Atomos SHOGUN ULTRA 7-Inch 8K RAW HDR Monitor/Recorder

Shogun Ultra is everything you’d expect from a Shogun: perfect for larger HDMI mirrorless and SDI cinematic cameras and with network connectivity built-in. It’s also your gateway to amazingly fast and productive cloud workflows. Shogun Ultra is Peak Shogun. Opening up a host of ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud, automated matching filenames with popular cinematic cameras and 4K H.265 for instant publishing from the cloud. Atomos’ close partnerships with major camera manufacturers ensure that Shogun Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.

Shogun Ultra is a leap forward in filmmaking technology that captures your vision in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P with full codec flexibility choice between ProRes RAW, ProRes, DNxHD & H.265 (HEVC).

Shogun Ultra has two faces: Local and Cloud. Use it conventionally, and you have an incredible HDR screen, new monitoring tools and both HDMI and 12G SDI. Turn on its wireless and network capabilities, and you have the best-of-breed Wi-Fi, Ethernet and AirGlu wireless sync technology - and you have access to new and productive cloud workflows like camera to cloud and Atomos Edit. You can even edit your project in the cloud and publish directly to social media within minutes of shooting the action.

Shogun Ultra has been built with a new operating system AtomOS 11 that host new and exclusive monitoring and recording features that bring creativity to live in every project, from cinematic to social media. RecordAssist and PlayBackAssist cover pre-arranged or remote shots, while improved false color tools like Arri False Color or EL Zone system fit with today's creators needs. It opens up ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras. Share what’s on your Atomos screen with other Atomos OS11 users, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio communication between devices in the included feature Atomos RemoteView*. These new features bring even more versatility to the Shogun Ultra, providing professional I/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI- from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Shogun Ultra supports WiFi 6E that boosts cloud video workflows offering more a stable connection. Atomos’ close partnerships with major camera manufacturers ensure that Shogun Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.

New AtomOS, New Look, New Possibilities
Introducing a new version of our operating system, AtomOS 11. Built for the new Ninja and Shogun, it not only looks amazing, but introduces a host of great new features. We’ve made the tools more visible and improved the look of the icons so you know exactly what you’re selecting. It’s easier to use, more logical and feels more professional.

Endless features with OS11
The Shogun Ultra offers a huge range of features that can enhance your workflow, including AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & Atomos and ARRI False Color, EL Zone System colorized exposure through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log>PQ/HLG previewing and more.

Shogun Ultra & ProRes RAW
Over 55 cameras which now support RAW recording over HDMI and SDI on the Shogun and this list is still growing. Apple ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. It gives filmmakers enormous latitude to adjust look of their images, making it ideal for HDR workflows. The new Apple ProRes RAW plug-in adds camera-specific characteristics to the mix. Record up to 8Kp30, 6Kp60 and 4Kp120 ProRes RAW. Or for Camera to Cloud record up to 4Kp60 ProRes RAW whilst recording a HDp60 H.265 proxy file.

Key Features

• 7-inch 2000nit monitor-recorder
• Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P
• Flexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!
• New AtomOS 11 improves memory management, boosts responsiveness, and unleashes new features
• New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist.
• Additional advanced industry leading suite of monitoring tools with one-touch operation like SegmentPro**, EL Zone System, ARRI False color added in combination with other monitoring tools like Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.
• 12G SDI IN and OUT and HDMI IN and OUT
• Bi-directional HDMI<=>SDI input conversion with simultaneous SDI & HDMI outputs
• Long range ATOMOS AirGlu sync technology for wireless timecode via RF and Bluetooth LE
• Connectivity to Atomos Cloud Studio gateway of services
• Dual RAW record for Camera to Cloud workflows - capture up to 4Kp60 ProRes RAW & HDp60 H.265 simultaneously
• SDI Cine new feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras
• Publish directly from the cloud with 4K H.265 Camera to Cloud mode
• 1GbE Ethernet for high-speed robust hardwired network connection
• Faster and stronger connectivity with Wi-Fi 6E
• Share what’s on your Atomos screen with other AtomOS11 users, as well as, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*.

