Like New: Open box product with no signs of use.

Atomos Sumo 19-Inch SE Monitor Recorder and Switcher

More than just a monitor - Sumo 19 is the perfect tool to bridge your 4K HDR workflow across multiple cameras, audio and Atomos devices. Sumo 19 is a Monitor-Record-Switcher, and highly adaptable to suit multiple applications.

Unlock the true potential of your RAW cinema cameras with the Sumo 19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo 19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT and more.

Rugged and versatile design suitable for every application.

1200nit HDR
Touchscreen

ProRes RAW
Up to 6K

4x ISO+Program
Record

Live Switch
Program Out

Live Quad-channel HD Switching & Recording
Take full advantage of 4 x SDI inputs and let Sumo 19 step into the role of a large-format quadview live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen. Sumo 19 allows user to record a fifth ‘program’ channel of your switched feed. Display the resulting mixed output (via HDMI or SDI) live on set.

Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras. You can easily output the switched feed for live streaming with a solution as simple as the Atomos Connect 4K.

For professional productions large and small you save significant space — replacing several boxes in your rack, or decks and monitors on your desk with a single Sumo 19.

HDR in the field and in the studio
HDR really comes to life on the Sumo 19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or gaming consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.

10-bit ProRes and DNx up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.

Two stereo balanced XLR inputs with 48V
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.

Technical Specifications

Weight
Without batteries, media & stand
5.6kg / 12.3lb
With stand
6.2kg / 13.7lb
Dimensions (W x H x D mm)
504 x 310 x 63mm, 19.8” x 12.2” x 2.5” (without stand)
504 x 330 x 180mm, 19.8” x 13” x 7.1” (with stand)
Construction
Aluminum alloy chassis with built in armor protection
Mounting Points
1/4-20 screw; 4 x top, 4 x bottom, 2 x side
3/8-16 screw; 2 x top, 2 x bottom, 1 x side
VESA mount rear
Power
Operating power
75W
Compatible batteries
V-Lock / Anton Bauer via XLR terminal
(Optional mounting plates available)
Input voltage (battery)
14.4V nominal
Battery time (based on 7.4V)
Depends on Watt Hours speci cation of battery used
DC In
1 x DC in (6.2 - 16.8V)
Continuous power* Patent pending
Primary-secondary battery system.
Change batteries without losing power
Loop batteries continuously
Touchscreen
Size
19”
Resolution
1920 x 1200
PPI
120
Aspect ratio
16:9 native
Color Gamut
REC709 HDTV
Look up table (LUT) support
3D LUT (. cube format)
Anamorphic de-squeeze
2x, 1.5x, 1.33x, Panasonic 8:3
Technology
SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
HDR
AtomHDR
Yes
Supported Log formats
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth
10-bit (8+2 FRC)
Brightness
1200nit (+/- 10%)
HDR input (PQ/HLG)
Yes / Yes
HDR output (PQ/HLG)
Yes / Yes
Video Input/Loop Out
HDMI
1 x HDMI (2.0)
SDI
Quad link 4 x 3G SDI* or up to 12G single link SDI
Signal
Uncompressed true 10-bit or 8-bit 422 (Camera dependent)
Video Output (Play Out)
HDMI
1 x HDMI (2.0)
SDI
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal
Uncompressed true 10-bit or 8-bit 422 (Playback file dependent)
Supported Loop Out Formats
HDMI to HDMI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60
SDI to SDI
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60
Video Signal Conversion
HDMI to SDI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & Frame Rates (Record & Playback)
Raw Record
Sony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100/120p
1080;
Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Panasonic VaricamLT / Varicam35* CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Arri Alexa Mini. ARI*
2880x1620; 24/25/30/50/60p
2880x2160; 24/25/30/50/60p
Raw to ProRes / DNxHR
Sony FS5/FS7/FS700
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50/60p
4K UHD;
2K; 24/25/30/50/60/100/120/200/240p
1080;
Canon C300MKII/C500
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Panasonic VaricamLT / Varicam35*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50*/60p*
4K UHD; 24/25/30/50*/60p*
2K; not supported in camera
1080; not supported in camera
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper)
Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; N/A
1080p; 24/25/30/50/60/100^/120^/200/240p
1080i; 50/60i
720p; 50/60p
Onboard Processing
Pulldown removal
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring
Yes - Loop-out and playback (Not available in RAW)
Audio In/Out (48kHz PCM Audio)
HDMI
2 or 8ch 24-bit, camera dependent
SDI
12ch 48kHz 24-bit
Audio
2ch balanced XLR analog in/out (direct XLR connection)
Dynamic range
>90dB
Max signal level
+24dBu
Max analog gain
+52dB
48V Phantom Power for Mic
Headphone Out
3.5mm
Built-in Speakers
Yes
Remote Start/Stop
HDMI
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI
SDI trigger camera selectable
Other
LANC control - Slave
Playback
Playlist / Genlock / LTC
Yes / Yes / Yes
CDNG (Recorded content)
No support
ProRes (Recorded content)
All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content)
All recorded files can playback. Playback in slow motion >= 100fps
Recording
Pre-roll record
Yes (HD 8s, 4K 2s)
Custom timelapse
Yes
Meta data tagging
Yes (10 tags available)
Supported media
2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy case
Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock
2.5” SATA to USB 2.0/3.0
Supported applications
Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support
FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories included
Sumo unit, Master Caddy II x 1, AC power supply
Optional extras
Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration
Warranty
1 year. Extended to 3 years on product registration