique-Quality Onyx Microphone Preamps:
  Wide 60 dB gain range
  128.5 dB dynamic range
  +22 dBu line input handling
  Extended frequency response
  Distortion under 0.0007% (20 Hz to 50 kHz)
• Improved RF rejection, suitable for broadcast applications
• Phantom power for condenser microphones
• 14 High-headroom line inputs with +4/-10 operation control
• 3-Band EQ (80 Hz, & 2.5 and 12 kHz)
• 18 dB/octave 75 Hz low-cut filter on microphone input channels
• Two AUX sends, and level, pan, and PFL solo on each channel
• 60mm long-wearing log-taper faders
• Two stereo returns for connecting FX processor or other stereo source
• ALT 3/4 stereo bus for added routing flexibility
• Control room / phones source matrix
• High-resolution 12-segment stereo meters
• Sealed rotary controls resist dust and grime
• Built-like-a-tank rugged steel chassis with powder-coat finish
• High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
• Rack-mountable design using a rack ear kit (sold separately)
• Multi-voltage power supply for worldwide use
• Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia
• applications, broadcast, and many more

Technical Specifications

Noise
Main Mix Fader Down, Channel Faders Down: -101 dBu
Main Mix at Unity, Channel Faders Down: -91 dBu (95 dB signal to noise ratio, ref +4 dBu)
Main Mix Fader at Unity, Channel Faders at Unity: -86 dBu

Total Harmonic Distortion (THD)
Microphone Pre @ Insert: <0.0007%

Crosstalk / Attenuation
Main Mix Fader Down: -100 dBu
Channel Alt / Mute Switch Engaged: -90 dBu
Channel Fader Down: -90 dBu

Frequency Response
Microphone Input to Main Output (Gain at Unity):
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHz

Equivalent Input Noise
150 Termination: -128.5 dBu, 20 Hz to 20 kHz
Microphone in to main out, maximum gain

Common Mode Rejection Ratio
Better than -70 dB at 1 kHz

Maximum Level
Microphone In: +22 dBu
Tape In: +16 dBu
All Other Inputs: +22 dBu
Main Mix XLR Out: +28 dBu
All Other Outputs: +22 dBu

Impedance
Microphone In: 2.5 k
Instrument Input: 2.5 M?
All Other Inputs: 10 k or greater
Tape Out: 1.1 k
All Other Outputs: 120

Equalizer
High Shelving: ±15 dB at 12 kHz
Mid Peaking ±15 dB at 2.5 kHz
Low Shelving: ±15 dB at 80 Hz

Power Consumption
25 W, 100 to 120 VAC, 50 to 60 Hz

Operating Temperature
32 to 104°F (0 to 40°C)

Fuse Rating
100 to 120 V: 500 mA slo blo, 5 x 20 mm
220 to 240 V: 250 mA slo blo, 5 x 20 mm

Dimensions
12.5 x 14.0 x 3.2" (317.0 x 356.0 x 81.0 mm)

Weight
9.5 lb (4.5 kg)