Technical Specifications

Dimensions (W x H x D mm)
198mm x 133mm x 40mm / 7.8” x 5.2” x 1.57”
Weight
730g / 1.6lb (excluding batteries)
Mount points
Top: 1 x 1/4”20 or 3/8” with anti-rotational points, Bottom: 1 x 1/4”20 or 3/8” with anti-rotational points, right: 1 x 1/4”20 or 3/8” with anti-rotational points
Environmental
Ambient operating temperature
Up to 40 Degrees Celsius
Construction & Control
Body
Aluminum alloy chassis with ABS Polycarbonate back plate
CoolingActively
Controlled fan and heat sink
Multi-function button
Power / lock Screen
Tally light
Yes
Power
Input voltage
6.2V to 16.8V
Compatible batteries
1 x NP-F / L-Series
Battery voltage
7.2V
DC in connector
Locking DC Jack (5.5mm OD & 2.1mm ID)
D-Tap
Via optional D-Tap to DC cable
Display
Touchscreen
SuperAtom IPS panel (capacitive touch)
Size
7”
Resolution
1920 x 1200
PPI
325
Bit depth
10-Bit (8+2 FRC)
Backlight Type
Edge lit
Brightness (cdm2 / Nits)
2000nit +/-10%
Aspect ratio
16:9 Image Display
Color Gamut
Rec.709
Calibration support
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, RED LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log
Gamut
BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, ARRI Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
. Cube Format
3D LUT Output
Loop out
3DLUT 50/50
Yes
Monitoring Modes
Native / 709 / HLG / PQ / 3D LUT
HDR output Conversion
HLG / PQ
Color Management
Calibration
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display controls
Backlight, Lift, Gamma, Gain
AtomHDR
Built in Technical Log to HDR EOTF
3D luts
Display, monitor and output, Record, Load via SSD
Legalize
Input
Video Input
HDMI
1 x HDMI 2.0
SDI
1 x 12G SDI
Bit Depth
8 / 10 bit
Video Chroma Subsampling
YCbCr 420 & 422
HDR
Yes, with HDMI Auto detection
File Naming
Standard
S/S/T & Rolling
Via SDI
RED, ARRI, Canon and Sony
Video Output
HDMI
1 x HDMI 2.0
SDI loop out
1 x 12G SDI
HDR
Yes, with Auto detection
Audio In/Out
Audio Quality
24-Bit / 48kHz
Audio Codec
PCM
HDMI
8ch 24Bit, input dependent
SDI
12ch 24Bit, input dependent
Analogue Audio in
3.5mm Jack - 5v power
Analogue Audio Out
3.5mm Jack
Headphone out
3.5mm Jack
Network
Ethernet
1GbE RJ45
Wi-fi
WI-FI 6E
Wireless RF
AirGlu SYNC Time code Network
Cellular
Connect to Hot Spot via Wi-Fi
Web Streaming
RTMP
Yes
RTMP / S
Yes
Video Signal Conversion
HDMI to SDI
Yes
SDI to HDMI
Yes
Timecode / Sync
SDI Embedded
Embedded
HDMI Embedded
Embedded
Time of day
Yes
Wireless SYNC
AirGlu SYNC Time code Network Server or Client
RF Network range
300m
RF Frequency
Region dependent
Number of Channels
12 RF Channels per Region
Number of RF clients
100 clients
Bluetooth Network Range
10-15m (line of sight)
Number of BT clients
2 clients
LTC
Resolution & Frame Rates Maximum (Record, Monitor & Playback)
8k RAW
up to 8Kp30 Via HDMI
6k RAW
up to 6Kp60 Via HDMI & 6Kp30 SDI
4k RAW
up to 4Kp120 via HDMI / SDI
3.5k Anamorphic RAW
up to 3.5Kp60 via HDMI
2k RAW
up to 2Kp240 via SDI
4k DCI
up to 4Kp60
4k UHD
up to 4Kp60
2K DCI 2046 x 1080
up to 2Kp60
FHD 1920 x 1080 Progressive
up to 1080p120
FHD 1920 x 1080 PsF
Pull down
FHD 1920 x 1080 Interlaced
1080i50 / 1080i60
1280 x 720p
60p
Recording CODEC
Apple ProRes RAW
up to 12bit 8Kp30 / 4Kp120
ProRes HQ / 422 / LT
up to 4Kp60
Avid DNxHD
up to 1080p60
Avid DNxHR
up to 4Kp60
h.265
up to 4Kp60 (MOV container)
Primary Codec + Proxy Record
ProRes RAW, ProRes, DNx with H.265
Pre-Roll
8 secs HD / 4 secs 4k ProRes & DNx
Timelapse
Yes
Gang control
SYNC record control
Playback
Playlist
Yes, Selected, Favorites or Combined
Loop Playback
Yes, with custom in and out points
Apple ProRes RAW
Yes, recorded clips
ProRes HQ / 422 / LT
Yes, with linear PCM
Avid DNx HD
Yes, with linear PCM
Avid DNx HR
Yes, with linear PCM
H.265
Recorded clips
Monitoring
SDR
Native, 709, LUT
HDR
HLG, PQ Rec2020
De-Interlace
Selectable mode
Supported media
Interface
SATA 3 - MasterCaddy / SSDmini / CFast II (via adapter)
Master Caddy I
No
Master Caddy II
Yes
Master Caddy III
Yes
SSDmini
Yes
CFast II
Yes, via AtomX CF adapter
File System
exFAT
On screen tools
Waveform
3 sizes
RGB parade
3 sizes
Vector scope
Small / large
1 x Zoom
Tap to zoom
2 x Zoom
Tap to zoom
Focus peaking
Colored and slider for threshold
Zebra
Customizable
EL ZONE SYSTEM Colorized Exposure
ARRI False color
Atomos False color
With IRE scale
Isolate color channel
Blue only
Cine Frame Guides
Preset and Custom
Social Frame guides
Preset and Custom
Safe areas
SMPTE frame size - Action and Safe
Grid markers
9 grid
Frame Grab and Onion skin overlay
Lossless PNG 1920 x 1080
Anamorphic desqueeze
Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
Display Flip
vertical
Onboard Signal Processing
RAW to Video loop out
Yes, conversion from Larger Resolutions to 4k
4K UHD downscale for HD
Yes, menu enabled
DCI Crop
Yes, menu enabled
I > P
2:2 and 3:2
PSF > P
2:2 and 3:2
Remote control
Bluetooth LE
via AtomControl App
External Device Control
Serial 2.5mm Jack
Remote to USB - Z CAM
Supported Applications
XML - Cut, Tag & Edit
Final Cut Pro
Apple ProRes Raw
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
Apple ProRes
All Applications with support for Apple ProRes in .MOV wrapper
Avid DNx
All Applications with support for Avid DNX in .MOV wrapper
Warranty
Standard
1 Year
Atomos Care360 Enhanced
2 Year