Blackmagic Design PYXIS 12K PL Full Frame Cinema Camera

Blackmagic Design PYXIS 12K PL Full Frame Cinema Camera

The Blackmagic Design PYXIS 12K PL is a professional full frame cinema camera featuring a massive 12288 x 8040 sensor with 16 stops of dynamic range, a fixed PL mount for high-end cinema glass, and dual CFexpress media recording — delivering Hollywood-grade image quality in a precision CNC-machined aerospace aluminum body. Generation 5 color science captures accurate skin tones and rich organic color straight from the sensor, with DaVinci Resolve Studio included for complete post-production control.

For productions evaluating the best full frame cinema camera with PL mount compatibility, the PYXIS 12K stands apart by combining native 12K resolution with true anamorphic 6:5 recording at 9648 x 8040 — resolving more detail through anamorphic glass than any comparably priced digital film camera. Dual native ISO (200–3200, optimized at 800), a built-in optical low pass filter, and support for up to 112 fps at 8K make this camera equally capable on controlled feature film sets and fast-moving documentary productions. Blackmagic Cloud integration and a built-in hardware streaming engine further extend its value for professional cinema camera workflows requiring real-time media delivery.

The PYXIS 12K PL integrates into a comprehensive professional ecosystem: its 12G-SDI output feeds on-set HDR monitors, the mini XLR input with 48V phantom power connects boom mics and lavs directly, and Ethernet plus USB-C connectivity enable network-based camera control via REST API. The fixed PL mount accepts cinema lenses from Zeiss, ARRI, Cooke, and other premier manufacturers without adapters — a critical advantage for rental-house compatibility and union productions demanding certified cinema glass. DaVinci Resolve Studio, included at no additional cost, handles the complete post pipeline from edit through color and mastering.

Key Features of the Blackmagic PYXIS 12K Cinema Camera

• Massive 12K Full Frame Sensor: Captures at a native 12288 x 8040 resolution across a 36 x 24mm full frame sensor — nearly three times the area of Super 35 — enabling shallow depth of field and uncropped anamorphic imaging that smaller sensors cannot replicate.
• 16 Stops of Dynamic Range: Preserves highlight and shadow detail in extreme lighting conditions, allowing exposure to be set for the subject while retaining both deep shadow and blown-highlight recovery in DaVinci Resolve Studio post production.
• Fixed PL Mount for Professional Cinema Lenses: Accepts PL-mount lenses from Zeiss, ARRI, Cooke, and other leading manufacturers natively, without adapters, ensuring full mechanical and electronic lens compatibility on professional productions.
• Dual CFexpress Media Slots with Hot Swap: Records full-resolution 12-bit Blackmagic RAW continuously by hot swapping cards without stopping the camera — eliminating data loss risk on long takes or live events.
• Generation 5 Color Science: Delivers the same advanced color processing found in the URSA Cine, with a new 12-bit dynamic gamma curve that captures greater color data in highlights and shadows for natural, film-like response to grading.
• Built-In Hardware Streaming Engine: Supports RTMP and SRT streaming to YouTube, Facebook, X, and other platforms via Ethernet or 4G/5G mobile connection — enabling live broadcast directly from set without additional hardware.
• 4″ HDR Touchscreen with 1500 Nit Brightness: Provides full-resolution monitoring, histogram, waveform, frame guides, and 3D LUT preview in direct sunlight — reducing dependence on external monitors for single-operator setups.
• DaVinci Resolve Studio Included: Delivers the complete professional post-production suite — editing, color grading, audio post, and visual effects — at no additional cost, representing significant value for independent productions.

Technical Specifications

• Sensor Resolution: 12288 x 8040 (12K)
• Sensor Size: Full Frame 36 x 24mm
• Dynamic Range: 16 stops
• Native ISO: 200–3200 (optimized at 800)
• Maximum ISO: 25,600
• Lens Mount: PL
• Recording Formats: Blackmagic RAW (12-bit), H.264 proxy
• Frame Rates: Up to 40 fps at 12288 x 8040 (3:2 open gate); up to 60 fps at 12288 x 5112 (2.4:1); up to 112 fps at 8192 x 3408 (8K)
• Anamorphic Recording: 9648 x 8040 at 6:5 (9.6K true anamorphic)
• Media Slots: 2x CFexpress (Type B)
• Expansion Port: USB-C (up to 10 Gb/s)
• Monitor: 4″ HDR touchscreen, 1500 nits
• Video Output: 12G-SDI (HDR and Ultra HD support)
• Audio Input: Mini XLR with 48V phantom power; 3.5mm microphone input
• Audio Output: 3.5mm headphone jack; built-in speaker
• Connectivity: Ethernet, USB-C, Bluetooth (up to 30 ft), Timecode In (BNC), Reference Input
• Power: BP-U series battery; locking DC connector
• Streaming: RTMP, SRT (YouTube, Facebook, X, Blackmagic ATEM Streaming Bridge)
• Color Science: Generation 5 (Blackmagic Design)
• LUT Support: 17-point and 33-point 3D LUTs
• Operating System: Blackmagic OS
• Languages Supported: 13 (English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, Korean)
• Body Construction: CNC machined aerospace aluminum
• Included Software: DaVinci Resolve Studio
• SKU: BMD-CINECAMCPYXO12LFPL
• Weight: 8 lbs

What's in the Box

• Blackmagic Design PYXIS 12K PL Camera Body
• Standard Side Plate
• SSD Side Plate
• International DC Power Adapter with Socket Adapters
• DaVinci Resolve Studio License