Mackie 402VLZ4 4-Channel Compact Analog Mixer with 2 Onyx preamps
The Mackie 402VLZ4 4-Channel Ultra-Compact Mixer features Onyx microphone preamps in an ultra-compact design and is suitable for professional low-input applications. From every input to every output, the mixer is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.
The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. With features like instrument level inputs, phantom power, and level metering, the 402VLZ4 4-Channel Ultra-Compact Mixer is a good choice for anybody who is big on performance, but light on inputs. The bottom panel of the mixer features has three non-threaded holes that allow it to be fitted with an optional microphone stand adapter (sold separately). This lets you support the mixer on a standard microphone stand and adjust its height and level to whatever suits your preferences.
Key Features
- 4-Channel mixer featuring high-headroom, low-noise design
- 2 Boutique-Quality Onyx Microphone Preamps:
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz) - Improved RF rejection, suitable for broadcast applications
- Phantom power for condenser microphones
- 4 high-headroom line inputs
- Selectable instrument inputs on first 2 channels; no DI box needed
- 2-band EQ (80 Hz and 12 kHz)
- 18 dB/octave 100 Hz low-cut filter on microphone input channels
- High-resolution 8-segment stereo meters
- Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Universal power supply for worldwide use
- Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia
- applications, broadcast, and many more
Technical Specifications
Noise
Main Mix Noise:
Main Mix Knob Down, Channel Level Knobs Down: -103 dBu
Main Mix Knob at Unity, Channel Level Knobs Down: -98 dBu
Main Mix Knob at Unity, Channel Level Knobs at Unity: -92 dBu
Signal-to-Noise Ratio, ref. +4 dBu 102 dB
(20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1-2 gain at unity, channel EQs flat, stereo-pan button in)
Total Harmonic Distortion (THD)
20 Hz to 80 kHz Bandwidth: <0.005%
20 Hz to 20 kHz Bandwidth: <0.003%
(1 kHz @ 35 dB gain)
Crosstalk / Attenuation
Main Mix Knob Down: -70 dBu
Channel Level Knob Down: -94 dBu
(1 kHz relative to +10 dBu, 20 Hz to 20 kHz bandwidth, microphone in, 1/4" main out, gain at unity)
Frequency Response
Microphone Input to Main Output (Gain at Unity):
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHz
Equivalent Input Noise
150 Termination: -128.5 dBu, 20 Hz to 20 kHz
Microphone in to main out, maximum gain
Common Mode Rejection Ratio
Better than -70 dB at 1 kHz
Maximum Level Microphone In: +21 dBu
Tape In: +24 dBu
All Other Inputs: +22 dBu
All Other Outputs: +22 dBu
Impedance
Microphone In: 2.55 k
Instrument Input: 1 M?
All Other Inputs: 10 k or greater
Tape Out: 1 k
Phones Out: 60
All Other Outputs: 120
Equalizer
High Shelving: Ā±15 dB at 12 kHz
Low Shelving: Ā±15 dB at 80 Hz
Power Consumption
8 W, 100 to 120 VAC, 50 to 60 Hz
Power Supply
External AC Connector: 2-Pin IEC 250 VAC
Operating Temperature
32 to 104Ā°F (0 to 40Ā°C)
Dimensions
7.3 x 5.8 x 1.6" (186.0 x 147.0 x 41.0 mm)
Weight
3.0 lb (1.4 kg) with power supply
2.5 lb (1.1 kg) without power supply
Payment & Security
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